Thursday we posted about the life-sized Incredible Hulk Statues that Universal sent to multiplexes nationwide. And of course, as always, The Arclight in Hollywood has something cooler. (…)

In San Francisco, The Clay is the place to see midnight movies. (…)

It became very clear after visiting film geek heaven (The Alamo Drafthouse in Austin Texas) that there is a better way to handle the theatrical experience. (…)

Earlier today we wrote about how Star Wars fanboys were planning on boycotting The Weinstein Co’s Superhero Movie due to the way the company is handling the release of Fanboys. (…)

Last week I posted a cool stuff feature on the coolest movie theater on the planet - The Alamo Drafthouse, an independently run theater in Austin Texas. (…)

“I’m back. [belch!]”
Oh yes, to be bathed in ketchup-colored red by an R-rated movie trailer inside a cinema. (…)

Dear director P.J. Pesce and screenwriter Hans Rodionoff, please never cross my path in life. And please do a Spitzer. (…)

I’m def digging the official title treatment above for Lost Boys: The Tribe (the 2 is now gone) that STYD just got their hands on. It’s not some cheesy ’00s update like I feared. (…)

Last night’s Saturday Night Live was pretty good, with the cast managing to maintain its surprising post-strike energy and wit. Host Amy Adams needed to be sedated though, anyone else notice? (…)

“Takes all kinds, guys.”
The premiere for Horton Hears a Who! was held today at Mann Village Theater in Los Angeles. (…)

If you receive a call from a number marked 1-000-000-0000, pick it up, it’s Harvey Dent and he wants your vote! (…)

Judging by the teaser image above, I can’t blame you for mistaking it for The Smurfs Movie, but it’s really the final poster for the Judd Apatow-produced rom-com Forgetting Sarah Marshall. (…)

Do you remember where you were and who you were with last June when The Sopranos went out with a (non) bang? (…)

Would you see more movies in the movie theater if it cost nothing?
You might not know who Chris Anderson is. Some people know him as the editor-in-chief of Wired Magazine. (…)

About 68 minutes into a 103 minute 2005 Pixar lecture from the Computer History Museum (found via UpcomingPixar), writer/director Brad Bird (Ratatouille, The Incredibles) ranted passionately about how technology and convenience is ruining the theatrical experience:
“I hope that [the theatrical experience] doesn’t go away. (…)