For cinephiles, one of the most helpful and revered books is Hitchcock/Truffaut, the 1967 publication that features French filmmaker Francois Truffaut sitting down with legendary director Alfred Hitchcock for a week-long conversation that spanned the master of suspense’s entire career up to that point.
The book (which you can pick up right here) was full of insight and wisdom with regards to Hitchcock’s filmmaking style and sensibilities, and it has been referenced as being a catalyst for opening the eyes of many filmmakers. And now some of cinema’s best have sat down to talk in a documentary that serves as a sort of appendix to the book, providing plenty of details about Hitchcock’s filmmaking process.
Watch the Hitchcock Truffaut trailer after the jump! Read More »
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Posted on Monday, September 28th, 2015 by Angie Han
As what IMAX calls “An IMAX 3D Experience,” Robert Zemeckis‘ The Walk is excellent. From the moment Joseph Gordon-Levitt touches his toe on that tightrope, The Wire becomes the kind of intensely visceral experience you can only truly experience in a movie theater*, preferably one equipped with an extra-jumbo screen and 3D projection.
As a narrative feature, however, The Walk is somewhat less accomplished. Gordon-Levitt is as watchable as always, but the film never truly reveals Philippe Petit. In trying to make Petit feel universal, Zemeckis erases what makes him special.
* Well, at least until virtual reality becomes a more common form of entertainment — but more on that later. Read More »
Posted on Monday, September 28th, 2015 by Angie Han
Note: While the first page of this review is spoiler-free, the second goes deep into spoiler territory. We ask that you mark spoilers in the comments, but proceed into the comments at your own risk.
To the best of my memory, I’ve only ever walked out on three movies in my life. Twice, it was at the behest of other people; once, I was simply bored. All three times were years before I began watching movies for work.
I did not walk out on Goodnight Mommy. But I came as close as I ever have in my professional career, which is a testament to how disturbing the film gets. And yet, in the end, I had to admit it more than paid me back for my deep discomfort, which is a testament to how ultimately brilliant it is. Read More »
After playing Cannes this summer and the Toronto International Film Festival earlier this month, Takashi Miike‘s latest flick is on the way to theaters in October, and it looks positively insane.
Yakuza Apocalypse is a crime thriller with a whole lot of martial arts action, and this one also has vampires for some reason. For those who need to see what this movie is all about, a red band trailer has just surfaced showing off just how wacky this movie is going to be. Stay until the end of the Yakuza Apocalypse red band trailer to see a guy in a big frog suit kicking some ass. Read More »
The guy who made Bronson and Drive wants to take you on a trip to the 42nd Street of ’60s and ’70s New York City. As a guidebook, he offers a collection of lurid and strange movie posters.
Of course Nicolas Winding Refn, a writer and director, and a participant in The American Genre Film Archive, is a wildly knowledgable cinephile. He has an incredible collection of exploitation movie posters that is now being published as the book Nicolas Winding Refn: The Act of Seeing. Guided by Refn and written by Alan Jones, the founder of Film 4 Fright Fest, The Act of Seeing gives museum treatment to posters that were thought of as anything but art when they adorned the windows of grindhouse theaters decades ago.
I spoke to Refn about his collection and the appeal of the films these posters represent, even when the posters are less than honest about the movies they’re selling. Our conversation ranged into the raw basement design of bootlegged images for stolen films, and the appeal of the 1961 Dennis Hopper film Night Tide. Read More »
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The second MondoCon begins in just over a week, following immediately on the heels of Fantastic Fest. When MondoCon 2015 kicks goes down on October 3 and 4 at the Marchesa Hall & Theater in Austin, TX, one of the prints available will be a dramatic art deco-styled poster for The Rocketeer, from artist Martin Ansin. Check out both the regular and variant Rocketeer MondoCon posters below. Read More »
Film can be at the forefront of social movements with stories reflecting the changes and progress in society . This year is no different with the transgender drama About Ray starring Elle Fanning (which The Weinstein Company abruptly delayed this week) and the recently debuted gay rights drama Freeheld starring Julianne Moore and Ellen Page.
Based on the documentary of the same name, the drama follows a New Jersey couple, Laurel and Stacie (Moore and Page) who are forced to fight for their legal rights. Laurel is diagnosed with cancer and has to battle county officials in order to make sure her pension will end up in the hands of her partner Stacie.
Hot on the heels of a debut at the Toronto International Film Festival, a new Freeheld trailer has arrived, driven by a new ballad by chart-topping singer Miley Cyrus. Read More »
In the past couple years the trailer for the New York Film Festival has been a nice little thing to look forward to. Each NYFF trailer is usually very well cut, and also features some glimpse of footage for a film we otherwise haven’t seen yet. This year, that film is Miles Ahead, the Miles Davis biopic directed by and starring Don Cheadle.
This trailer also features Maggie’s Plan by Rebecca Miller, which stars Greta Gerwig, Ethan Hawke, and Julianne Moore; and footage from The Walk, Bridge Of Spies, Steve Jobs, Carol, and quite a few more. There’s even a good bit of footage from Guy Maddin‘s The Forbidden Room. (Hint: the Guy Maddin footage is the most odd-looking stuff.) Read More »
The Toronto International Film Festival is in full swing, and with it comes teases of some of the movies playing at the Canadian film showcase. Today we have a NSFW glimpse of a sci-fi action movie called Hardcore, which was shot entirely from a first-person perspective, not unlike a live-action video game.
Executive produced by Timur Bekmambetov (Wanted) and written/directed by Russian filmmaker Ilya Naishuller, the first Hardcore trailer has arrived before the film’s premiere, and this looks like an absolutely insane movie, complete with telekinesis, naked girls, tons of gunfire, explosions and a lot of crazy fun. Read More »