Disney held an event at Hero Complex Gallery in Los Angeles on Tuesday night to celebrate the home video release of Marvel’s Avengers: Age of Ultron (which hits stores and VOD on October 2nd 2015). They unveiled a new Tyler Stout print for the film, and Marvel head Kevin Feige and Avengers producer Jeremy Latchem were on hand for an extensive 26 minute question and answer session.
As with most of these Question and Answer sessions, the queries thrown at Feige began at the Avengers sequel but quickly diverted to the future of the Marvel Cinematic Universe, including Captain America: Civil War, Doctor Strange, Guardians of the Galaxy Vol 2, The Avengers: Infinity War and Jon Watts’ Spider-Man reboot. Its so much that we’re going to divide this into two posts. This first post will focus on how Marvel plotted the Infinity stones in phase one and two and the upcoming phase three leading to The Avengers: Infinity War. Here is what is answered:
- When will we see the final two Infinity Stones?
- When did they know that they would start introducing the Infinity Gems?
- Was making the Tesseract an Infinity Stone planned after the fact?
- Will Avengers: Infinity War be an end of the story told thus far?
- Has the entire story leading to the conclusion in The Avengers: Infinity War Part II been planned out already?
- Were the Avengers: Age of Ultron visions a prediction of the future that could come in Infinity War?
After the jump you can check out the Tyler Stout Avengers Age of Ultron poster that premiered at the event. You can also watch the entire question and answer session captured on video. I believe I was the only one in attendance who was recording video, so while you might read some choice quotes elsewhere — this is a bit of an exclusive.
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Posted on Monday, September 28th, 2015 by Fred Topel
Al Jean may be the only other person alive who’s seen as many Simpsons episodes as I have. As showrunner for most of the series’ 27 plus year run, he only missed two years while he ran the short lived series The Critic, but still kept up with The Simpsons. I have literally never missed an episode which seems daunting now, but as it was running I just thought, “Well, there’s a new Simpsons this week. I’ll tape it so I can still see it if I’m not home.” That was 26 years ago. When I once told Jean I’d never missed one, he said, “Me too.”
So I’ve met Jean a few times. At the twice yearly Television Critics Association press tours, he’s usually the one representing The Simpsons, and I always have more questions for him. Season 27 premieres Sunday, September 27 on Fox, and this year almost brought massive changes. Harry Shearer had decided no to renew his contract but ultimately changed his mind. The season premiere promises Homer and Marge break up, but spoiler alert, Jean told us how that was going to turn out, as well as discussing HD cropping of earlier episodes, the FXX marathon and specific characters like Comic Book Guy.
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The guy who made Bronson and Drive wants to take you on a trip to the 42nd Street of ’60s and ’70s New York City. As a guidebook, he offers a collection of lurid and strange movie posters.
Of course Nicolas Winding Refn, a writer and director, and a participant in The American Genre Film Archive, is a wildly knowledgable cinephile. He has an incredible collection of exploitation movie posters that is now being published as the book Nicolas Winding Refn: The Act of Seeing. Guided by Refn and written by Alan Jones, the founder of Film 4 Fright Fest, The Act of Seeing gives museum treatment to posters that were thought of as anything but art when they adorned the windows of grindhouse theaters decades ago.
I spoke to Refn about his collection and the appeal of the films these posters represent, even when the posters are less than honest about the movies they’re selling. Our conversation ranged into the raw basement design of bootlegged images for stolen films, and the appeal of the 1961 Dennis Hopper film Night Tide. Read More »
Posted on Tuesday, September 22nd, 2015 by Fred Topel
Limitless didn’t just become a TV series. It essentially became Limitless 2. Bradley Cooper appears in the pilot and his movie character, Eddie Morra, exists in this world. Morra is now running for president. The drug NZT has now fallen to Brian Sinclair (Jake McDorman), who uses it in conjunction with the FBI. When Brian has enhanced brain functions while taking NZT, he teams up with an FBI agent (Jennifer Carpenter) to use his powers as their resource.
