
When I first saw Stories We Tell I was stunned. When I saw it again, I knew that reaction was warranted. And when I talked to the film’s director, everything was further illuminated. That director is Sarah Polley, who is probably best known for roles in films like Go and Dawn of the Dead. Polley is undeniably great in those movies, but after seeing her third feature film Stories We Tell, there’s no doubt she’s an even better director.
Polley approaches Stories We Tell with brilliantly layered execution. On the surface, it’s a personal documentary about her family history, featuring accounts from her brothers, sisters, parents, and friends. The basic story follows how her mother and father met, and started a family. From there, Polley questions the construction of story and truth. She breaks down the structure, turning the camera on herself. Finally, Polley uses this pleasant, thought-provoking documentary to pose surprising questions regarding the essence of cinema. Stories We Tell is now playing in select cities nationwide, so you can finally see what I mean for yourself.
Which brings us to a warm May morning poolside at a Beverly Hills hotel. I was lucky enough to sit down with Polley to discuss her wonderful film and ask all the burning questions I had after seeing it. You can read the conversation below. Read More »
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The concept of Pacific Rim seems like the simplest thing ever. Humans pilot giant robots to battle giant alien monsters. However, Warner Bros. is dead set on letting audiences know there’s much more to it than that. In the latest trailer for the Guillermo del Toro sci-fi action film, the focus is squarely on the history and mythology created for the film. (With plenty of new shots of massive destruction and fighting along the way.) Read More »

While nothing has been said officially, TV By The Numbers and IGN are reporting that ABC has picked up the Marvel television series spin-off Agents of SHIELD for a debut this Fall.
While ABC has not made an official announcement, they briefly (likely accidentally) published a video on their youtube page, a viral teaser for the upcoming show. The video shows some captured video of The Incredible Hulk causing destruction, captured from a distance. A small logo/badge that reads “Rising Tide” appears on the lower right hand part of the screen. While ABC has removed the video, it seems to still online elsewhere (for now). Watch the video now embedded after the jump.
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Among film fans, few directors are as revered as Alfonso Cuarón. Children of Men, Y Tu Mamá También, A Little Princess; these are new classics that never found the mainstream audience they deserved.
For the casual moviegoer, few stars are more likable than Sandra Bullock and George Clooney. Oscar-winners both, each has proved time and again they’re major box-office stars. So what happens when you combine their mainstream Hollywood clout with a true auteur aesthetic? You’re about to find out.
The first trailer for their collaboration, Gravity, has just been released. Co-written and directed by Cuarón, it stars Clooney and Bullock as two astronauts who go into space but are detached from their ship, forced to survive all alone in the infinite darkness. The potential Oscar-contender is set for release October 19 in 2D, 3D and 3D IMAX. Finally, after years of delays and anticipation, you can see footage from it now. Read More »

UPDATE: A reliable source confirmed to /Film that the production of Jurassic Park 4 has, indeed, been put on hold. “Chasing a start date is not a good idea financially or creatively,” the source said. Expect a full statement from Universal soon. The original story follows.
UPDATE 2: Universal has released an official statement confirming this news. It’s below.
If all went according to plan, Colin Trevorrow‘s Jurassic Park 4 would be about one year away from release. Just recently, the director even tweeted a location scout that made it seem like all was on schedule. However, tweets from a few members of the production Tuesday (that have since been deleted) suggest the film has been put on hold.
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With Shaun of the Dead, writers Edgar Wright and Simon Pegg played within the zombie genre. In Hot Fuzz they tackled action films. Later this year, they will conclude their trilogy of genre-blending comedies with The World’s End. It’s a film that has been a topic of discussion for years. Now, finally, we have our first glimpse of how Wright, Pegg, and co-star Nick Frost plan on tying everything together.
The World’s End is a sci-fi comedy that sees five friends (Pegg, Frost, Paddy Considine, Martin Freeman and Eddie Marsan) return to their old hometown to drink their way through twelve bars. When they arrive, though, things are a bit more like Invasion of the Body Snatchers than Animal House, and fate of the universe is at stake.
Directed and co-written by Wright, The World’s End opens July 19 in the United Kingdom and August 23 in the United States. Check out the international teaser trailer below. Read More »

A day Ender’s Game fans never thought would happen has arrived. The first teaser trailer for the film adaptation of Orson Scott Card‘s landmark sci-fi novel is finally here.
For years, Hollywood told fans the age of the characters and the complicated action sequences made the story unfilmable. Enter director Gavin Hood who, along with producers Alex Kurtzman, Roberto Orci and others, willed the film to the big screen. They cast Asa Butterfield (Hugo) as the title character, a young man who is recruited to go into space and train as a military leader whose destiny is to save the world. Harrison Ford plays his gruff mentor and the rest of the cast is filled out with Oscar-calibur talent like Hailee Steinfeld, Sir Ben Kingsley, Viola Davis and Abigail Breslin.
Ender’s Game opens November 1 and, below you can see just how Hood’s vision came together. Read More »

Stop-motion effects pioneer Ray Harryhausen died today, with his passing confirmed by his family. The filmmaker, who retired from features in 1981, leaves behind a relatively small but incalculably influential body of work. In films produced between 1955 and 1981 his stop-motion animated skeletons, dinosaurs, and other beasts almost universally became icons of sci-fi and fantasy filmmaking. Though he hasn’t worked in features for over thirty years, echoes of his work continue to resound today.
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