current war tiff

The last thing cinema needs right now is another movie about a brilliant man whose brilliance is expressed through being a stubborn jerk. We already have a wealth of these artist as needlessly mean, antisocial guy portraits, and to keep adding more at this point goes well beyond beating a dead horse.

But Me and Earl and the Dying Girl director Alfonso Gomez-Rejon manages to get some great milage by taking such a setup and approaching it through a deconstructed lense with The Current War. The brilliant jerk in question this time is none other than the Wizard of Menlo Park himself, Thomas Edison. Edison, that brilliant inventor and sometimes thief, is played by Benedict Cumberbatch, an actor who has made almost an entire career playing brilliant jerks. It’s typecasting to the nth degree, but it also works. Cumberbatch brings an amusing, detached air to Edison, playing the genius as an overly competitive, short-tempered savant who wants to slap his name on everything.
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Molly's Game Reviews

The Toronto International Film Festival is in full swing, and one of the movies we were most excited to hear about was the directorial debut of The Social Network and A Few Good Men writer Aaron Sorkin. If the reviews from the festival are any indicator, not only does Sorkin have another fantastic movie to add to his career, but Jessica Chastain can add another acclaimed performance to her résumé.

Molly’s Game follows a former Olympic skier who turned from the sudden end of her athletic career to a thriving business throwing poker games for Hollywood celebrities, business tycoons and plenty of exclusive high rollers. To find out what critics are saying about Aaron Sorkin’s first turn at directing his own script, read out round-up of Molly’s Game reviews below. Read More »

i, tonya

In the 1990s, the story of figure skater Tonya Harding dominated the early days of the 24-hour news cycle. It was the testing ground for where news was headed, away from reporting and into gossip. It would be repeated tenfold by the O.J. Simpson trial, which came after the Harding incident was dying down. By then, the media was learning a valuable lesson: everyone loves a juicy story with a lot of dirt.

Craig Gillespie’s I, Tonya trades in gossip, but it also wants to get to the truth. The truth that many people probably don’t even know. For most people, Tonya Harding is little more than a punchline. I, Tonya wants to remind you she’s also a person. Read More »

Suburbicon Review

It’s not often that one film attempts so many different things and manages to make none of them work, but gosh darn it, Suburbicon somehow makes such blundering seem easy. Director George Clooney packs a whole lot of ideas into his tale of the underbelly of 1950s suburbia, but they’re really bad, lazy ideas, which is a shame because Suburbicon has quite the pedigree.

The biggest problem with Suburbicon is that it’s really two different movies cobbled together. One movie is a dark, farcical Coen Brothers-style crime movie. Which makes sense, since the Coens have a writing credit on the film. But then there’s the other movie, one that deals with racism and white supremacy. This is an element of the film that absolutely none of the advertising even hints at, which is kind of strange.

You really shouldn’t hold a movie’s advertising against it, but the trailers for Suburbicon make it look like a wacky dark comedy about a family man in the 50s fighting back against his tormentors. That’s not even close to what this movie is about, and the fact that the trailers tried to sell it as that hints at a movie that folks don’t know how to sell.
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Molly's Game Review - Jessica Chastain

Aaron Sorkin has had some trouble when it comes to his female characters. It’s not that Sorkin has never written a good female character; he has – C.J. Cregg on The West Wing immediately springs to mind. But more often than not, Sorkin has a tendency to reduce women to roles in which their biggest character trait is how well they stand beside powerful, smart men.

So it’s interesting that for his directorial debut Molly’s Game, Sorkin chose to helm a feature about a woman. Perhaps the writer was issuing a challenge to his critics – “I’ll show you once and for all that I can tell a story about a strong female character without resorting to mansplaining.”
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Professor Marston and the Wonder Women Review

It seems Wonder Woman has not one but two origin films in 2017. After breaking the box office and single-handled rescuing the DCEU with Patty JenkinsWonder Woman, the Amazon Warrior’s impetus is explored even further with Angela Robinson’s sweet, funny, and sexy Professor Marston and the Wonder Women.

Robinson’s film follows the people who helped create the most popular female superhero, and it’s not your typical creation tale. Instead, this is a polyamorous love story about the man and two women who fell in love with each other and eventually put their heads and kinks together to create Diana of Themyscira.  
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manhunt trailer

John Woo made a career creating operatic, ultra-violent crime films peppered with shoot-outs, stand-offs, morally ambiguous characters, and lots and lots of slow-motion doves. Woo eventually made the leap from Hong Kong cinema to Hollywood and created one of the greatest action movies of all time, Face/Off. But Woo’s Hollywood adventure was never truly able to rise above the joys of that film, and the filmmaker returned to Hong Kong.

Woo’s latest film, the Chinese-Hong Kong production Manhunt, is being heralded (by people who are paid to promote the film) as a return to form, supposedly recalling his classics like A Better Tomorrow and The Killer. Well, don’t believe the hype.

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The Death of Stalin Review

“I wanted to get away from American politics,” joked Veep creator Armando Iannucci at the world premiere of his new film The Death of Stalin during the Toronto International Film Festival. “So what better way than to make a film about a narcissist who terrifies his own country?”

It’s hard not to see parallels to the current American political climate and that of the chaotic days following the demise of Soviet dictator Joseph Stalin as depicted in The Death of Stalin. Of course, The Death of Stalin manages to make its events much funnier. Much, much funnier. With this film, an adaptation of a graphic novel, Iannucci, who helmed the acerbic In The Loop, has made his masterpiece, a pitch-black comedy of terrors that might be one of the most hilarious films of the 21st century.
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The Florida Project Review

The Magic Kingdom colors almost every scene of The Florida Project. Sean Baker’s achingly beautiful and heartbreaking new film is set in Florida (obviously), very close to Disney, and nearly everything in the background advertises the The Most Magical Place On Earth. Tourist trap stores with huge painted signs advertising Disney merch constantly lurk in the periphery.

But the characters in The Florida Project occupy their own kingdom, one comprised of rundown motels and abandoned buildings. These might seem like squalid conditions, but Baker finds a way to make them seem warm and welcoming without ever trying to glamorize them. The sunsets are fierce and gorgeous, lush pinks and reds and golds, vast and seeming to stretch on for infinity. They feel like home.
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Suburbicon Trailer - Matt Damon

This fall brings a reteaming of filmmaking duo Joel & Ethan Coen and superstar George Clooney, but not in the capacity that we’re used to see them collaborate. Instead, Suburbicon sees the Coen brothers only writing the script, and George Clooney is directing without starring in the movie himself, which is something he’s never done before. Now a new Suburbicon trailer has arrived online featuring some praise following the film’s debut at the Venice Film Festival this past week. Read More »