We’ve already heard from Kevin Smith about his impressive list of upcoming projects. He’s also told us about what making Tusk meant to him. Now, in part two of our long interview with the filmmaker, we dig a little deeper. Smith goes into great detail about some of the more talked-about decisions he made in Tusk, which is now on Blu-ray.
First Smith talks about the decision to reveal the walrus suit so early in the film. That leads into a discussion of effects in general, his preferred tone, other problems people have with the film and then his biggest regret in the marketing of the film. (A mistake he says he’ll never make again). He then talks about the inventive, aggressive schedule on Yoga Hosers, which is almost done filming. Read the rest of our Kevin Smith Tusk interview below. Read More »
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Rewind the clock just over a year. It’s December 10, 2013 and /Film is on the set of Seth Rogen and Evan Goldberg‘s The Interview. Everyone on set is upbeat, laughing, and more than willing to discuss that this film deals with some big issues. But no one has any idea what will transpire over the next 12 months, turning what should have been a simple, dirty comedy into a mass controversy and eventually a potential shift in the way studios look at movies.
On the set, we saw James Franco and Randall Park film what we didn’t at the time realize was a pivotal scene. It’s set in Kim Jong-Un’s tank where Dave Skylark (Franco) realizes Kim (Park) loves Katy Perry. We ran that article back in October along with an interview with Franco, Rogen and Goldberg. You can read each at those links. But much more happened on set besides that. We talked to the writer, producers, co-stars and more. It just so happens, as is the case with many set visits, lots of times some content feels superfluous.
However, now that The Interview is in theaters and on demand, we felt it might be worthwhile to dust off one of these interviews. A roundtable discussion myself and several journalists conducted with Randall Park, the actor who portrays Kim Jong-Un in the film. He spoke at length about the issues in playing a real person, his thoughts on Kim, what he thinks the dictator would think of the movie and much more. It’s a solid interview that’s even more interesting with the knowledge of what would happen in the next twelve months. Below, we invite you to read our on set Randall Park The Interview interview. Read More »
Sit back, grab a drink, and settle in. Kevin Smith is about to speak.
Last week, we chatted with Smith on the occasion of the blu-ray release of Tusk. (The disc is available now.) The controversial film had its share of fans and detractors; I fell somewhere in the middle. I admired Tusk’s ambition and the new direction for Smith, but at the same time acknowledged and was unforgiving of the film’s flaws. In our interview, we asked Smith about some of those issues, spoke about what he feels he learned as a filmmaker from the experience, and a few of the more polarizing choices in the movie. Two or three questions took a planned 15 minute interview to 25 minutes, but if you’re a fan of Kevin Smith, the director has rarely been so insightful about his craft.
However, because Smith talked for so long, we’ve decided to break this interview into a few parts. We already posted about his upcoming movies and projects. Now, Smith talks about how the making of Tusk not only reinvigorated him, but could be seen as an act of inspiration for fellow filmmakers. And from there, he went off on some fascinating tangents about camera movement, aspect ratios and a ton more. Below, read Part 1 of our Kevin Smith interview on Tusk. Read More »
When offered the chance to interview Anna Kendrick, I didn’t hesitate. Year after year, Kendrick proves herself to be one of the most fun and interesting people in Hollywood, jumping between big-budget blockbusters and small independent films. She’s also becoming increasingly popular due to her Twitter feed, which is filled with the kinds of humor you and your friends share in private rather than in public. It seems pretty obvious that Kendrick, with one Oscar nomination already, is well on her way to becoming one of our generation’s “It” actresses.
Her latest film is Rob Marshall‘s massive Disney musical Into the Woods, based on the Tony award winning musical by Stephen Sondheim. It’s classic Broadway fare, mixed with familiar fairy tales and a whole new story that is sure to make audiences reimagine some of their favorite characters of all time.
Kendrick plays Cinderella in the film, but this is not the Cinderella you know – or the one you are likely to see next year in another Disney film. We talked about that, as well the way she’s navigating her career, Disney in general, that Twitter feed and even a burning Pitch Perfect question I’ve had since the film’s original release. Below, read our Anna Kendrick interview. Read More »
Posted on Friday, December 26th, 2014 by Angie Han
In Big Eyes, Jason Schwartzman plays a typically Jason Schwartzman-ish character: he’s Ruben, the gallery owner who haughtily dismisses Walter and Margaret’s work. “Good God, it’s a movement,” he grumbles when the Keanes make it big without his help.
