When two popular filmmakers hop on Reddit together, anything can happen. And lots did happen Wednesday night when Matt Reeves and Michael Giacchino did a simultaneous AMA to promote the excellent Dawn of the Planet of the Apes.
First up, the director dropped some super-interesting information about the making of the film and how he plans on working toward the 1968 original. Later, he got Giacchino to confirm he’ll be back for Dawn of the Planet of the Apes 2, or whatever it’ll be called. Both said they’d love to do a Star Wars movie (as long as they could do it together), and talked about future projects like The Invisible Woman and Jurassic World, the work load possible for a composer and so much more. It was a lively, interactive AMA and we’ve got some of the highlights below. Read More »
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James Cameron never sets easy goals for himself: a liquid metal Terminator, the greatest tragedy of all-time as a love story, create a whole new world. That streak continues with Cameron’s next three films, a trilogy of sequels to 2009′s sensation, Avatar.
Cameron has been working on the sequels for years now, with the first one set for release in December of 2016. The reason for the delay is Cameron wants to shoot all three films simultaneously and this time technology isn’t holding him back. It’s good old fashioned writing.
When you follow up the biggest hit in box office history, audiences expect something great. They expect something even greater from the director of two of the best sequels of all time, Terminator 2: Judgement Day and Aliens. So Cameron took his sweet time making sure the scripts were right.
At the LA Times’ Hero Complex Film Festival this past weekend, he explained exactly how that happened. He spent the first year of actual development writing 1,500 pages of notes and then hired four writers – Josh Friedman, Rick Jaffa and Amanda Silver and Shane Salerno - to help him write the scripts from those idea. To manage all those minds, Cameron looked back to his experiences writing Dark Angel for inspiration.
Below, read how James Cameron used television to help write the three Avatar sequels. Read More »
When Paul Thomas Anderson took the world by storm with his second film, Boogie Nights, critics couldn’t help but compare him to a young Martin Scorsese. Anderson was obviously influenced by the filmmaker, and in the years since, they’ve become friends. For Scorsese’s previous film, Hugo, Anderson interviewed the director in Los Angeles and that happened again last week for Scorsese’s Oscar-nominated film, The Wolf of Wall Street. You can watch the thirty minutes of the exchange below. Read More »
If Grand Theft Auto V were a theatrically-released movie instead of a video game, enough people would have bought tickets to earn only $227.4 million at the global box office. That box office number would be just enough to make it only the #453 largest grossing film ever worldwide – just under The Green Hornet, The Heat, Mr. Bean’s Holiday and Space Jam.
I’ll admit, I’m trolling video gamers a bit with this comparison — But I got your attention right? That said, the math is real:
29 million gamers bought GTAV, times that by the current movie ticket average of $7.84 a ticket (believe it or not, it is actually that low) equals a $227.4 million dollar gross at the box office.
If you’ve gotten this far (five sentences in) and didn’t just jump directly to the comments to post how I’m an idiot after reading only the headline or first sentence – Thank you smart reader! This actually isn’t the video game hit piece you might expect from the headline. The report on GTA V’s sales last week sent me on a journey to see how that, and the video game industry as a whole, compares to the movie business. Please join me in taking a fair and balanced look at the real numbers, perceived value and how its unfair to compare two entertainment industries in simple terms.
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When the subjects are good, no amount of time is sufficient to do an interview. That goes double when you’re speaking with two producers of one of the summer’s closely scrutinized films: Star Trek Into Darkness. Preparing to speak to producer Bryan Burk and producer/co-writer Damon Lindelof, I prepared two dozen questions for a ten-minute interview. I asked three.
Thankfully, the answers were illuminating. Mainly, we talked about the process that the pair went through to decide on the film’s villain, along with director J.J. Abrams and co-writers Roberto Orci and Alex Kurtzman. The pros and cons of the choice; how Star Trek: The Next Generation influenced that decision; and how the reveal changed the selling of the movie all came up. Finally, I asked Burk would repeat that process for his next film, Star Wars Episode VII. Read More »
Generally, doing a Q&A on Twitter is futile. With only 140 characters total, accurately conveying the question and answer in a single tweet is a challenge. The other option, spreading the answers over several tweets, just looks bad. It’s one of the reasons why Reddit AMAs have become more of the go-to for the interative, online question and answer session with the fans.
Hugh Jackman did a Twitter Q&A for The Wolverine on Thursday and actually came up with a clever new spin. He read tweeted questions and shot video responses to them. He discussed all matter of the July 26 film, as well as X-Men: Days of Future Past. We’ve embedded all eleven questions below. Read More »
Posted on Tuesday, February 5th, 2013 by David Chen
I had the pleasure of helping to facilitate a special event at the SIFF Uptown Cinema in Seattle this past weekend: a double feature of Groundhog Day (with itself), featuring an intro and Q&A with Stephen Tobolowsky. Since Seattle’s KUOW was the first major public radio station to air The Tobolowsky Files, we really felt at home here as SIFF sold out the 500-seat theater with many fans of the podcast in attendance.
As usual, Stephen was lively and fascinating with this stories on the making of the film. I cut together a rough video of the event, which you can find after the jump.
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No one goes into a time travel movie expecting all the answers. Time travel films are often filled with unanswerable mysteries, because the idea of moving characters against the normal flow of time creates problems and paradoxes. Bending your mind around the layers and repetition of time travel is part of the fun, even in a bad time travel movie. Writer/director Rian Johnson loves time travel movies too, even the bad ones. Thankfully, he made a great one in Looper, now in theaters. (Read our review right here.)
Even after you walk out of Looper, though, you’re bound to have questions that need answering. In a recent 15 minute interview with Johnson, that’s all we focused on. Spoilers, spoilers and more spoilers. Questions that the movie doesn’t answer, ideas the movie hints at, character motivations, all of it. On Monday, we’ll run the full video interview but, for now, we provide answers to ten unexplained mysteries from the film with the help of Johnson himself.
Beware, MASSIVE SPOILERS for Looper after the jump. Read More »
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