Director Jeremy Saulnier has delivered chills, thrills and blood spills at the Sundance Film Festival before. His first film, Blue Ruin, featured the relatively unknown actor Macon Blair setting out to track down the people who killed his parents and deliver his vengeance upon them. It appears some of Jeremy Saulnier’s filmmaking style has rubbed off on his leading man as Blair has returned to Sundance, this time as the writer and director of own twisted tale of revenge.
I Don’t Feel at Home in This World Anymore (which honestly needs a new title) stars the endlessly charming Melanie Lynskey (Up in the Air, Win Win) as Ruth, a woman who is fed up with people being assholes. It’s that simple. One day, she comes home to find that her house has been broken into, with the thieves having stolen her laptop, a set of silver she inherited from her grandmother, and some prescription medication for depression and anxiety. When it becomes clear that the police are basically doing nothing to help her, she decides to take matters into her own hands.
Read on for our full I Don’t Feel at Home in This World Anymore review. Read More »
Yesterday I posted part one of my two-part look at the best movies of Sundance Film Festival history. Today I return with the second installment, which takes a look at the best movies from the last 16 years of the festival as Park City became not only the mecca of American independent film but the launching pad for hundred million dollar award contenders.
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Posted on Friday, January 20th, 2017 by Jacob Hall
(This review originally ran after Split‘s first screening at Fantastic Fest 2016. It arrives in theaters today.)
Every filmmaker finds themselves in a rough patch every now and again, but few directors have had quite as public a rough patch as M. Night Shyamalan. It wasn’t enough that the immensely talented director of The Sixth Sense, Unbreakable, and Signs was stumbling with duds like The Lady in the Water and The Last Airbender – his name had become synonymous with disappointment for many moviegoers. He had become a punchline.
But now, it’s looking like Shyamalan has started to get his groove back. The Visit was one of last year’s more pleasant surprises and now Split, which held its world premiere as part of a secret screening at Fantastic Fest, has seemingly revealed his future going forward: he’s going to keep on making low-budget horror movies until someone tells him to stop. If his latest film is any indication, few people are going to tell him to stop anytime soon.
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If An Inconvenient Truth was an eye-opening disaster movie, then An Inconvenient Sequel: Truth To Power is the heartbreaking post-apocalyptic follow-up.
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A lot of films that premiere at the Sundance Film Festival are hoping to attract a distributor and find a wider audience, be it in theaters around the country or distributed through digital VOD. Throughout the festival, we will be reporting on all of the movies sold at Sundance 2017. This list should help give you an idea about which movies may someday be available to you either theatrically of VOD. These are the movies sold at Sundance 2017.
Latest update: A24 acquired David Lowery’s A Ghost Story sight unseen, Vertical and Netflix acquired the contained thriller Berlin Syndrome, and A24 acquired the cryptically teased sci-fi short film Toru,.
Previous update: Netflix acquired the documentary Casting JonBenet, Paramount acquired the Al Gore climate change documentary sequel An Inconvenient Sequel, Sony Pictures Classics bought the gay love story Call Me By Your Name.
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The Sundance Film Festival isn’t just a film festival, but a look into the future of cinema. As we travel to Park City Utah this year, I thought it would be nice to take a look back at the last 30 years of the festival. Today I begin part one of my two-day, two-part look at the best movies of Sundance Film Festival history. In part one I will focus on the first 15 years of the festival* as the small independent film festival grew into the launching pad for new filmmakers and ground zero for the independent movie boom of the 1990’s.
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Posted on Wednesday, January 18th, 2017 by Angie Han
Team /Film (Peter Sciretta, Ethan Anderton, and myself) is headed up to the Sundance Film Festival this week. As always, we know to expect the unexpected — so often, our favorite films turn out to be ones we’d never even heard of until we arrived — but we can’t help but pick out a few we’re especially dying to see. After the jump, read our Sundance 2017 preview of 30 films we can’t wait to see at the fest.
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Recently Michael Fassbender has played a mutant on a mission, a man with a Macintosh, and Macbeth. Now he finds himself in a caravan family of criminals in a new indie thriller.
Trespass Against Us sees Michael Fassbender as Chad Cutler, one chain in three generations of a family who have been outlaws living in the country for decades. Brendan Gleeson plays his father who proudly passes the mantle down, but it appears there’s a kink in the chain as Chad realizes he doesn’t want his son Tyson to follow in his footsteps. Though he’s attempted to stop his criminal ways, he can’t help but take on one last job from his father in order to finally leave it all behind.
Watch the new Trespass Against Us trailer after the jump. Read More »
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Posted on Monday, December 19th, 2016 by Angie Han
Note: With Sing out this weekend, we’re re-running our review from the TIFF.
Since Despicable Me, Illumination Entertainment has established itself as a go-to source for sturdy family entertainment. Their films may not reach the artistic heights of Pixar or Disney, but you can generally count on them to be perfectly pleasant and inoffensive, able to entertain the kids without annoying the parents.
Sing is Illumination’s first musical, but otherwise it’s cut from the same cloth as the company’s other films. While not especially deep, the combination of a star-studded cast and an equally star-studded music catalogue make for a fun time. It’s light and sweet and pretty as cotton candy, and it dissolves from memory just as quickly. Read More »
Next month Mark Pellington returns to the Sundance Film Festival. The last time the filmmaker attended the fest, he brought I Melt With You with him. That aggressive and bleak drama didn’t receive the warmest of receptions, but it had its fans at the time. Pelling’s new film, The Last Word, looks like a far more accessible movie, and it stars Shirley MacClaine and Amanda Seyfried.
Below, watch The Last Word trailer.
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