“It doesn’t get any better than this,” screams one of the most evil men in the world. “Me and David Skylark, in my tank, blasting Katy Perry!” The horrific dictator is right. The mix of pop music, foul language and male machinery is just about the perfect amount of awesome on a cold, snowy Vancouver day.
David Skylark is a character played by James Franco in The Interview, Seth Rogen and Evan Goldberg’s follow-up to the massive 2013 hit This is the End. The faux entertainment journalist is driving in the tank of Kim Jong Un (played by Randall Park), the North Korean dictator who is preparing to be interviewed by Skylark. Oh, and by the way, the CIA has asked Skylark and his producer Aaron (Rogen) to kill him.
Though the tank and North Korean setting are fabricated on a soundstage in Rogen and Goldberg’s hometown of Burnaby, British Columbia (just outside of Vancouver) that Katy Perry love isn’t fabricated. Everyone on set is singing, laughing, and that’s just the beginning of the madness that went down on December 10, 2013, the 42nd and final day of shooting on The Interview, which hits theaters December 25. Read More »
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The full cast for Dead Rising movie based on the popular Capcom survival horror video game series was announced yesterday afternoon. We have an exclusive interview with director Zach Lipovsky revealing a ton of details about the digital feature from Legendary Pictures and producer Lorenzo di Bonaventura (Transformers).
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It’s the end of an era, and the Saturday Morning Cartoon is officially dead. So I thought now would be the perfect time to take a look back at the best Saturday Morning Cartoons. Hit the jump to find out the 20 best Saturday morning cartoons of all time, according to me. I have even included the opening credits song (whenever available) so that you can take a trip back in time to revisit the pop culture that owned the saturday mornings of our childhoods.
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I feel like I’m really getting old because I’m tempted to tell stories of “back in my day” and “when I was a kid,” but time passes and with every new generation things change. I used to look forward to Saturday mornings for the block of morning cartoons that ran on weekends. From 8am to noon, most of the television networks were filled with the latest and greatest cartoon series, sandwiched between commercials for the best new toys of the era. (Some of those series were, in fact, also commercials for toys.) Over the years, the cartoons have started to disappear from Saturday morning. Why? A combination of cable networks which allow 24-hour access to cartoon programing and a 1996 FCC mandate.
Over the weekend, The CW’s Vortexx programming block (which included episodes of Cubix, Sonic X, Dragon Ball Z and Kai, Digimon Fusion, Yu-Gi-Oh! and more) aired for the last time. Next week The CW will replace the animation with “One Magnificent Morning”, a live-action television block filled with educational shows for kids. This is officially the end of broadcast television’s Saturday Morning Cartoons, as it has been known since the 1960s. Find out more about why the Saturday Morning Cartoons have been killed off and take a look back at the glory days of Saturday Morning Cartoons of the 1980s and 1990s.
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The Y The Last Man movie adaptation is officially dead, once again. Almost-director Dan Trachtenberg was asked about the project on Twitter and said the following: “Not happening. But it’s in trusted hands (the creators).” Most people figured as much, considering Tranchtenberg is currently prepping his Bad Robot film Valencia, but this was the first public confirmation of Y‘s current status.
We took the opportunity to ask Trachtenberg about the project and, to our surprise, he was kind enough to oblige. He explained that his Y: The Last Man was based on the first two trades in Brian K. Vaughan and Pia Guerra‘s amazing series, with some characters deleted and action scenes expanded. He talked about what films he looked to for inspiration and which were referenced in the script. And then confirmed the rights reverted back to Vaughan sometime ago and that the project’s future is totally up in the air.
Read more about the fate of the Y The Last Man movie below. Read More »
Ask a film fan and they’ll say Fantastic Fest is the best film festival in the world. An experience so unique and exciting, there’s almost no way it could be improved.
That is, until organizers added MondoCon.
MondoCon is a sister convention put on by the team known for their highly collectible and sought-after posters. The aim was to do a convention that celebrated all things Mondo (art, posters, toys, movies, comics) but do everything differently from other conventions. To create an experience that would be really fun for fans and non-fans alike. After attending for two days, I can safely say they succeeded — but not in the ways one may think.
So many criticize Mondo for the culture they’ve helped create with their low-supply, high-demand posters. There are valid arguments on both sides, but with MondoCon the team did their best to move away from that. It wasn’t a convention that was only about buying posters. (Though you could, of course, buy lots of posters.) MondoCon was more about community and communication. It was a venue for fans to interact with their favorite artists and other fans, and revel in the controlled geekiness.
However, at the start of MondoCon no one knew that. In fact, we knew very little at all. Below, read our full MondoCon recap. Read More »
Little known fact: Mondo rejects just as many, if not more, posters than they actually release. Some are posters that didn’t get approved by a star or studio. Others are different versions of a poster that actually was released. And sometimes Mondo and a company can’t settle on a design and it never sees the light of day.
At MondoCon this past weekend, Justin Ishmael, Rob Jones and Mitch Putnam, the creative team behind Mondo, presented a panel called Mondo Talk about this very subject. However, what started as a way for fans to see the behind the scenes creation of a poster turned into, as Ishmael put it, “The depressing, what you could have had panel.”
They revealed a non-stop cavalcade of posters, concepts, licenses and more they tried to realize, but which failed for one reason for another. We’re talking Tyler Stout‘s Conquest of the Planet of the Apes, Krzysztof Domaradzki‘s officially licensed The Godfather, Spring Breakers, and various different iterations of Man of Steel. Below, check out a bunch of posters Mondo posters that never happened. Read More »
Posted on Tuesday, September 23rd, 2014 by Angie Han
From a marketing standpoint, Fox’s Gotham already had the deck stacked heavily in its favor. It’s a gritty superhero origin story, at a time when gritty superhero origin stories are doing massive business. And the superhero in question isn’t some indie-comic third-stringer, but one of the most iconic, most beloved superheroes of all time. Those facts alone would be enough to make Gotham one of the most buzzed-about new shows of the 2014-2015 season, even without a seasoned, capable creator (Bruno Heller, of Rome and The Mentalist) and a thoroughly solid cast (Ben McKenzie, Donal Logue, Jada Pinkett-Smith).
But from a creative standpoint, that very same advantage — Gotham‘s familiarity — proves to be a major liability. It’s an antihero crime drama in a pop culture landscape already saturated with antihero crime dramas, and these particular antiheroes are already extremely well known. By the show’s very nature, there’s little question as to where most of its characters will end up, which drastically lowers the dramatic tension. Were Gotham not a Batman prequel, we might be left wondering whether Jim Gordon (McKenzie) could possibly make good on his promise to clean up the city, or whether Bruce Wayne’s traumatic childhood would forge a hero or a villain. As it is, we already know exactly what the answers are.
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