(mt)


rss

Be our Friend on MySpace

Category: Movie Reviews

With the success of the movie board game Scene It? and it’s exclusive video game on Xbox 360, it was only a matter of time when we’d see a copycat game on another system. Well, thanks to Sony Computer Entertainment of America (SCEA) and it’s hit trivial “Buzz!” games we now have “Buzz! The Hollywood Quiz” for the Playstation 2.
When you first see the display box, the first thing you’ll notice is that it contains four of its own controllers. Each controller has a large red button, much like something you’d see on Family Feud. Bellow that, four small rectangular buttons. Each with it’s own color (blue,orange,green,and yellow). Obviously the [...]

“Must escape.”
Last month, we posted about an alleged, albeit totes sketchy, early first review of Indiana Jones and the Kingdom of the Crystal Skull which called it “the best of the Indy sequels.” Well, the film recently screened and reviews are beginning to trickle in. Umm, they are not positive at all. Update: a new one is positive, summarized here at the end. AICN received three today, one heavy on the “it sucks” and spoilers, the other basically saying, “Yeah, that first guy who said the movie sucks? I see where he’s coming from.” The latest says it’s a worthy addition and brings a smile. Here are some [...]

You can now watch the first seven minutes of Speed Racer in High Definition over on Yahoo! Movies.
Speed Racer is sure to polarize audiences. I saw the film with a group of five people, and the resulting opinions were across the board. One of the guys expected to hate it and ended up loving it. And for another one of my friends, it was the complete opposite. Speaking for myself, I was expecting very little going into the screening, and I had a lot more fun than I ever could have expected. The Wachowski Brothers have created a live action anime that is bright, and sometimes visually assaulting. A nudge [...]

Some movies don’t merit word counts or brain cells. Harold & Kumar Escape from Guantanamo Bay starring Kal Penn, Rob Corddry, John Cho, NPH on ’shrooms and a bevy of bottomless ladies is one of them. Peter asked me to inform readers that the sequel is graphed here chronologically using the site’s laff-o-meter (usually kept in the basement because it’s kind of a lame device). My official Slashfilm rating for H&K2 is a 4.5/10, with a margin of error of one point if you see it for free and another half point if you’re a human bong. Click to make the graph pop and click once more to zoom in.

UPDATE: [...]

Someone has seen Indiana Jones and the Kingdom of the Crystal Skull. Jeff Wells has the scoop from someone on the Crystal Skull team over in Spielberg-land (read: I’m not sure how much you can believe this over-the-top positive report), and here are the highlights:

“The best of the Indy sequels.”
“The film has the strongest supporting cast of the sequels.”
“There are many breakneck set pieces, with a protracted jungle chase being particularly memorable. As well as being evocative of the truck chase from the first movie.”
“…an ending that any longtime diehard fan of the films could only dream about. Expect a particularly resounding reaction in the theater.”

You can read the full [...]

Not Your Typical Bigfoot Movie, a documentary directed by Jay Delaney, is, true to the title, not about Bigfoot (a.k.a. Sasquatch, a.k.a. Yeti), the mythical apelike giant that first chronicled in the 1920s in the Pacific Northwest, British Columbia, and, more recently, the American Midwest. Bigfoot has appeared in stories, novels, horror films, and on television in an episode of The Six Million Dollar Man. More than eighty years after the first sightings and despite the efforts of researchers, Bigfoot’s existence remains uncorroborated, a mystery to some, a myth to others, and the life work for others. Not Your Typical Bigfoot Movie follows Wayne Burton and Dallas Gilbert, middle-aged friends, [...]

Just three years old, high school-noir got its start with Rian Johnson’s Brick (released in 2006 after being picked up at the Sundance Film Festival a year earlier). Set in a Northern California high school and centered on the investigation of missing student by her former boyfriend, a detective of sorts, and featuring hyper-stylized dialogue and impressive visual design and cinematography, Brick was a noir fan’s dream (other film fans were probably not as impressed). The Assassination of a High School President takes a similar premise (minus the hyper-stylized dialogue), borrows classic noir elements (e.g., the detective, the femme fatale, moral ambiguity, corruption, double- and triple crosses), and combines them [...]

Dreams with Sharp Teeth, a twenty-six-years-in-the-making bio-doc on the life, times, rants, and raves of science fiction writer/raconteur Harlan Ellison directed by Erik Nelson, is a perfect primer for anyone unfamiliar with Ellison’s contributions to the written word, television, and film. Be forewarned, though, Nelson gives Ellison free reign to express his dissatisfaction about anything and everything, from television as opiate (an old argument, that) to creator rights in a tangled, media-saturated world. As fascinating as Dreams with Sharp Teeth is, it’s also frustrating for the questions Nelson doesn’t ask (probably to avoid a patented Ellison rant or rave about whatever subject crosses his path).

Dear Zachary: A Letter to a Son About His Father, a heart-wrenching, thought-provoking documentary edited and directed by Kurt Kuenne explores, in often excruciating detail, the death of his best friend, Andrew Bagby, a twenty-eight year old doctor completing his residency in Latrobe, Pennsylvania. On the morning of November 5, 2001, Bagby’s bullet-riddled body was found in a public park. Suspicion almost immediately turned to Bagby’s ex-girlfriend, Dr. Shirley Turner, a Canadian woman who studied with Bagby at Memorial University of Newfoundland. She moved to the United States to be closer to Bagby. As Turner’s arrest seemed imminent, she fled back to St. John’s, a small city in Newfoundland, Canada.
Kuenne [...]

