Over the last week, we’ve seen a bunch of ariel photos of the Star Wars Episode VII captured from Greenham Common set whilst filming the GAMA bunkers. The photos have shown a few X-Wing including a black-colored model, as well as the Millennium Falcon which JJ Abrams later released an official video of. We’ve also seen photos of some of the actors in costume, including a possible reveal of Adam Driver’s role in the movie. Now some new set photos have appeared online, giving us a much much closer view of the props and sets. Also word has come out that the production may have ordered a “DroneShield” to try to prevent these kind of photo leaks.
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Former James Bond star Roger Moore recently visited the set of JJ Abrams‘ Star Wars Episode VII. During a BBC radio broadcast, the actor briefly talked about seeing an ice planet set built on one of the Pinewood sound stages. Read the full transcript with Moor talking about his visit to the Star Wars Episode 7 ice planet set, after the jump.
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Kevin Smith‘s Tusk is a prime example of a filmmaker in the midst of reinvention. Every since the disaster that was Cop Out, Smith has been on a quest to become a new director. First he shunned Hollywood and self-distributed Red State, a welcome departure from his off-the-wall comedies of the past. Now he’s delving deep into horror with Tusk, the story of a man named Howard (Michael Parks) who kidnaps a podcaster named Wallace (Justin Long) and attempts to turn him into a Walrus.
Much like Smith’s up-and-down career path, Tusk has a fascinating trajectory. Everything starts off well with the director slowly but surely building a very specific, intriguing and foreboding tone. Even as the story begins to border on the ridiculous and the gore gets exponentially more intense, we buy it because the film has won us over with its sharp writing, well-timed humor, inventive plot and layered storytelling.
Unfortunately, about two-thirds into the movie, Smith apparently saw some brake lights in front of him because the film comes to a screeching halt. It stops being fun so suddenly and so painfully it’s almost unfathomable. Things never quite recover from that narrative roadblock and, by the end, it all feels arbitrary and amateurish. Read More »
At some point, movie theaters found themselves in the unfortunate position of playing catch up. Where theaters were once the epicenter for entertainment, rising ticket prices and the exponential improvement of home theater technology have all but pushed them to the endangered species list.
Innovation was needed. IMAX was a good start. A screen so big no home can duplicate it. 3D is a mixed bag. It’s more expensive and, frankly, better in the home setting. Sound systems such as Dolby Atmos are great, but most of what makes it special is very nuisanced.
So what’s next? Well, it might be Barco Escape, a technology influenced by the super Cinerama craze of the 1960s, where an additional screen is placed on either side of your normal screen, giving a massive panoramic experience. The first film to be presented in Barco Escape is this week’s release, The Maze Runner. Five theaters across the country are offering the film in Barco Escape and myself and Peter Sciretta just had to try it out for ourselves.
Below, read more about Barco Escape and watch a video blog of our thoughts, criticisms and praise for what the company is calling “a little taste of the future.” Read More »
Update from Editor Peter Sciretta: The first part of the podcast was published yesterday, which is what we originally reported on. The second part of the conversation is now online, and I have updated the bottom of this story with additional information including Episode VIII shooting schedule, the process of writing the script and shooting location. The original post from September 18th 2014 follows, followed by an BOLDED marked update with the additional information.
Rian Johnson talked a bit about the creative freedom he has been given working on Star Wars Episode VIII (and IX?) while talking to fellow filmmaker Terry Gilliam on the TalkHouse podcast. Find out what Johnson said about writing the next installment of the Star Wars franchise, what it’s like to be working in someone else’s world, the obligation to bring Yoda and puppets back to the series, and an idea to have Gilliam have a cameo which might reveal a possible character in the upcoming eighth film. All this and more can be read and heard in the Rian Johnson Terry Gilliam Star Wars discussion, after the jump.
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Legendary Pictures and Warner Bros dropped a fun Breaking Bad easter egg in Gareth Edwards‘ Godzilla, did you notice it? The Walter White appearance happens in the first 50 seconds of the film, in the opening title sequence. See the Walter White’s Breaking Bad Godzilla easter egg after the jump.
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We know that Andy Serkis‘ performance capture studio The Imaginarium is heavily involved in JJ Abrams‘ Star Wars Episode VII, but we never considered to ask if classic characters like C-3PO would be computer animated or played by a man-in-suit. Well, apparently when JJ Abrams first called Anthony Daniels, he asked the British actor to voice our favorite protocol droid in the new series. As you know, Daniels not only voiced the character but played the droid on screen in a tightly created armored costume in the original trilogy, although the character was heavily CG animated in the prequels. So is C-3PO a performance capture computer animated creation in Episode 7? Find out the full story of the new C-3po Episode 7 suit, after the jump.
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We’ve got some more details on Legendary and Universal’s new film Skull Island, and they’re awesome. Legendary made the surprise announcement at Comic Con, promising a film that delves into the location of King Kong’s origin. Now Tom Hiddleston is in talks to star in the picture, which will be directed by Jordan Vogt-Roberts (The Kings of Summer, You’re the Worst). More info is below.
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