The movie was adapted for television by Craig Sweeny, who’s joined by producers Roberto Orci and Alex Kurtzman, the screenwriting/producing team behind movies like Transformers and Star Trek, and shows like Fringe and Alias. Kurtzman was alone at the Television Critics Association party over the summer, but I was able to get his undivided attention to ask about Limitless, the upcoming Mummy movie reboot he’s directing, and some of his other shows on CBS. Limitless premieres Tuesday, September 22 at 10PM on CBS. Hit the jump to read our Alex Kurtzman Limitless interview.
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Posted on Monday, September 21st, 2015 by Fred Topel
One of the many movies becoming TV series this fall is Limitless. The CBS drama is a spinoff from the film of the same name,, with Bradley Cooper reprising his role of Eddie Morra, who in the show is now a Presidential candidate. The star of the show is Jake McDorman as Brian Sinclair, a man who comes into a stash of the miracle drug NZT, which unlocks the potential of one’s mind. The FBI recruits Brian to use his powers to help them solve cases.
Marc Webb directed the pilot to Limitless, keeping with the style of Neil Burger’s original movie to launch the TV version of the story. Earlier in the summer I had a chance to speak with Webb one-on-one at a CBS party; we discussed the show, and addressed the then-recent news of Spider-Man returning to Marvel after Webb’s Amazing Spider-Man movies. Read More »
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Posted on Friday, September 18th, 2015 by Fred Topel
The movie Minority Report left me with a lot of questions. Or actually, it left me with frustrating answers to their questions. The movie asks: If you can catch someone before they commit a crime, should you still imprison them? It’s supposed to be a moral conundrum, but the way the movie frames it, it’s simple. No, you never have to imprison anyone, because Precrime is 100% effective. The movie states that most criminals don’t even bother anymore because they know they’ll get caught. The only crimes predicted are crimes of passion, and once you stop those, they’re not going to try again. So with John Anderton (Tom Cruise) on the case, it’s the prison system that was unnecessary. He’ll always prevent every crime, even if the same person comes up 100 times.
Fox’s Minority Report TV series shows that there were complications the film didn’t explore. Now that the precogs are free, Dash (Stark Sands) is trying to save people from his psychic visions of their death, but he never gets there in time. So Precrime was only 100% effective under Anderton. Other people aren’t as reliable. It also suggests that telling someone you’re going to catch them won’t necessarily stop them from perpetrating a crime. I got deep into this with series writer Max Borenstein, with producer Kevin Falls sitting in, after the Minority Report panel for the Television Critics Association. Read More »
Trucks + Sentience – Compelling Narrative = How Did This Get Made?!?!
Nobody sets out to make a bad movie. But the truth is, it happens all the time. Every time it does, there’s a fun misadventure and cautionary tale lurking somewhere behind the scenes. This is that story for Stephen King’s directorial debut-turned-conclusion: Maximum Overdrive.
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The trailer for Jon Favreau‘s reimagining of The Jungle Book hit the web today (watch The Jungle Book trailer now if you haven’t already), and the filmmaker has taken to twitter to answer some of the fans questions. Since not everyone is following Favreau’s tweets, I thought I’d round-up the interesting answers and present them to you in a more digestible format (a blog post).
Also I tweeted this, but I wanted to bring this to everyone’s attention here on the site: After watching The Jungle Book trailer, consider this: 99% of the animals and environments you see in that trailer were created with CG. The film was all shot in a studio in downtown Los Angeles. Mowgli, the human boy, is the only live-action character, and aside from the ground he stood on, most of the environment around him was created digitally. Judging from the early footage in the trailer, I’m impressed. Hit the jump to read Favreau answer some Jungle Book questions and talk bout how he created the film and more.
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(Whoopi Goldberg + Police Dinosaur) x Lots of Lawsuits = How Did This Get Made?!?!
Nobody sets out to make a bad movie. But the truth is, it happens all the time. And every time it does, there’s a fun misadventure and cautionary tale lurking somewhere behind the scenes. This is that story for the most expensive movie that ever went straight to video: THEODORE REX.
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