Posted on Monday, December 9th, 2013 by Angie Han
It’s become de rigeur for any beloved show on its way out to tease the possibility of a movie sequel, and sometimes those promises even come true. Veronica Mars is headed to the big screen next year, for example, and Entourage is set to shoot next month. But don’t expect Friday Night Lights to join them in theaters.
Since the football drama ended in 2011, certain cast and crew members have hinted repeatedly at a follow-up film — Peter Berg among them. Now, however, the producer is singing a different tune, saying that he doesn’t think a movie is such a great idea after all. Read his comments after the jump.
[Update: Taylor Kitsch has weighed in on the movie idea. Hit the jump to see what he had to say.]
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Posted on Thursday, December 5th, 2013 by Angie Han
One thing that’s remained unclear through all the chatter about the two different cuts of Nymphomaniac in existence, and Lars von Trier’s feelings about the shorter version, and potential distribution plans for the longer version, is when, exactly, U.S. audiences would get to see this gloriously NSFW sexual epic.
Magnolia’s been set to distribute for some time now, but has only now gotten around to setting a Stateside premiere date. Or rather, two Stateside premiere dates. Hit the jump for all the details on the film’s American release.
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The Coen Brothers‘ new film is Inside Llewyn Davis, and this one is particularly special. It’s a beautiful, bleak picture. One of the characteristics of the movie is a silky, strangely luminous color palette that relies on subdued silvery grey and faded browns. It’s nearly black and white.
That led me back to the brothers’ 2001 film, The Man Who Wasn’t There. Released in black and white, the film was shot in color — with a palette not dissimilar from that of Inside Llewyn Davis — and then graded to B&W in post-production.
A color version of the movie was also finished for contractual reasons, and released on DVD in markets such as France and South Korea. Though the movie wasn’t really intended to be seen in color (most of the making-of shots you’ll see are even B&W) it’s still an interesting way to see the film. Below, see a long color clip from that version, and watch an interview with the Coens talking about its creation. Read More »
Posted on Wednesday, December 4th, 2013 by Angie Han
The Coen Brothers‘ Inside Llewyn Davis has earned strong buzz from the get-go, picking up the Grand Jury Prize shortly after its Cannes debut and earning Best Feature at the Gotham Independent Film Awards this past weekend. Now, after months of hype and even more months of marketing, it’s finally about to arrive in theaters.
Oscar Isaac leads the drama as Llewyn, a singer trying to make his way around the folk scene in the early ’60s. He’s not having an easy go of it: his solo career isn’t taking off, his best friend’s girlfriend is pissed at him, and he doesn’t even have a proper coat to keep him warm through the winter. But his misfortune is our good luck, as his many trials make for a pretty great film. Watch the newest U.K. trailer after the jump.
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The /Filmcast is taking a break this week, but that’s not stopping Devindra from gushing about Wong Kar Wai’s latest film, “The Grandmaster,” with Film.com‘s David Ehrlich. It’s far from perfect, but the combination of Wong Kar Wai’s visuals, great fight choreography, and Tony Leung’s oh-so soulful eyes make The Grandmaster one of the most memorable films of the year.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, like us on Facebook!
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Posted on Tuesday, December 3rd, 2013 by Angie Han
Jude Law is a pretty, pretty man, and (like many actors) he’s enjoyed a long, healthy career in part by capitalizing on this fact. But in Dom Hemingway, he’s nothing like the handsome, elegant presence we’ve come to expect. Instead, he looks bleary and bloated and altogether slimy, and his performance looks all the more entertaining for it.
Directed by Richard Shepard, the British crime dramedy stars Law as a loud, lewd safecracker just coming off of a twelve-year stint in prison. He reunites with his BFF (Richard E. Grant) to try to get his life back on track, which means trying to collect what he’s owed from his boss (Demián Bichir) and mending his relationship with his daughter (Emilia Clarke). Check out the newest red-band trailer after the jump.
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The National Football League is known for a slew of iconic names, but only one has his name on the championship trophy. When a team wins the Super Bowl, they received the Vince Lombardi Trophy, named after the legendary and innovative coach of the Green Bay Packers. Lombardi coached the Packers from 1959-1967, a run during which they won both the first and second Super Bowls.
Now, writer/director J.C. Chandor (All is Lost, Margin Call) has been hired by Legendary Pictures to write and potentially direct a film based on the most celebrated coach in NFL history. Read More »
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Posted on Tuesday, November 26th, 2013 by Angie Han
One of the greatest films that never was could finally be coming to fruition, and Baz Luhrmann might be the man to make it happen. Steven Spielberg and HBO are reportedly eyeing the Great Gatsby director for Napoleon, a miniseries based on a never-produced script by the great Stanley Kubrick. Hit the jump for more on the project and its epic history.
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