The SXSW film festival has been ramping up its Midnight programming over the past few years, to the point where each new iteration of the fest sees the debut of at least one or two very worthy genre entries.
Two of the Midnight films this year are 13 Sins and Starry Eyes, and short, violent and intense trailers are available for each. (That’s an excerpt of the spectacular Starry Eyes poster above; see the full image below.) Read More »
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Posted on Monday, March 10th, 2014 by Angie Han
When Jon Favreau released the first Iron Man, he was still seen as an exciting young director on his way up despite having credits like Made, Elf, and Zathura. Then came Iron Man 2 and Cowboys & Aliens, and his name started to elicit more eye-rolls than smiles. But at SXSW this year, he unveiled what seems to be a return to form: a crowd-pleasing indie called Chef.
In it, Favreau plays a once-acclaimed chef rebuilding his life after a heavily YouTubed incident sends his career on the skids. He’s also dealing with a gorgeous ex-wife (Sofia Vergara) and an adorable moppet of a son (Emjay Anthony). So how does this latest effort stack up against some of Favreau’s critically scorned tentpole output? Get the word from SXSW and check out some first-look photos after the jump.
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Focus Features has announced a release date for their Sundance film: The Signal‘s release date is set for Summer 2014. This shows tremendous confidence in William Eubank‘s sci-fi thriller, which was one of my favorite films from this year’s Sundance Film Festival.
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Vertical vs. horizontal is a huge debate in the online community. Due to YouTube aspect ratios, most people believe all videos should be shot with your phone on its side, creating the familiar horizontal image like you’d see in a movie theater. If you shoot the footage vertically and then upload to the web, there are huge black spaces on either side, making the footage look amateurish and small.
But there’s a movement embracing the vertical format, and nowhere is it seen better than Rotterdam in the Netherlands. There, a group of filmmakers have started the Vertical Cinema project – a traveling film festival featuring movies specifically shot with a vertical orientation.
Below, read more and see additional images and trailers for some of the films screened in the festival. Read More »
While we wait for Terry Gilliam‘s new film The Zero Theorem to hit theaters in the US (which will happen… sometime) we’ve got a few new tidbits for you to check out. One is a “making-of” featurette on that film, showing some of the means with which Gilliam, his crew, and stars Christoph Waltz, Melanie Thierry, Lucas Hedges, Ben Whishaw, Tilda Swinton, David Thewlis, and Matt Damon brought the story’s weird vision to life.
Even as that movie moves towards theaters, Gilliam is really going back to shoot The Man Who Killed Don Quixote once more. He’s scorned the idea of using Kickstarter to finance the film when asked about such an idea in the past, but now seems to be more open to the process. Quotes on that are below, too. Read More »
Film festivals are becoming more accepting of genre films — perhaps it started with TIFF’s excellent Midnight Madness program, which has run for well over a decade, or perhaps it’s simply the more mainstream presence of genre stories and ideas in general, thanks to the popularity of horror and sci-fi on television. Regardless, festivals like Sundance and SXSW are competing with TIFF when it comes to debuting big projects for genre audiences.
SXSW just revealed the ten titles in its Midnighters lineup for 2014, and they include the world premiere of Bigfoot found-footage film Exists from director Eduardo Sanchez. There are also a couple showings of The Guest (above) from the You’re Next team of director Adam Wingard and writer Simon Barrett, with Downton Abbey‘s Dan Stevens starring. Inside creators Julien Maury and Alexandre Bustillo have Among the Living, and the horror film Oculus debuts as well.
SXSW runs from March 7-15. You’ll find the Midnighters selections, and various shorts lineups, below.
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Briefly: The 2014 Sundance Film Festival is over and done but the we’re still seeing the effects of the fest on film distribution. Three of the festival’s more popular films were just picked up for future release. The first is Infinitely Polar Bear, the Bad Robot-produced dramedy starring Mark Ruffalo and Zoe Saldana. Sony Pictures Classics acquired the rights. No release window has been planned yet but the movie is wonderful. Read our review here.
Also now headed to a theater near you is Ping Pong Summer, Michael Tully‘s ode to the Eighties, which has been picked up by Gravitas Ventures and Millennium Entertainment. They’re planning a theatrical run early this Summer. Read our review here.
And finally, Timo Tjahjanto and Kimo Stamboel‘s Japanese action film Killers, produced by Gareth Evans, was picked up by Well Go USA Entertainment. It’ll be out in the fourth quarter of this year. Thanks to The Wrap.
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My mind just exploded. Every year, the Mondo Gallery in Austin, Texas hosts a massive art exhibit during South by Southwest but, this year they’ve outdone themselves. They’re teaming with Oh My Disney for a show called Nothing’s Impossible, and it’s all art based on Disney properties.
The show opens March 7 and remains open until March 11. It’ll feature new works by Ken Taylor, Martin Ansin, Kevin Tong, Tom Whalen, Aaron Horkey, Daniel Danger, JC Richard, Mike Mitchell, just a murderer’s row of amazing artists. Only one piece has been revealed, Alice in Wonderland by Ken Taylor, which you can see in part above. Check it out in full below along with all the info. Read More »