Written and directed by Ethan Higbee and Adam Bhala Lough, The Upsetter promises, with more than a bit of hyperbole, to document Jamaican music pioneer Lee “Scratch” Perry’s life and times (definitively at that). Perry, a songwriter, singer, and producer, helped to define reggae in the late 1960s and early 1970s, working with Bob Marley and the Wailers, and later dub, the predecessor to electronic music. In one, five-year period during the 1970s, Perry produced an average of 20 songs a week for artists in Jamaica and Britain. The later 70s’ saw Perry collaborating with The Clash. One of their early hits, “Police and Thieves,” was actually a cover of [...]

Directed and co-written by Kimberly Peirce (Boys Don’t Cry, The Last Good Breath), Stop Loss dramatizes the U.S. military’s “stop-loss” policy that allows the military to postpone the honorable discharge of U.S. soldiers and send them back to Iraq and Afghanistan for another tour of duty (usually a year to eighteen months). Alas, Stop Loss proves the adage that “good politics don’t make good art.” Stop Loss suffers from a serious case of implausibility and contrivance that fatally undermines whatever insight Peirce hopes to shed on the stop-loss policy and its unfairness toward the soldiers who serve in the U.S. military in foreign countries.
Sergeant Brandon King (Ryan Phillippe), leads his [...]

A documentary directed by Rene Pinnell and Claire Huie about Pinnell’s uncle, Texas filmmaker Eagle Pennell (Last Night at the Alamo, The Whole Shootin’ Match), The King of Texas, is both an affectionate tribute to Pennell and his brand of regional-based, DIY filmmaking and a cautionary tale about substance and alcohol abuse and the premature end of a once promising filmmaking career. Over less than three decades, Pennell made four feature films, one short, and contributed to a documentary (Good Life). Pennel was forced to work with meager resources and no distribution outside of local film festivals.

After watching Choke, an adaptation of Chuck Palahniuk’s (Survivor, Fight Club) novel directed by Clark Gregg, the words vulgar, crude, profane, blasphemous, obscene, and, best of all, hilarious, all come to mind. A sharp critique aimed at our self-centered, self-absorbed culture, with a few digs at group therapy, psychiatry, and dysfunctional parenting, Choke is the kind of film that can be only made outside the Hollywood system, then gets picked up by a Hollywood-based distributor after it becomes a hit with festival audiences and critics, as Choke did at the Sundance Film Festival two months ago. Choke was picked up by Fox Searchlight, with a released planned for late August, [...]

Bananaz, Ceri Levy’s behind-the-scenes/tour documentary centered on Gorillaz, the virtual band created by Damon Albarn, lead singer and songwriter for the Brit-pop band, Blur, and Jamie Hewlett, the co-creator of Tank Girl, is, alas, the kind of insular, for-fans-only documentary that means a limited theatrical run, if any, and a somewhat appreciative audience on DVD for completists of Gorillaz-centered merchandise or material. Even Gorillaz fans, though, might find themselves bored or otherwise disengaged from Levy’s loose, unstructured, and ultimately self-indulgent approach to the Gorillaz phenomenon.
Bananaz follows Albarn and Hewlett as they formulate the concept behind the Gorillaz and the four amine-influenced band members, 2D, Murdoc, Noodle and Russel, that exist [...]

/Film reviewer Zach Lawrence might not have loved 10,000 B.C., but the 12-year-old video blogger/movie reviewer/internet phenom Sexman has returned with a new haircut, giving the movie 4 out of 5 stars (calling it “a pretty good film”). Sexman criticizes it for their not being “enough gore” or action, but praises the unexpected humor and the plot. “But if you have a girlfriend and stuff, you should take her to this.” Watch his video review below.
Get the latest Flash Player to see this player.
[Javascript required to view Flash movie, please turn it on and refresh this page]

document.getElementById(”player1″).style.display = “”;

var s1 = new SWFObject(”http://www.slashfilm.com/wp/wp-content/plugins/flv-embed/flvplayer.swf”,”player1″,”440″,”352″,”7″);
s1.addParam(”allowfullscreen”,”true”);
s1.addVariable(”height”,”352″);
s1.addVariable(”width”,”440″);
s1.addVariable(”file”,”http://media2.slashfilm.com/slashfilm/trailers/sexman10000bc.flv”);
s1.addVariable(”image”,”http://media2.slashfilm.com/slashfilm/trailers/sexman10000bc.jpg”);
s1.addVariable(”backcolor”,”0xb5d5ea”);
s1.addVariable(”lightcolor”,”0xebebeb”);
s1.addVariable(”link”,”http://www.slashfilm.com”);
s1.addVariable(”fsbuttonlink”,”http://www.slashfilm.com/wp/wp-content/plugins/flv-embed/fullscreen.php?f=http://media2.slashfilm.com/slashfilm/trailers/sexman10000bc.flv%26r=http://www.slashfilm.com/2008/03/13/sexman-reviews-10000-bc/”);
s1.write(”player1″);