The first 4DX movie theater in the United States opened in Los Angeles last weekend. Located in theater 6 at the Regal Cinemas LA Live in Downtown LA, the 104-seat theater books one first-run 3D movie at a time, and augments the showing with real-world physical effects. Those effects are the fourth dimension.
So, timed with the movie, you basically experience a theme park ride. Your seat rumbles and moves around, water squirts, there’s smoke, flashing lights, lumbar effects, gusting wind, even scents. The presentation admirably tries to bring the viewer into the movie.
Michael Bay‘s Transformers: Age of Extinction was the first film to play in the format here, so Peter Sciretta and myself were given a nearly three hour 4DX experience. This was great in that we were privy to the full slate of 4DX effects, but the film also became a tasking mental and physical exercise. Below, we present a video blog about the experience, along with a bunch of photos and a brief rundown of how Transformers: Age of Extinction translates into 4DX. Read More »
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Transformers: Age of Extinction is the first feature film to shoot with a brand new, digital IMAX 3D camera. It’s also one of two films being released in full IMAX this year. So for director Michael Bay to urge fans to see the film in IMAX 3D is kind of a no-brainer. But he did so anyway, just to be safe. Read his statement below. Read More »
Somewhere at the cross-section of technological advancement and artistic expression lies Christopher Nolan. The director of The Dark Knight, Memento and Inception is well-known for being beholden to film, and in particular to IMAX film. IMAX continues to produce film cameras for directors like Nolan to use, but IMAX projection is quickly moving away from film. These days, an increasingly large percentage of IMAX theaters have digital projectors, and the company is working towards laser projection.
So where does that leave Nolan’s latest film, Interstellar? As in the past, Nolan shot much of Interstellar on IMAX film cameras. He would obviously prefer it be projected that on film, too. In a new interview, the president of IMAX said they’d oblige. Interstellar will be projected on IMAX film at “somewhere around 50″ theaters. Read More »
2014 marks the 30th anniversary of Ivan Reitman’s comedy classic Ghostbusters. And over the past few months, Gallery 1988 has been presenting a fully authorized art show to celebrate the occasion. It kicked off in New York, is currently in Los Angeles and will make a stop in Chicago on June 20-22 before heading to San Diego Comic-Con.
And though many of the pieces in the show have made it online, and some have even sold out, there’s been no place to view the entire exhibit in digital form. Until now.
Slashfilm is proud to be the exclusive online home of the Ghostbusters 30th Anniversary Art Exhibit. Below we’ve got five pages with almost 150 different pieces of art. Everything from limited edition posters to original paintings, sculptures and more. It’s an embarrassment of Ghostbusting riches and you can check it all out by clicking here. Read More »
One major movie theater chain plans to begin testing a surcharge on middle seats in their movie theaters. Would you pay more for premium seating at the multiplex? Read More »
Just when you thought 3D was overplayed, 4D theaters are on the way. The Korean company CJ 4DPlex has just signed a deal to install the United States’ first 4DX theater into the Regal Cinemas L.A. Live Stadium 14 in downtown Los Angeles, CA. 4D adds physical sensations to 3D films, in the form of “motion, wind, strobe, fog, mist, rain and ‘scent-based’ effects.” For the past few years, several movies have been getting 4D experiences, including the upcoming titles Captain America: The Winter Soldier, Noah and How to Train Your Dragon 2. Read More »
Any good director will tell you they make a movie three times. The script, the shooting and the editing. But there’s a fourth time too, and that’s the projection. When filmmakers finish a film, most simply let it go out into the world, allowing legions of projectionists with varying levels of experience to dictate how an audience sees their movie.
However, some filmmakers take control of that process too and the latest example is Wes Anderson. Anderson had Fox Searchlight include a specific set of projection instructions with each and every print/DCP of his wonderful new film, The Grand Budapest Hotel, and you can see the image below. Read More »
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Los Angeles film fans used to have two choices when they wanted to see old-school 70mm film IMAX. There was the Universal CityWalk location and The Bridge, which then became the Rave. Unfortunately, the Rave 18 was recently purchased by Cinemark and that company has “decided to go in a different direction with this auditorium,” according to IMAX. That means the AMC Universal CityWalk is the only 70mm IMAX screen left the movie capital of the world. However, that too will soon change, eventually leaving the city without a film projection IMAX theater. In its place will be a much more advanced laser projection system. Read more below. Read More »