But for all of Schwartzman’s experiences playing pompous types onscreen, Schwartzman stresses he’s not one in person. “If I could say what’s my least favorite quality in someone, it’s when they make you feel dumb,” he told me. “I just feel like that’s bullshit.” Nor is Schwartzman particularly interested in staying in his niche as an indie actor. “I can safely say that I would be in any Star Wars movie,” he admitted.
Schwartzman was also game to discuss his opinion of Margaret Keane’s paintings, Christoph Waltz‘s opinion of Margaret Keane’s paintings, and the long-promised Bored to Death movie. But first, he got my opinion on what prank he should play on the next journalist. Read the full /Film interview with Jason Schwartzman after the jump. Read More »
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Posted on Friday, December 26th, 2014 by Angie Han
Following the commercial and critical success of Rise of the Planet of the Apes in 2011, Rupert Wyatt was hired back to helm the sequel. However, when creative differences caused him to split, he wound up settling on an entirely different kind of movie as his follow-up.
Wyatt’s new film The Gambler is technically a remake of the 1974 drama starring James Caan, but it feels like a totally different beast. Wyatt agreed as much during my interview with him, stressing that he “didn’t set out to remake the original film.” We spoke about the messages of the movie and its surprising ending, but also about his other upcoming projects including the sci-fi series Echo Chamber and the World War I drama Birdsong. Read the /Film interview with Rupert Wyatt after the jump. Read More »
Posted on Tuesday, December 23rd, 2014 by Angie Han
It would have been easy for Amy to get lost in The Gambler. As Mark Wahlberg‘s love interest, she’s a quiet woman among big, destructive personalities. But she’s played by Brie Larson, and that means she’s never boring. Larson exudes a wise-beyond-her-years calmness, becoming an oasis of understanding in the desert of Jim’s messed-up life.
In person, Larson seemed equally thoughtful as we discussed her latest role. She shared with me her love of mythology and Game of Thrones, her desire to direct, her fear of red shoes (it’ll make more sense in context), and next film Room. Oh, and in case you were wondering, she absolutely sounds up for tackling a big Marvel role, should it come her way. Read the full /Film interview with Brie Larson after the jump. Read More »
Say what you will about Kevin Smith‘s Tusk, but ultimately it was the spark that gave new life to the filmmaker. Just like he did in the ’90s, Smith made Tusk kind of on a whim. He and his producer Scott Mosier came up with the idea, Smith wrote it and a few months later it was being shot. Unlike his ’90s debut, Smith did have funding this time so it wasn’t as down and dirty as Clerks. But the independent spirit was there. And Kevin Smith is now overflowing with movie ideas.
He’s got a few more days to shoot on Yoga Hosers, a Tusk spinoff about two 15-year-old girls fighting monsters. After that, he’ll finally make the long awaited Clerks III. He’s also got preliminary funding to make Moose Jaws, a horror comedy that is basically Jaws with a moose. That’ll likely happen after Clerks III.
For Smith fans, though, there’s one glaring omission that list: Hit Somebody. Over the past few years, Smith’s hockey epic morphed from one film, to two films, to a miniseries and then into oblivion as he got busy with so many other things. But /Film recently talked to the director and he revealed that the producers of Tusk have given him money not only to make Yoga Hosers, Clerks III and Moose Jaws but Hit Somebody as well. And they’ll shoot it in Canada during the Fall of 2015.
Read the Kevin Smith Hit Somebody quotes below. Read More »
On June 12th 2014, I visited the London set of Avengers: Age of Ultron. In October, we posted our on set interviews with Mark Ruffalo and Robert Downey Jr. Today we’ve been given the green light to publish our interview with Avengers series director Joss Whedon. Here is a short snippet from Joss explaining why he decided to come back for the sequel:
I didn’t actually want to make the film necessarily. I was ragged from the first one, and so I just turned off my brain. I was like, do not think of cool ideas for the next one. Just get through this. But after a few months when they talked about, um… This is now something that makes sense in my life; do I have anything to say? And so my agent calls, I was in London, and he called me and said there’s a deal that’s worth talking about- time to start to think about whether there’s a movie. And I’m going, all right. I went to a pub and sat down with my notebook, and about forty-five minutes later, my notebook was filled. And I texted my agent “yup” and I have so many things to say and I was kind of surprised. It took me unaware. It was very beautiful.
Read our whole Joss Whedon Avengers 2 set interview after the jump.
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