We’ve previously featured a video essay that dove into the history of aspect ratios in cinema and how they’ve changed in the relatively short history of filmmaking. But beyond the technical changes and differences, varying aspect ratios are now used to not only change the aesthetic of any given film, or even a specific scene or sequence, but to also create a different emotional effect within the viewer.
A new aspect ratio video essay takes a look at some of the different thematic effects that come from changes in aspect ratio, illustrating how they are used to invoke certain feelings or perspectives. This ranges from transporting viewers back in time to a more old fashioned way of life in The Grand Budapest Hotel to glamorizing a memory in (500) Days of Summer to giving an epic scope to action happening on screen in Interstellar. Read More »
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Since we’re obsessed with all things cinema, we love stumbling across a good video essay that takes a closer look at a good movie. There’s no better way to examine a movie than in a medium that allows us to actually see clips from the movie being discussed as they’re being explained. But some movies have been examined so thoroughly that there doesn’t seem to be much else to discover.
One of those movies seemed to be The Dark Knight, which has been poked and prodded to death all over the internet. But the folks at Clickhole have just blown our minds by peeling away even more layers in Christopher Nolan‘s superhero sequel. The movie is still packed with hidden secrets and insane trivia you might have missed the first time through. The Clickhole Dark Knight video essay will change the way you watch the movie forever. Read More »
Even though it may be forgotten by the time you’re done watching a movie for the first time, the opening shot of any movie is integral to introducing the audience to the world and/or characters they’re about to watch for a little while.
It may not seem like a single shot can do much to accurately prepare viewers for the movie they’re about to see, but a new video essay from Now You See It explains how opening shots in movies can tell you a lot about the story you’re about to see unfold. Read More »
In an exciting meshing of old and new franchise stars, X-Men: Days of Future Past effectively rebooted the comic book franchise again, complete with a new timeline that retconned the old one, and brought all your favorite characters who died in the original trilogy back from the dead.
And while the title and basic storyline is lifted directly from a Marvel story arc in the mutant comic book series, there are a significant number of differences between the comic book and the movie, and we’re not just talking little nitpick details here and there. For example, perhaps the biggest change is sending Wolverine back in time in the movie instead of the time-traveler being Kitty Pryde as it is in the comics.
If you want to know more about how the movie differs from the comic book, check out the latest 15-minute installment of What’s the Difference?, an X-Men Days of Future Past comic book movie comparison. Watch below! Read More »
While some movies are immediately beloved and acclaimed, destined to be one of the films we talk about every year for decades, others come and go without much pomp and circumstance. One of those movies seems to have been A.I. Artificial Intelligence, the former Stanley Kubrick project that was completed by Steven Spielberg and released in 2001.
The film certainly wasn’t a dud, but it wasn’t universally acclaimed either. At the time, Rotten Tomatoes wasn’t used as a reference point for the quality of a movie, but retrospectively, it has a 73%, which is a decent score for such a dense, wandering sci-fi fairytale of sorts.
Over the years, as the film has gotten older, some critics and bloggers have revisited the film, finding it to even improve with age and reexamination. And that’s just what a new video has done, examining the film in a 15-minute visual study. Watch the Artificial Intelligence video essay after the jump! Read More »
Cool Posts From Around the Web:
This morning I came across a well-edited video essay titled Star Wars – The Force of Abrams by Dan Fox (aka Hello Film Guy). The video is essentially an examination of filmmaker JJ Abrams‘ visual storytelling skills, theorizing how his methods might affect Star Wars: The Force Awakens. How will the JJ Abrams visual style affect the next installment of the Star Wars series? Find out after the jump.
Note: The video essay focuses only on visual style and doesn’t delve into the reoccurring plot devices or story beats of Abrams work. So you can feel free to watch this if you’re trying to avoid spoilers or speculation about the plot of The Force Awakens. That said, the video does use clips from the two released trailers.
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If you’re a huge fan of movies, but you don’t know much about the technology that makes them possible, then we have the perfect informational video for you.
University of Illinois professor Bill Hammack, known as EngineerGuy on YouTube, has put together this informative video about how film projectors work. As the video description says:
Bill tears apart a film projector to reveal the amazing mechanisms used in the pre-digital age to trick the mind into seeing a moving image. He uses high speed photography and animations to show how the projector moves the film intermittently, how a shutter strategically blocks light as the film moves, and how the photo sensor reads the sound. He explains how all these mechanisms are synced.
Find how film projectors work after the jump! Read More »
With the advancement of technology happening at an exponential rate, it seems like almost anything is possible, especially on the big screen. Special effects are more advanced than they’ve ever been, allowing entire cities and civilizations to be destroyed with the click of a mouse (all right, it’s a little more complicated than that). But is that a good thing?
A new video essay, called The Weta Effect, offers the hypothesis that the reason people seem to not be as impressed by blockbusters and their special effects over the past decade is that special effects look too polished now. Technology allows the creation of such unrealistic characters, creatures and locations in such a realistic way, that it’s become harder to suspend out disbelief to accept them as they are. Does that make sense?
Find out more by watching the Weta Effect video below! Read More »
Posted on Friday, February 6th, 2015 by David Chen
The Wachowskis’ Jupiter Ascending is a total mess. It’s plot is nearly incomprehensible. It feels like there’s a director’s cut out there with at least a half hour more of explanatory plot details and character development. It introduces various story lines and characters whose appear on the screen for minutes before they vanish and are never followed up on. It borrows heavily from The Wachowskis’ own film, The Matrix, yet is crammed full of ideas that have appeared in other, better fantasy and sci-fi films.
And yet, I couldn’t help but enjoy it. Hit the jump to see my video review of the movie.
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