La La Land Review

“They don’t make ’em like this anymore” is a frequent lament when it comes to movies, but it couldn’t be truer in the case of La La Land, an unabashedly old-fashioned musical directed by Whiplash‘s Damien Chazelle. Set in contemporary Los Angeles — with just enough modern-day flourishes to remind you that this is a movie made and set in the 2010s, not the 1950s — La La Land follows a struggling pianist and an aspiring actress who fall in love but find their separate dreams threatening to pull them apart. It’s a story as old as Hollywood and jazz, and Ryan Gosling and Emma Stone feel like a pairing for the ages.

Read More »

.

Please Recommend /Film on Facebook

The Belko Experiment Review

James Gunn has been tied up with Marvel movies for the past couple of years, but somewhere in there, he found the time to write and produce The Belko Experiment. Greg McLean, the Aussie filmmaker behind the nasty Wolf Creek films, takes the helm, and the result is a simple, entertaining horror-thriller that doesn’t take itself too seriously.  Read More »

Sing Review

Since Despicable Me, Illumination Entertainment has established itself as a go-to source for sturdy family entertainment. Their films may not reach the artistic heights of Pixar or Disney, but you can generally count on them to be perfectly pleasant and inoffensive, able to entertain the kids without annoying the parents.

Sing is Illumination’s first musical, but otherwise it’s cut from the same cloth as the company’s other films. While not especially deep, the combination of a star-studded cast and an equally star-studded music catalogue make for a fun time. It’s light and sweet and pretty as cotton candy, and it dissolves from memory just as quickly.  Read More »

Headshot review

Iko Uwais may not be a household name in the U.S. just yet, but among fans of a certain type of action movie he’s a superstar. The Indonesian actor and martial artist burst onto the scene with Merantau and had an even bigger breakthrough in The Raid. Headshot, from directors Timo Tjahjanto and Kimo Stamboel (collectively known as the Mo brothers, though they are not actual brothers), has Uwais doing what he does best — kicking ass and taking names — with spectacularly entertaining results.  Read More »

Anne Hathaway in Colosssal review

Movies about giant monsters descending upon cities are a common sight, as are movies about chronic screwups trying to get their lives back on track. But if a movie has ever combined those premises before, I haven’t seen it.

Written and directed by Nacho Vigalondo, Colossal stars Anne Hathaway as a hard-drinking, unemployed thirty-something who hits rock bottom when she gets dumped. But her messy life takes an even crazier turn when she realizes that she’s somehow connected to an enormous creature that’s begun terrorizing Seoul. It’s a bizarre conceit that works against all odds, anchored by strong performances from Hathaway as Gloria and Jason Sudeikis as Oscar, Gloria’s childhood friend.  Read More »

Arrival Review

Denis Villeneuve‘s Arrival begins with a premise we’ve seen in a hundred summer blockbusters. One day, aliens arrive on Earth, in the form of twelve mysterious ships scattered around the globe. Their purpose is unclear, and humanity is naturally both intrigued and terrified. Where it goes next, though, is a welcome return to grown-up sci-fi, more Contact or Interstellar than Independence Day.

For starters, the aliens don’t open with an attack. And we Earthlings don’t, either. Instead, the U.S. military calls upon Louise (Amy Adams), a linguistics professor, to try and make contact with the alien spaceship in Montana. From there, Villeneuve carefully unspools a story that’s equal parts heart and intellect, encompassing memory, language, loss, love, grief, and the passage of time.

Read More »

Cool Posts From Around the Web:

A Monster Calls review

J.A. Bayona‘s adaptation of Patrick NessA Monster Calls is a five-hankie sobfest, a ruthlessly effective tearjerker even by cancer drama standards. The sniffles start with the premise. A boy (Lewis MacDougall) struggles with his mother’s terminal illness, and calls upon a giant tree monster for help. The monster (voiced by Liam Neeson) forces a deal upon the boy: he’ll tell three stories, after which the boy will have to reveal his own deepest, darkest secret.

Read More »

Free Fire review

The third-act shootout is a staple of a certain kind of film, but in Ben Wheatley‘s Free Fire it’s essentially the entire movie. Against all odds, it works. Wheatley stages a never-ending knock-down-drag-out fight, trapping one woman and about a dozen men in an abandoned warehouse and then inviting us to sit back and watch as the bullets and the jokes ricochet off one another. The result is a furiously entertaining exercise that left me buzzing with energy long after I’d left the theater.  Read More »

Quarry Greg Yaitanes Interview

Fans of Max Allan Collins have enjoyed a dozen stories of Quarry, the Vietnam veteran who becomes a hit man in the ’70s, with another on the way. This fall, they can see the charater come to life in their own homes with Cinemax’s new series Quarry. Logan-Marshall Green plays Mac Conway, dubbed Quarry by the gangster who blackmails him into meeting him at a rock quarry to take his assignments. Mac wants a peaceful life with his wife Joni (Jodi Balfour) but pressures of the war, and kidnapping attempts made on Joni, make that difficult.

Michael D. Fuller and Graham Gordy created Quarry with veteran TV director Greg Yaitanes running the show and directing the first season’s eight episodes. Yaitanes also ran Banshee for Cinemax and his directing credits include shows like Lost, Heroes, and Alias. I spoke with Yaitanes by phone from the set of an episode of Underground to discuss Quarry as well as his developing Discovery Channel series Manifesto, the first season of which will tell the story off Unabomber Ted Kaczynski.  Read More »