Everyone knows that the job of an editor on any movie is to take all the footage that was shot during production and attempt to assemble it into the motion picture that we’ll see playing on the big screen in front of us. But when it comes to an animated movie, what exactly does an editor do?
The process of editing an animated film is far different from editing a movie that was shot on camera, and it’s actually even more in depth than what we’re used to an editor doing on your average film. That’s because, as a new video essay explains, animated films are basically edited first, and then have all the footage “shot” after that process is done.
Find out more about the job of an animated movie editor after the jump. Read More »
Not only is Arrival one of the best films of the year, it’s also a thoughtful sci-fi film that takes an intellectual approach to the arrival of extra terrestrial life on our planet. There’s a lot of talk about real science and linguistics. But this is a Hollywood movie, and sometimes liberties must be taken with real science for a filmmaker to tell the story they want to tell.
However, in the case of Arrival, it sounds like they actually stayed pretty close to real scientific theories, practices and more in order to tell a grounded story of having close encounters with alien life. In a recent episode of Science vs Cinema, the web series takes a closer look at all the real science on display in Denis Villeneuve‘s movie. But beware, there are some major spoilers for the movie, so don’t watch or read below if you haven’t seen it yet. Read More »
For every great movie that’s out there, a movie comes along that is downright terrible. However, the creator of a new video essay thinks that it’s far worse when a movie doesn’t fall into either category, but is merely a passable, mediocre piece of work.
The YouTube channel Nerdwriter has put together a video breaking down what he calls an “epidemic of passable movies.” In the essay, he points out some of the big problems in movies that many deem as just being okay, and most of his argument comes down to how movies portray their characters and how they interact with the world around them. Read More »
Posted on Tuesday, December 13th, 2016 by David Chen
Imagine a world where the Star Wars prequels never existed. If instead of Episodes I-III, we got Rogue One: A Star Wars Story, there would be a lot fewer adults disenchanted with the world of Star Wars today (not that the franchise is currently wanting for fans). Rogue One does so much right when it comes to filling in the gaps before Episode IV that it’s easy to overlook some of its flaws. It’s that rare prequel that actually makes the film that follows it more impactful and emotionally resonant. It is a thrilling, ambitious, and occasionally spectacular experience that takes the Star Wars franchise in exciting new directions.
That’s not to say the film doesn’t have its flaws though, which include a bit too much ambition when it comes to introducing side characters. But fans of Star Wars will find that this movie not only honors their memories of the original films, it also has enough memorable moments, characters, and ideas to make the journey worthwhile. Hit the jump to see my full video review of Rogue One and see the rest of our coverage here.
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It’s now been six years since Kirby Ferguson released his Everything Is A Remix video series showing how the visual media of film and television have always borrowed from what came before them. Now a new video essay helps illustrate how this is also the case with storytelling across all sorts of media.
If you’ve ever had more than a passing interest in narrative storytelling, then you’ve probably heard of the concept of The Hero’s Journey. Coined by Joseph Campbell, it’s the general template for any given story where our hero ventures out from home on some kind of an adventure, encounters obstacles to overcome, and returns a changed person. A new video essay takes a cue from Community and Rick and Morty creator Dan Harmon to break this concept down into even simpler pieces that apply to all kinds of stories, and thus illustrates that all stories are the same at their core. Read More »
Even if you’re not the biggest fan of superhero movies, you can’t deny that Marvel Studios has executed their plan to build a cinematic universe containing their comic book characters rather skillfully. Every single movie they release is a hit, even if some of them aren’t critically received very well.
But no matter how good each Marvel Studios movie is, they each have their problems, and many of them share some common issues such as weak villains and non-important female characters existing only assist the major male superheroes. But a new video essay calls attention to what the creator sees as another problem shared by most Marvel movies: they look ugly.
Find out why they think Marvel movies look ugly after the jump. Read More »
If you’re a regular /Film reader, then you know that we love collectible art inspired by film and television. Every single week there’s at least one awesome new piece of artwork paying tribute to the movies and TV shows that we love, and we even have some artists whose work we’re so excited to see. Now one of those artists provides some background in this little niche world of alternative movie posters for those who may not be well-versed in this hobby.
Watch this alternative movie posters video essay after the jump. Read More »
Westworld is easily one of the most popular shows on television right now. Every new episode is discussed in great detail, and we even have our own discussion after every new installment on our podcast Decoding Westworld. We’ll have our usual spoiler questions from the most recent episode later this morning, but in the mean time, why don’t we explore a complex concept that was brought up in Westworld early on in the series.
A new video essay takes a look at the bicameral mind theory, proposed by a psychologist named Julian Jaynes. The theory was mentioned in Westworld, and as the hosts of the titular theme park become more self-aware, driven by their own developing free will instead of programming by the engineers and storytellers, we see how it’s becoming more and more relevant in the show. Read More »
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Westworld is all the rage right now. We’re so obsessed with the show that we’re talking about new and old theories after every new episode, our own Jacob Hall always chimes in with some spoilery questions to accompany everything we learned in the latest installment of HBO’s latest sci-fi series, and we even have a podcast called Decoding Westworld.
Thankfully, we’re not the only ones who have fallen for the adaptation of of the film from 1973. A new video from Nerdwriter has taken a closer look at one very specific part of Westworld, one of the actors who consistently makes the show truly compelling every single week. Anthony Hopkins is an icon, and when you see how his performance is broken down in the video essay after the jump, you’ll better understand why he’s such a revered actor.
Find out what makes Anthony Hopkins great in Westworld after the jump.
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Posted on Thursday, November 3rd, 2016 by David Chen
I’m five episodes into HBO’s Westworld and I’m already hooked for life. The show is not only technically dazzling but also thought-provoking in how it raises issues surrounding A.I., game design, morality, and what it means to be human.
One of the most interesting elements of the show is how it plays with the audience’s sense of reality. Many scenes (particularly “diagnostic” scenes featuring Dolores) are introduced with with zero context, while several of the hosts such as Dolores and Maeve start to encounter hallucinations and visions from the past(?), causing them to deviate from their “loop.”
Through all of this, one major fan theory has emerged: Westworld is actually taking place in two separate time periods, and this fact is being concealed with some skillful editing. Below, I edit together some video evidence of the non-linear timeline theory. Note that there are SPOILERS through this week’s episode of Westworld.
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