Sleight is like Doug Liman’s Go crossed with Now You See Me, with a side of Chronicle. Smart, fun, and thrilling, JD Dillard‘s feature film debut will likely be a fast sale at Sundance as it provides some great high concept ideas at a micro budget.
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Morris From America is a wonderful and heartfelt cross-cultural coming-of-age tale about an African-American boy trying to adapt in Germany. This hip-hop-infused rite of passage story would work well in a triple feature alongside other Sundance films like Dope and The Wackness.
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When you’re at the Sundance Film Festival, there are a lot of tropes that you get used to. Estranged family, loved one dying of cancer, coming of age romance, and comedy actors looking to show that they can be dramatic too. But sometimes you get something absolutely bonkers that doesn’t have any of those things. That something is The Lure.
Hailing from Poland, the film from director Agnieszka Smoczynska is full of style, and it will undoubtedly be the best Polish rock musical with bloodthirsty sirens you’ll ever see, but that’s mostly because it’s the only one of its kind. Read on for The Lure review from Sundance. Read More »
If you loved What We Do in the Shadows as much as the entire crew at /Film did, then you’ll want to keep your ear to the ground to find out when director Taika Waititi‘s next film hits theaters. Hunt for the Wilderpeople just debuted this weekend at the Sundance Film Festival, and it’s a worthy follow-up to the filmmaker’s vampire comedy, and it has even more heart to go with the hiliarity this time around. Thankfully, a short Hunt for the Wilderpeople trailer has just arrived to give you a taste of the movie. Watch! Read More »
During a ceremony honoring legendary TV producer Norman Lear, comedian Amy Poehler says, “It’s hard to make people laugh, tackle big issues and get big ratings. That’s why no one does it anymore.” Indeed, in the relatively short history of television, no one has had as big of an impact on the medium as Norman Lear, the creator of classic shows such as All in the Family, The Jeffersons, Maude and more.
The documentary Norman Lear: Just Another Version of You dives into the life and career of this man who changed TV forever with those shows, and it makes for a surprisingly touching, charming and intimate profile. Read More »
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Posted on Friday, January 22nd, 2016 by Angie Han
On paper, Other People sounds like the most stereotypical of Sundance movies: it’s a semi-autobiographical indie dramedy (check) about a gay New York writer (check, check, check) who returns to his hometown (check) to care for his dying mother (bingo!). But in practice, every element is so well executed that the film itself feels like something special.
Said gay New York writer is David, played by Jesse Plemons in his first feature lead role, and the film makes a strong case for giving him more such parts. His performance isn’t especially showy, but he’s got an unassuming everyman charisma that makes him effortlessly watchable. Read More »
It’s been two years since the indie drama Imperial Dreams debuted at the Sundance Film Festival, and that was just before star John Boyega landed what will likely be the biggest role of his career in Star Wars: The Force Awakens.
Sadly, the film, which isn’t about Finn having dreams of joining the Empire, still doesn’t have distribution despite the fact that it’s deserving of an audience. That’s why the Imperial Dreams trailer has made its away online in an effort to get some more buzz and interest on the film again. Check it out below! Read More »
Yesterday I posted part one of my two-part look at the best movies of Sundance Film Festival history. Today I return with the second installment, which takes a look at the best movies from the last 16 years of the festival as Park City became not only the mecca of American independent film but the launching pad for hundred million dollar award contenders.
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The Sundance Film Festival isn’t just a film festival, but a look into the future of cinema. As we travel to Park City Utah this year, I thought it would be nice to take a look back at the last 30 years of the festival. Today I begin part one of my two-day, two-part look at the best movies of Sundance Film Festival history. In part one I will focus on the first 15 years of the festival* as the small independent film festival grew into the launching pad for new filmmakers and ground zero for the independent movie boom of the 1990’s.
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