The whole tongue-in-cheek, gory, B-movie grindhouse thing is so played out these days. How many ways can you film the explosion of the human head or the mutilation of a body part, really? Before Hobo With A Shotgun, I would have said there was some sort of ceiling to that kind of carnage. But co-writer and director Jason Eisener has come up with so many new, creative ways to destroy the human body (and insane dialogue to go along with it) that, I dare say, he’s taken the tongue-in-cheek, gory, B-movie grindhouse thing to a whole new level. Hobo With A Shotgun is so incredibly over the top with its excess, fans of this genre are going to be bowing to it. Read More »
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Fantastic Fest in Austin, Texas is mere hours away and we’ve got a look at some of the awesome poster art from Mondo that will be on sale at the event. There are posters for Let Me In and Rubber both by /Film favorite Olly Moss, Roger Corman (co-winner of this year’s Fantastic Fest Lifetime Achievement Award) by Zach Hobbs, Red, White & Blue by Sawdust, Nevermore by Alan Hynes, and X: The Man With X-Ray Eyes by Rob Jones.
Hit the jump to check them all out. Read More »
Earlier this month a suspicious tweet filed by filmmaker Edgar Wright led us to speculate that a Blu-ray release of Grindhouse was in the works. As you probably know, when Grindhouse was released in theaters, it was a double feature featuring Robert Rodriguez‘s Planet Terror, Quentin Tarantino‘s Death Proof, and a few faux trailers at the beginning and in between. When the films were released on DVD, they were distributed as separate movies, with the trailers omitted from both releases (with the exception of Machete). Last month it was finally revealed that the full Grindhouse release would hit stores on October 5th 2010. Now we have the full details, including the DVD/Blu-Ray cover art.
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A couple months back, we got a sneak preview of Robert Rodriguez’s Machete thanks to an a special “illegal” movie trailer released online for Cinco De Mayo. The real movie trailer was attached to the Rober Rodriguez-produced Predators (watch it now). At Comic-Con, Rodriguez released a new Red Band movie trailer. Watch the trailer now below.
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Titanic 2 is one of those jokes that everyone has made at sometime over the past decade. It’s the one sequel no one expects will ever be made. There was even a great mock trailer produced four or five years ago.
Guess what.. someone has just completed principal photography on Titanic 2, and it isn’t James Cameron.
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It’s a crazy, mixed up world and we are thankful for movies that offer proof. Slashfilm’s Weekend Weirdness examines such flicks, whether in the form of a premiere for a provocative indie, a mini review, or an interview straight outta Nilbog.
Since I last spoke with director Michael Stephenson for Slash, his documentary Best Worst Movie has continued to slime the world and gently ooze into the mainstream. Witnessing the steady expansion of buzz for the film—which sees Stephenson embrace his childhood role and cult status in the nonpareil B-movie of our generation, Troll 2, while seeking out his former cast mates—has been a lesson in DIY spirit and Drafthouse-lead modern geek networking.
The hard work of Stephenson, his wife Lindsay, and the doc’s main subject and muse, Troll 2 co-star George Hardy, paid off this month with a promising distribution deal. A new summer theatrical tour schedule has been announced, and a brand new Best Worst Movie trailer has been unveiled. Both are posted below. Weekend Weirdness decided it was a perfect, albeit busy, time to check in with Stephenson for an update. He was in the middle of pulling an all-night editing session on numerous, secret special features. Put on a goblin mask and a burlap sack. Stay away from the green icing. And read on.
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It’s a crazy, mixed up world and we are thankful for movies, excluding The Tooth Fairy starring The Rock, that offer proof. /Film’s Weekend Weirdness examines such flicks, whether in the form of a new trailer for a provocative indie, a mini review, or an interview.
It’s rare when the marketing campaign for an indie movie has a celebratory feel, clearly organized by a team as psyched on the feature as they hope the recipient will be. Soon after learning of Black Dynamite last year, several packages arrived at my home/office in correlation with its theatrical release. They contained quality tees—one read “Fight Smack In The Orphanage” in bold-ass white-on-black CAPS—along with a high concept soundtrack and a media kit ribboned and accented with a syringe pen. For months thereafter, director and co-writer Scott Sanders seemed to personally and tirelessly push Dynamite to every white sucka on Internet Geek Street. It was admirable, considering that his second feature film was indeed a pretty fun, meticulously designed hat tip to the Afro-Fu era of Dolemite.
The film is also a stable showcase for Sanders’s pal Michael Jai White (Spawn, The Dark Knight) to launch a renewed case for chiseled action stardom, and a welcome invite for underseen talents like Tommy Davidson and Arsenio Hall to get retarded. Oh, and if you ever wondered about the true origin of chicken and waffles? That’s in there too. During an absurd week that saw oversensitive Twitterers erupt over the existence of soul food, what better film and DVD to welcome Black History Month? Slashfilm’s Weekend Weirdness asked Sanders a few questions about Dynamite’s future as a CIA agent-cum-VietNam veteran-cum-inner city exterminator of “jive ass” dummies. (Note: NSFW movie stills after the jump.)
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There’s been even more gossip about a projected third Kill Bill film from Quentin Tarantino than about his long-delayed Whole Bloody Affair recut of the first two parts. The latest loose-lipped culprit to go sowing wild rumours is Daryl Hannah.
Hannah was speaking to UK TV channel Film 24 about her role in Raoul Ruiz’ A Closed Book when they got her on the topic of Tarantino’s Bride movies. In the first two films she played Elle Driver, the eye-patched Deadly Viper Assassin that we last saw losing her one good peeper. It was safe to assume she’d been offed, though apparently that’s not Daryl’s take. She told the channel:
He always meant it as a trilogy… Think about it. There’s always been a tradition of blind Samurais and you never actually saw her expire in the other film.
Does this mean we’re any closer to a Kill Bill threeque or spin-offl? Probably not, but I wouldn’t be surprised to find out her comments on the blind samurai role were actually founded in something Tarantino has told her.
It’s a crazy, mixed up world and we are thankful for movies, sans The Tooth Fairy, that offer proof. /Film’s Weekend Weirdness examines such flicks, whether in the form of a new trailer for a provocative indie, a mini review, or an interview. In this installment: the perverse and obscure ’60s thriller, Who Killed Teddy Bear?, being shown tonight at NYC’s Anthology Film Archives; the doc, Nick Nolte: No Exit, which finds good ol’ Nick candidly Q&Aing himself on topics ranging from god to drugs. For a special Weekend Weirdness posted yesterday about the imaginative skateboarder fantasy Machotaildrop, click here.
Photographed above is a real deal, shrink-wrapped, limited-edition VHS for The House of the Devil, promoting its release on DVD/Blu-Ray early next month. It’s one of the coolest pieces of swag I’ve received for this column thus far; to my knowledge only a few peeps were sent one, including Devil-supporter Drew McWeeny at HitFix. And even fewer peers have watched the tape. Some are scared, others are sans VCR. I’ve seen last year’s best horror flick at least thirteen times now, so I’d rather keep it sealed. Similar to the wizard-bong approved THotD poster design by Kellerhouse last year, the VHS packaging has faux rental scruffs, in addition to a retro “new release” starburst. A disclaimer on the back reads, “Caution: This film contains Satanic references and graphic violence.” Haters would add: “…and so much pointless walking.”
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