The lineup for the 2013 Cannes Film Festival was released this morning, and as ever it is a list that represents great promise and potential for the coming year in film.
A number of films that we fully expected to see on the list are here: Only God Forgives from Nicolas Winding Refn, Inside Llewyn Davis from the Coen Brothers, Behind The Candelabra from Steven Soderbergh, along with opener The Great Gatsby and Sofia Coppola‘s Un Certain Regard headliner The Bling Ring. There are also The Immigrant from James Gray and The Past, from A Separation director Asghar Farhadi.
But there are some surprises here, too, such as the new film from Roman Polanski, in which he adapts David Ives’ stage play Venus In Fur, and Alexander Payne‘s Nebraska. And there are plenty more potential gems, including films from Denis, Ozon, Miike, Kore-eda, and To. Check out the full list, along with this year’s Cannes poster, below. Read More »
Troma has a plan to give the biggest film festival in the world a huge middle finger and you can be a part of it. We’re proud to exclusively announce that the independent film studio, which has been in business for 40 years, is going to make a brand new documentary called Occupy Cannes. Filming will take place at the 2013 Cannes Film Festival centering on the studio’s latest production, Return to Nuke ‘Em High.
Troma CEO Lloyd Kaufman and the team will take the Nuke ‘Em High sequel there, premiere it and along the way film the real side of Cannes, an international film festival they believe has gotten away from the true spirit of the movies. Occupy Cannes aims to be a 21st century David vs. Goliath story with Troma taking on the media conglomerates that control not only the film industry, but everything else, very much in the vein of their 2002 documentary, All the Love You Cannes.
That’s where you come in. With Troma being such an independent film studio, this project needs help from fans across the world. They’ve just started an IndieGoGo Page where you can contribute and help Troma go to Cannes and give them a swift kick in the balls.
After the jump, check out the Occupy Cannes pitch video, read more about the project, and find out what prizes are available to those who contribute. Read More »
A bunch of huge movies have been showing at Cannes this year and the latest is David Cronenberg‘s Cosmopolis starring everyone’s favorite sparkling vampire, Robert Pattinson. Based on a novella by Don Delillo, the film centers on a 28-year-old billionaire’s 24 hour trip across Manhattan to get a haircut as his entire fortune crumbles with each passing second. This is Cronenberg, though, so of course it’s not a movie about bad traffic. Wild happenings are a foot here including characters played by Juliette Binoche, Paul Giamatti, Mathieu Almaric, and Jay Baruchel.
But is it any good? After the jump, we’ve grabbed some quotes and tweets from the Cannes press corps that attempts to answer if Cronenberg is back in prime form or not. Read them after the jump. Read More »
Cannes is a big festival when it comes to film premieres, but there are also occasionally (very occasionally) previews of titles that weren’t ready for the festival. Today the Weinstein Company showed off footage from three new films: Quentin Tarantino‘s Django Unchained, Paul Thomas Anderson‘s The Master, and David O Russell‘s The Silver Linings Playbook.
Reactions to this footage preview are starting to appear, and we’ve collected the highlights below. Read More »
What a wonderful day it is for a wide variety of film lovers: we’ve had teaser footage for films as disparate as the James Bond film Skyfall, the sequel to Anchorman, and Paul Thomas Anderson’s hotly-anticipated film The Master. And now there is new footage from Wong Kar Wai, whose short film Déjà Vu is being unveiled at Cannes.
The film is sponsored by Chivas Regal, and accordingly is essentially an ad for the company’s whiskey. But there’s a narrative here, a romance between two characters. And as anyone familiar with the director’s work knows, he does romance in a way that is unlike anyone else.
Ad or not, the footage from Déjà Vu is gorgeous, and you should take a look below. Read More »
Posted on Tuesday, May 15th, 2012 by Angie Han
Having tackled a big-budget superhero flick in his last outing, The Green Hornet, Michel Gondry headed in the exact opposite direction with his follow-up film, The We and the I. The small-scale project has an almost documentary-like feel to it — more Dave Chappelle’s Block Party than Eternal Sunshine of the Spotless Mind — and follows the shifting relationships among a group of Bronx teenagers riding home on the bus after the last day of school. The vibrant first trailer has dropped in advance of the film’s Cannes premiere, and you can watch it after the jump.
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With the Cannes Film Festival only a few days away, get ready to hear about film packages that are up for grabs at the festival. Filmmakers come to the festival with some actors, a script and try and get money to make a movie. Many don’t happen, many do, and here’s an example of one that will likely see the light of day. It’s called Agent: Century 21 (yes, as in the real estate company) and will star Cameron Diaz as a divorced real estate agent who gets kidnapped and sent on a mission by a Mexican drug lord, played by Benicio Del Toro. It’ll be directed by first timer Adam Hashemi and was written by Greg Brooker (Stuart Little). Read more after the jump. Read More »
Posted on Wednesday, May 9th, 2012 by Angie Han
After some thirty-odd years in development, On the Road is finally nearing the end of its long, long journey to the big screen. A week before the film’s scheduled debut at the Cannes Film Festival, IFC Films and Sundance Selects (subsets of AMC Networks) have closed a seven-figure deal for the U.S. distribution rights to the Walter Salles-directed adaptation, which features a strong roster of both rising and established stars.
Among them are leads Sam Riley and Garrett Hedlund, who play Sal Paradise and Dean Moriarty (understood to be the fictional alter egos of author Jack Kerouac and his pal Neal Cassady), as well as Kristen Stewart, who plays Dean’s wife Mary Lou. Kirsten Dunst, Amy Adams, Tom Sturridge, Danny Morgan, Alice Braga, Elisabeth Moss, and Viggo Mortensen round out the supporting cast. More details after the jump.
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The primary lineup for the competition slate at the 2012 Cannes has been unveilend, and it is a very strong list of films. There are quite a few expected entries: David Cronenberg‘s Cosmopolis, Lee Daniels‘ The Paperboy, John Hillcoat‘s Lawless (formerly The Wettest County), and Andrew Dominik‘s Killing Them Softly (formerly Cogan’s Trade), and we already knew that Wes Anderson‘s Moonrise Kingdom would open the festival.
But the international lineup is even more exciting, with films such as Rust & Bone from Jacques Audiard, Amour from Micheal Haneke, The Hunt from Thomas Vinterberg, and Mekong Hotel from 2010 Palme d’Or winner Apichatpong Weerasethakul. As is occasionally the case with Cannes, this year’s lineup features many returning Cannes award winners; it’s a world-class program.
The downside to all of that is that Paul Thomas Anderson‘s The Master and Terrence Malick‘s as-yet untitled romance starring Ben Affleck, Rachel McAdams and Javier Bardem didn’t show up in the list. There is some time for them to be added to the festival lineup in some measure, but (as expected) we’ll likely have to wait until this fall for The Master. As for the Malick movie… well, it’s Malick, so who knows?
You’ll find the lineup as it has been announced so far after the break. Read More »
Posted on Thursday, March 15th, 2012 by Angie Han
It may be a while before we see the triumphant return of Bob and Helen Parr and their superpowered brood, but if Joss Whedon is to be believed, a rematch between Dr. Horrible and Captain Hammer may not be so far off. After the jump:
- Joss Whedon will get started on Dr. Horrible 2 this summer
- Catching Fire (a.k.a. Hunger Games 2) won’t be in 3D
- Hey look, it’s another new Riddick image
- Brad Bird might maybe do an Incredibles 2 someday, eventually
- Madagascar 3 will debut at Cannes
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