In July I visited the set of Terminator: Genisys, you can hear what I learned while on set here. While on set, we talked to the cast and crew of the new film. Over the next few days we’ll be running transcripts of these on set interviews. Yesterday we posted our interview with Arnold Schwarzenegger who again plays a T-800 in the new film. Today we begin with Alan Taylor, the Game of Thrones/Thor: The Dark World director who helms this latest installment of the Terminator franchise. Read the full Alan Taylor Terminator Genisys interview after the jump.
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In July of last year, I visited the set of Terminator: Genisys. You can hear what I learned while on set here. While on set, we talked to the cast and crew of the new film. Over the next few days we’ll be running transcripts of these on set interviews. Today we begin with Arnold Schwarzenegger, who reprises his role as a T-800. But this is a T-800 like we’ve never seen before, in this new film set within a divergent timeline. Read the full Arnold Schwarzenegger Terminator Genisys interview after the jump.
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“Write Cinderella.” On the surface it sounds like a pretty easy task. It’s a well-known story, all the characters are pre-packaged and every major story beat is already locked in. But then you break it down. The original Disney film is about 75 minutes long, the Prince hardly speaks, the mice talk, and we learn very little about the the characters themselves. In fact, writing Cinderella, especially in live-action for for a whole new generation, is much more difficult than you’d think.
For the new Cinderella, which hits theaters March 13, writing duties were entrusted to Chris Weitz. Weitz first hit the big time when he and his brother Paul made American Pie. He’s since gone on to direct The Golden Compass, The Twilight Saga: New Moon, About a Boy and most recently A Better Life. Currently, he’s writing the 2016 Star Wars standalone movie directed by Gareth Edwards. But before that could happen, Weitz was tasked with simultaneously modernizing and keeping the heart of one of the most famous fairy tales of all time.
We spoke with Weitz about the difficulties in adapting such a well-known story, keeping it fresh, the fact he started the project with Mark Romanek and ended with Kenneth Branagh, as well as making changes to that beloved 1950s Disney cartoon. Then, of course, the conversation turned to Star Wars (which we published a few days back). Read our full Chris Weitz Cinderella interview below. Read More »
In June 2014, I visited the London set of Avengers: Age of Ultron. Over the last couple months we have posted our on set interviews with Mark Ruffalo, Robert Downey Jr, director Joss Whedon, and Chris Hemsworth. Today we’ve been given the green light to publish our interview with two more Avengers. This morning we posted our interview with Hawkeye, Jeremy Renner, and this post contains our interview with Captain America himself Chris Evans. Here is a short snippet from Evans explaining how Captain America has to really earn his spot on this team of superheroes:
With the second Captain America we really pushed the envelope in terms of what this guy is capable of which I was excited to see. Because in the first Captain America he’s just strong. In Avengers it was still, in my opinion, a little bit punch, punch, kick, kick. You just can’t be Jason Bourne. We gotta see this guy do stuff that’s like yeah, he deserves a spot on this squad. You know, in [Winter Soldier] he’s pinballing off of jets and doing unbelievable things. I don’t wanna take a step back so we gotta make sure that he’s continuing training. His fight style needs to advance a little bit. I don’t wanna go full Bruce Lee, but there needs to be more than just haymakers and fun kicks. There needs to be a consistent display of strength. Utilize your environment in a way that’s like, “that’s right he can pick up a motorcycle with one hand…” Let’s, let’s not forget that I can get punched by a human and get knocked down. It just doesn’t make sense to me. So that’s the only thing and that’s a tough thing to try to remember. You know, even in Avengers, you know, I punched a heavy bag across a room. If I hit a person he’s not getting back up. It’s just the way it’s gonna go, so we can’t do this any other way.
Read our whole Chris Evans Avengers 2 interview after the jump.
