First 10 Minutes of Hunt for the Wilderpeople

Not only was What We Do In The Shadows one of my favorite films of 2015, it shocked us all by coming in at #2 on the list of the best movies of the year put together by all of us here at /Film. Right now the film’s director, Taika Waititi, is busy in Australia behind the camera for Thor: Ragnarok, the third film in the Marvel Studios franchise. But before he went into superhero territory, Waititi went back to New Zealand for an indie adventure comedy that debuted at Sundance this year and is now readily available for you to watch.

Hunt for the Wilderpeople arrives on Blu-ray and DVD next week, but you can actually buy it on Digital HD right now if you were so inclined. And honestly, it could be the best decision you make this month, or even next month. The film takes the character dynamic of Up and tosses it into the brush of New Zealand with adorable hilarity that only Taika Waititi can deliver. If you need any more convincing, you can watch the first 10 minutes of Hunt for the Wilderpeople after the jump. Read More »

Newtown Trailer

On December 14, 2012, a gunman entered Sandy Hook Elementary School in Newtown, Connecticut and shot 20 children aged between 6 and 7 years old, as well as six adult staff members. It’s the kind of horror that you hope one can’t even imagine, but it became a real life nightmare for the parents and families of the murdered children and school employees. Now a new documentary looks at how the small town is recovering a few short years later.

Newtown premiered at the 2016 Sundance Film Festival earlier this year and was acquired this past summer for a release this fall. Now the first trailer for the documentary has arrived, profiling the parents who lost their children in the vicious act, as well as a surviving teacher, one of the emergency room doctors who took care of the victims, and even some of the survivors who witnessed this tragedy firsthand.

Watch the Newtown trailer after the jump. Read More »

Black Mirror Season 3 Review

It’s been nearly two years since the last episode of Black MirrorCharlie Brooker‘s tech dystopia anthology series, and over three years since the last proper full season aired. Naturally, then, news that Netflix had commissioned 12 more episodes was met with a combination of excitement and trepidation.

On the one hand, Black Mirror is second to none when it comes to chronicling the way humanity and technology intersect in 2016. On the other, we’ve seen tons of shows renewed after extended hiatuses, only to return as shells of their former selves. Could the third season of Black Mirror live up to the greatness of the first two? Based on the two episodes that screened at TIFF, “San Junipero” and “Nosedive,” the answer seems to be yes.  Read More »

La La Land Review

“They don’t make ’em like this anymore” is a frequent lament when it comes to movies, but it couldn’t be truer in the case of La La Land, an unabashedly old-fashioned musical directed by Whiplash‘s Damien Chazelle. Set in contemporary Los Angeles — with just enough modern-day flourishes to remind you that this is a movie made and set in the 2010s, not the 1950s — La La Land follows a struggling pianist and an aspiring actress who fall in love but find their separate dreams threatening to pull them apart. It’s a story as old as Hollywood and jazz, and Ryan Gosling and Emma Stone feel like a pairing for the ages.

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The Belko Experiment Review

James Gunn has been tied up with Marvel movies for the past couple of years, but somewhere in there, he found the time to write and produce The Belko Experiment. Greg McLean, the Aussie filmmaker behind the nasty Wolf Creek films, takes the helm, and the result is a simple, entertaining horror-thriller that doesn’t take itself too seriously.  Read More »

Sing Review

Since Despicable Me, Illumination Entertainment has established itself as a go-to source for sturdy family entertainment. Their films may not reach the artistic heights of Pixar or Disney, but you can generally count on them to be perfectly pleasant and inoffensive, able to entertain the kids without annoying the parents.

Sing is Illumination’s first musical, but otherwise it’s cut from the same cloth as the company’s other films. While not especially deep, the combination of a star-studded cast and an equally star-studded music catalogue make for a fun time. It’s light and sweet and pretty as cotton candy, and it dissolves from memory just as quickly.  Read More »

Headshot review

Iko Uwais may not be a household name in the U.S. just yet, but among fans of a certain type of action movie he’s a superstar. The Indonesian actor and martial artist burst onto the scene with Merantau and had an even bigger breakthrough in The Raid. Headshot, from directors Timo Tjahjanto and Kimo Stamboel (collectively known as the Mo brothers, though they are not actual brothers), has Uwais doing what he does best — kicking ass and taking names — with spectacularly entertaining results.  Read More »

Anne Hathaway in Colosssal review

Movies about giant monsters descending upon cities are a common sight, as are movies about chronic screwups trying to get their lives back on track. But if a movie has ever combined those premises before, I haven’t seen it.

Written and directed by Nacho Vigalondo, Colossal stars Anne Hathaway as a hard-drinking, unemployed thirty-something who hits rock bottom when she gets dumped. But her messy life takes an even crazier turn when she realizes that she’s somehow connected to an enormous creature that’s begun terrorizing Seoul. It’s a bizarre conceit that works against all odds, anchored by strong performances from Hathaway as Gloria and Jason Sudeikis as Oscar, Gloria’s childhood friend.  Read More »

Arrival Review

Denis Villeneuve‘s Arrival begins with a premise we’ve seen in a hundred summer blockbusters. One day, aliens arrive on Earth, in the form of twelve mysterious ships scattered around the globe. Their purpose is unclear, and humanity is naturally both intrigued and terrified. Where it goes next, though, is a welcome return to grown-up sci-fi, more Contact or Interstellar than Independence Day.

For starters, the aliens don’t open with an attack. And we Earthlings don’t, either. Instead, the U.S. military calls upon Louise (Amy Adams), a linguistics professor, to try and make contact with the alien spaceship in Montana. From there, Villeneuve carefully unspools a story that’s equal parts heart and intellect, encompassing memory, language, loss, love, grief, and the passage of time.

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A Monster Calls review

J.A. Bayona‘s adaptation of Patrick NessA Monster Calls is a five-hankie sobfest, a ruthlessly effective tearjerker even by cancer drama standards. The sniffles start with the premise. A boy (Lewis MacDougall) struggles with his mother’s terminal illness, and calls upon a giant tree monster for help. The monster (voiced by Liam Neeson) forces a deal upon the boy: he’ll tell three stories, after which the boy will have to reveal his own deepest, darkest secret.

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