[The following contains major spoilers for Sucker Punch]
Battle: Los Angeles. I Am Number Four. Prince of Persia: The Sands of Time. Clash of the Titans. The Wolfman. Resident Evil: Afterlife. Transformers: Revenge of the Fallen.
What is it that these tentpole action films have in common?
They all received better reviews than Sucker Punch.
Yes, once hailed as being among the more anticipated cinematic outings of the year, writer/director Zack Snyder‘s fantastical pop culture mash-up was unleashed in theaters this week only to be met with an overwhelming amount of sneering hostility and ridicule. And yet, amidst the critical excoriation of the film for its spastic overindulgence and numbing stupidity, as well as the outright repudiation of its girl power themes (even /Film’s own Angie Han has shared her thoughts on the failed feminism of the film), I stand alone to shamefully whisper: I kind of liked it. And I think it’s about time to give this film its due. Read More »
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Posted on Saturday, March 26th, 2011 by Angie Han
[The following contains major spoilers for Sucker Punch]
Is Zack Snyder‘s Sucker Punch exploitation or empowerment? That’s the question that’s been floating around since even before the film was released, and it’s a pretty obvious one given that the movie was marketed entirely on the appeal of scantily clad young women wielding big ass weapons. Most of the reviews I’ve read of the film at least touch on the issue, and Snyder has preemptively addressed it in interviews by saying he intends the film to be empowering to women.
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We thought global warming was heating up the planet, but really it’s Hollywood. They’re making it summer all year long. The first weekend of May is generally considered the beginning of the summer movie season but, as those three months got more and more crowded, that date slowly crept into late April. Now, 2011 changes that like never before.
So many potential blockbusters staked their claim on prime May, June and July 2011 release dates, in some cases, years in advance, Hollywood was forced to change its thinking more than usual. For the next two months, each and every weekend has at least one or two films that, in the past, would have easily been considered summer blockbusters and it all begins this Friday, March 4. So, is it crazy to say that the summer of 2011 begins in March? We don’t think so. Look at the list of films opening between this week and Thor on May 6 and tell us that, in almost any other year, these movies would not be considered summer blockbusters. Read More »
Who wants more Justin Bieber? How about 40 minutes more? Well, you are in luck. After some deliberating, Paramount has decided to release a 40-minute longer Director’s Fan Cut of the hit concert documentary Justin Bieber: Never Say Never this Friday, February 25 only in 3D. Tickets go on sale Tuesday February 22 at 8 p.m. EST. Set those Google Calendars.
In all seriousness, I saw this film over the weekend and…it’s actually pretty good. Way better than Unknown or I Am Number Four. Read the full press release for the re-release and a few reasons why you should care about this news after the break. Read More »
By the end of 2011, Hollywood will break their record for most sequels released in a calendar year. According to Box Office Mojo, 27 films released in 2011 will be sequels, up from 24 in 2003. That averages to about one every other week and about one-fifth of total wide releases. It’s almost impressive if you don’t consider the lazy, money hungry thought that had to go into such an exorbitant amount of unoriginal content (and that’s not even counting the innumerable other films based on previously released material). And while there are sequels that audiences are clamoring for more than others (Harry Potter and the Deathly Hallows Part Two vs. Big Momma’s House: Like Father Like Son for example) no matter how you slice it, 2011 is going to be a cinematic repeat of epic proportions. Break down the entire list after the jump. Read More »
Stieg Larsson‘s The Girl With the Dragon Tattoo is of the great cultural success stories in recent years. No matter where you go – on a train, plane, or just sitting in the park – that bright green and yellow book cover seems to be everywhere. The original movies were a smash hit overseas and by now we all know that Golden Globe-winning director David Fincher is hard at work on the American remake. Rooney Mara stars the titular character, Lisbeth Salander, who teams up with journalist Mikael Blomkvist (Daniel Craig) to solve a long gestating disappearance.
As the first photos of Mara portraying the now iconic character were released, so too was some extremely controversial information about the film, mainly that Oscar-winning screenwriter Steven Zaillian has crafted a new ending to the revered work. And though we ran that quote last week, fans of Larsson’s work have been very vocal with their disappointment so it’s time to defend Fincher and Zaillian. Read why we feel the original ending needs to be changed after the jump. Read More »
Posted on Monday, November 8th, 2010 by David Chen
A few weeks ago, we learned that Derek Cianfrance’s great film, Blue Valentine, would be receiving an NC-17 rating, a fact which upset me deeply. What put the film over the edge? A lengthy, painfully uncomfortable sequence in which Dean (Ryan Gosling) tries to have sex with Cindy (Michelle Williams) in a hotel room. With their marriage falling apart, Dean is looking for anything that will keep the two of them together. Cindy, however, is not as eager to work things out. It’s a beautiful sequence and one that’s shocking for its seeming verisimilitude. The film’s use of nudity is not salacious or even tantalizing; on the contrary, it depicts sex as a desperate act of last resort.
Understandably, the Weinstein Company swore they’d appeal the ridiculous decision. “We’re going to have to overturn this. This is serious stuff. This could really hurt the movie,” Weinstein said. We hope they succeed, but the Blue Valentine situation is not the only news item that has demonstrated the MPAA’s recent idiocy.
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We’re sorry to report that side boob you found so titillating was nothing more than a bunch of zeros and ones. Jessica Alba was not, in fact, naked in the shower in Robert Rodriguez’s Machete. According to a recent report, Alba was actually wearing tight white underwear on the set, which was then digitally altered to make the perennial sex symbol appear nude. And while it’s not surprising that computer graphics have the ability to remove clothing, it is surprising that filmmakers would be willing to do it. And not for all the reasons you think, sicko. Hit the jump to read more (warning: possible NSFW image). Read More »