Ask a film fan and they’ll say Fantastic Fest is the best film festival in the world. An experience so unique and exciting, there’s almost no way it could be improved.
That is, until organizers added MondoCon.
MondoCon is a sister convention put on by the team known for their highly collectible and sought-after posters. The aim was to do a convention that celebrated all things Mondo (art, posters, toys, movies, comics) but do everything differently from other conventions. To create an experience that would be really fun for fans and non-fans alike. After attending for two days, I can safely say they succeeded — but not in the ways one may think.
So many criticize Mondo for the culture they’ve helped create with their low-supply, high-demand posters. There are valid arguments on both sides, but with MondoCon the team did their best to move away from that. It wasn’t a convention that was only about buying posters. (Though you could, of course, buy lots of posters.) MondoCon was more about community and communication. It was a venue for fans to interact with their favorite artists and other fans, and revel in the controlled geekiness.
However, at the start of MondoCon no one knew that. In fact, we knew very little at all. Below, read our full MondoCon recap. Read More »
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Little known fact: Mondo rejects just as many, if not more, posters than they actually release. Some are posters that didn’t get approved by a star or studio. Others are different versions of a poster that actually was released. And sometimes Mondo and a company can’t settle on a design and it never sees the light of day.
At MondoCon this past weekend, Justin Ishmael, Rob Jones and Mitch Putnam, the creative team behind Mondo, presented a panel called Mondo Talk about this very subject. However, what started as a way for fans to see the behind the scenes creation of a poster turned into, as Ishmael put it, “The depressing, what you could have had panel.”
They revealed a non-stop cavalcade of posters, concepts, licenses and more they tried to realize, but which failed for one reason for another. We’re talking Tyler Stout‘s Conquest of the Planet of the Apes, Krzysztof Domaradzki‘s officially licensed The Godfather, Spring Breakers, and various different iterations of Man of Steel. Below, check out a bunch of posters Mondo posters that never happened. Read More »
Posted on Tuesday, September 23rd, 2014 by Angie Han
From a marketing standpoint, Fox’s Gotham already had the deck stacked heavily in its favor. It’s a gritty superhero origin story, at a time when gritty superhero origin stories are doing massive business. And the superhero in question isn’t some indie-comic third-stringer, but one of the most iconic, most beloved superheroes of all time. Those facts alone would be enough to make Gotham one of the most buzzed-about new shows of the 2014-2015 season, even without a seasoned, capable creator (Bruno Heller, of Rome and The Mentalist) and a thoroughly solid cast (Ben McKenzie, Donal Logue, Jada Pinkett-Smith).
But from a creative standpoint, that very same advantage — Gotham‘s familiarity — proves to be a major liability. It’s an antihero crime drama in a pop culture landscape already saturated with antihero crime dramas, and these particular antiheroes are already extremely well known. By the show’s very nature, there’s little question as to where most of its characters will end up, which drastically lowers the dramatic tension. Were Gotham not a Batman prequel, we might be left wondering whether Jim Gordon (McKenzie) could possibly make good on his promise to clean up the city, or whether Bruce Wayne’s traumatic childhood would forge a hero or a villain. As it is, we already know exactly what the answers are.
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Over the last week, we’ve seen a bunch of ariel photos of the Star Wars Episode VII captured from Greenham Common set whilst filming the GAMA bunkers. The photos have shown a few X-Wing including a black-colored model, as well as the Millennium Falcon which JJ Abrams later released an official video of. We’ve also seen photos of some of the actors in costume, including a possible reveal of Adam Driver’s role in the movie. Now some new set photos have appeared online, giving us a much much closer view of the props and sets. Also word has come out that the production may have ordered a “DroneShield” to try to prevent these kind of photo leaks.
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Former James Bond star Roger Moore recently visited the set of JJ Abrams‘ Star Wars Episode VII. During a BBC radio broadcast, the actor briefly talked about seeing an ice planet set built on one of the Pinewood sound stages. Read the full transcript with Moor talking about his visit to the Star Wars Episode 7 ice planet set, after the jump.
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Kevin Smith‘s Tusk is a prime example of a filmmaker in the midst of reinvention. Every since the disaster that was Cop Out, Smith has been on a quest to become a new director. First he shunned Hollywood and self-distributed Red State, a welcome departure from his off-the-wall comedies of the past. Now he’s delving deep into horror with Tusk, the story of a man named Howard (Michael Parks) who kidnaps a podcaster named Wallace (Justin Long) and attempts to turn him into a Walrus.
Much like Smith’s up-and-down career path, Tusk has a fascinating trajectory. Everything starts off well with the director slowly but surely building a very specific, intriguing and foreboding tone. Even as the story begins to border on the ridiculous and the gore gets exponentially more intense, we buy it because the film has won us over with its sharp writing, well-timed humor, inventive plot and layered storytelling.
Unfortunately, about two-thirds into the movie, Smith apparently saw some brake lights in front of him because the film comes to a screeching halt. It stops being fun so suddenly and so painfully it’s almost unfathomable. Things never quite recover from that narrative roadblock and, by the end, it all feels arbitrary and amateurish. Read More »
At some point, movie theaters found themselves in the unfortunate position of playing catch up. Where theaters were once the epicenter for entertainment, rising ticket prices and the exponential improvement of home theater technology have all but pushed them to the endangered species list.
Innovation was needed. IMAX was a good start. A screen so big no home can duplicate it. 3D is a mixed bag. It’s more expensive and, frankly, better in the home setting. Sound systems such as Dolby Atmos are great, but most of what makes it special is very nuisanced.
So what’s next? Well, it might be Barco Escape, a technology influenced by the super Cinerama craze of the 1960s, where an additional screen is placed on either side of your normal screen, giving a massive panoramic experience. The first film to be presented in Barco Escape is this week’s release, The Maze Runner. Five theaters across the country are offering the film in Barco Escape and myself and Peter Sciretta just had to try it out for ourselves.
Below, read more about Barco Escape and watch a video blog of our thoughts, criticisms and praise for what the company is calling “a little taste of the future.” Read More »
Update from Editor Peter Sciretta: The first part of the podcast was published yesterday, which is what we originally reported on. The second part of the conversation is now online, and I have updated the bottom of this story with additional information including Episode VIII shooting schedule, the process of writing the script and shooting location. The original post from September 18th 2014 follows, followed by an BOLDED marked update with the additional information.
Rian Johnson talked a bit about the creative freedom he has been given working on Star Wars Episode VIII (and IX?) while talking to fellow filmmaker Terry Gilliam on the TalkHouse podcast. Find out what Johnson said about writing the next installment of the Star Wars franchise, what it’s like to be working in someone else’s world, the obligation to bring Yoda and puppets back to the series, and an idea to have Gilliam have a cameo which might reveal a possible character in the upcoming eighth film. All this and more can be read and heard in the Rian Johnson Terry Gilliam Star Wars discussion, after the jump.
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