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In June 2014, I visited the London set of Avengers: Age of Ultron. Previously we posted our on set interviews with Mark Ruffalo, Robert Downey Jr, director Joss Whedon, and Chris Hemsworth. Today we’ve been given the green light to publish our interview with two more Avengers. This post contains our interview with Hawkeye, Jeremy Renner. Here is a short snippet from Renner explaining how the action has evolved in this Avengers sequel:
There’s new tech and new costumes, there’s always new abilities, and new sort of things. For instance, if Hawkeye is a distance guy, what happens when it’s close quarters? We did a little of that in the first Avengers with having to use arrows in hands and having to do different things like that, be nimble and flying between people’s legs. You have to be clever with things, clever fighting to me is what I like to explore a little bit more with that as well. And then using each other, like if it was Cap, Widow, and I in a scene how we can use each other’s abilities as teamwork? He can toss me somewhere higher. That’s where these new characters are great, with Scarlet Witch you’ll find that her abilities are just being tapped into in this movie and what they can become, she’s still learning what they are, which is really cool. That to me as a nerdy, geeky dude about this world, that’s what I’m excited to kind of see what happens in the future because that can be quite fun.
Read our whole Jeremy Renner Avengers 2 interview after the jump.
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On June 12th 2014, I visited the London set of Avengers: Age of Ultron. In October, we posted our on set interviews with Mark Ruffalo, Robert Downey Jr. and director Joss Whedon. Today we’ve been given the green light to publish our interview with another Avenger: Thor himself, Chris Hemsworth. Here is a short snippet from Hemsworth explaining how the stakes in this film are more dire:
I think [Thor] openly admits, “I don’t think we’re going to win this one.” The threat is so great that I think all of them are sort of scratching their heads going, “Is this it?” rather than, “Okay, we have to kill this many things.” It’s just an onslaught and it doesn’t stop. It’s sort of an open sort of floodgate and what it could also set in motion is an even bigger threat. I think that’s what’s Thor’s kind of stuck on or where his is attention certainly is, an even bigger picture of Thor being from Asgard. He can just say, “Hang on, there’s a whole universe here which is signaling something else.”
Read our whole Chris Hemsworth Avengers 2 interview after the jump.
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Today is the last installment of our extensive interview with screenwriter Gary Whitta (Book of Eli, After Earth). Promoting the pre-order of his first novel, Abomination, Whitta talked to us not only about his career thus far, but the future and unproduced projects that haven’t happened.
Today in the fifth and final installment which primarily focuses on some of the screenwriter/producer’s future projects, including a big screen adaptation of Kick-Ass/Wanted creator Mark Millar’s Starlight, an adaptation of the 2000AD comic Rogue Trooper that Gary is trying to bring to the big screen (we even get an EXCLUSIVE look at some concept art that has been created for the movie), and we check in with the progress on trying to secure rights to The Last Starfighter remake. Read the Gary Whitta Starlight interview after the jump.
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This week, we’ve been running portions of our extensive interview with screenwriter Gary Whitta (Book of Eli, After Earth) as a five-part feature we’re calling “/Film’s Week Of Whitta.” Promoting the pre-order of his first novel, Abomination, Whitta talked to us not only about his career thus far, but the future and unproduced projects that haven’t happened.
Today in the fourth part, Gary Whitta talks about the projects he’s worked on that have not made it to the big screen, which include the American live-action Akira movie, an Escape From New York reboot, a big screen adaptation of Blizzard’s popular MMORPG video game World of Warcraft. I also ask Whitta about the rumors that he may be working with Blizzard on a a Diablo or Starcraft project. I always love hearing about the movies that could have been, so for me this segment might be the most interesting. Read the Gary Whitta unproduced projects interview after the jump.
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To promote the pre-order of his first novel, Abomination, screenwriter Gary Whitta (Book of Eli, After Earth) sat down with us for an extensive interview spanning his career thus far. Over the course of this week we will be posting the parts of this interview broken up into digestible thematic bites — we’re calling it “/Film’s Week Of Whitta”.
If you missed it, Gary Whitta talked about Star Wars on Monday. On Tuesday he talked about his journey from video game journalist to screenwriter and the post-apocalyptic Oliver Twist script that got him into the business. Today we return with the third installment, which focuses on Whitta talking about his biggest produced film projects, Book of Eli and After Earth, as well as his upcoming novel Abomination. Read the next installment of the Gary Whitta interview after the jump.
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