Even though Sam Worthington is the star of the highest grossing movie of all time, James Cameron’s Avatar, he’ll never quite be the box office draw as an actor like Will Smith. But it looks like he’ll try to follow closely in his footsteps on the dramatic side of things by starring in a movie that is basically his own Collateral Beauty.
The Shack, based on The New York Times bestselling novel of the same name, follows a father (Worthington) who falls into a deep depression after his daughter is abducted on a family vacation and found murdered in a remote cabin in Oregon. But one day, he receives a mysterious letter calling him back to the cabin, and what he finds may be exactly what he needs to get his life back on track.
Watch The Shack trailer after the jump. Read More »
Way back in the spring of this year, we got our first look at Elizabeth Banks as the villain Rita Repulsa in the latest big screen adaptation of Power Rangers. She looks drastically different than she did in the Mighty Morphin Power Rangers series, looking less like a medieval witch and more like an alien vixen from the Species franchise.
Now some new photos of Elizabeth Banks as Rita Repulsa provides another glimpse at the character, this time showing us one trait that took influence from her look in the 1990s TV series. In addition, Rita Repulsa took over the official Power Rangers Twitter yesterday during Cyber Monday to make some truly weird product endorsements.
Check out the new Rita Repulsa photos after the jump. Read More »
10 Cloverfield Lane director Dan Trachtenberg is in talks to direct The Secret Life of Houdini, based on the William Kalush and Larry Sloman’s book The Secret Life of Houdini: The Making of America’s First Superhero which portrays the master magician as a secret agent investigating the occult. The pitch for the movie is that Houdini was not only the world’s greatest escape artist and magician but also “part Indiana Jones and part Sherlock Holmes.” Learn some details about this Dan Trachtenberg Houdini movie, after the jump.
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Decades ago, musicals were all the rage in Hollywood. Some of the biggest stars in the world were actors and actresses known for their impressive pipes and mesmerizing dance steps, like Fred Astaire and Ginger Rogers. Now Whiplash director Damien Chazelle is bringing back that classic style in the modern musical La La Land starring Emma Stone and Ryan Gosling, and a new featurette goes behind the scenes to show how they’re making it happen.
Watch the La La Land featurette after the jump. Read More »
As we’re winding down to the end of the year, there are still plenty of great movies to see in theaters, especially films that are looking for some awards attention early next year. One of those films also just happens to be one of my most anticipated movies of the year, and now we get a wonderful new piece of it.
The first song from the modern musical La La Land has just debuted online, and it’s a beautiful duet titled “City of Stars” sung by the film’s stars Ryan Gosling and Emma Stone. It has a classic feel to it, and there are some beautiful moments that feel very candid and natural, helped by the fact that it doesn’t sound like a super polished studio recording.
Listen to the La La Land song “City of Stars” after the jump, and if you’re lucky, you might just see some new footage from the movie as well. Read More »
Posted on Friday, September 9th, 2016 by Jacob Hall
The future of the Divergent film series remains uncertain. In February, director Robert Schwentke stepped away from the franchise after helming The Divergent Series: Insurgent and The Divergent Series: Allegiant (he was replaced by Toland Krieger). A month later, Allegiant hit theaters and was a box office bomb, grossing half of what the previous film had made at the domestic box office. Unlike other YA movie franchise like The Hunger Games and Harry Potter, which remained strong until the end, Divergent was out of breath on its second-to-last film.
And that’s when things got really weird: Lionsgate announced that Ascendant, the fourth and final film in the series, would be a TV movie that would act as the backdoor pilot for a new television series set in the Divergent universe. However, it seems that nobody told franchise star Shailene Woodley, and she’s now made it pretty clear that she’s not interested in starring in the made-for-TV finale.
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There’s some big buzz surrounding another anticipated premiere out of the Venice Film Festival. This time, it’s Mel Gibson‘s return behind the camera for the first time in 10 years that is garnering plenty of attention.
Hacksaw Ridge is a war drama based on the true story of Desmond Doss, a young Seventh Day Adventist who drew criticism from his fellow soldiers for sticking to his Pacifist beliefs and never picking up a weapon during his time serving in the military during World War II. Miraculously, the soldier single-handedly rescued 75 of his wounded brothers in one night, earning him the Medal of Honor. The story paints the portrait of a man who stood by his own beliefs and credited God with his heroic feats, and Mel Gibson doesn’t shy away from a message of faith in the face of adversity.
The first Hacksaw Ridge reviews have arrived from the festival, where the film received a 10-minute standing ovation. While there’s plenty of praise for an astounding performance by Andrew Garfield and some incredible, harrowing battle footage in the vein of Saving Private Ryan, it sounds like the film has problems in its lack of subtlety. Read More »
Last night, Damien Chazelle‘s musical romance La La Land premiered at the Venice Film Festival on the other side of the world. The film is one of my most anticipated films of the year, so I couldn’t be happier to hear all the positive buzz coming from the premiere.
The first La La Land reviews reaffirm what we’ve observed from the trailers, calling the film a loyal homage to classic movie musicals, shot magnificently, and acted superbly by stars Ryan Gosling and Emma Stone with some astounding original music. However, for all the praise that calls the film audacious, exciting and passionate, some reviews also point out that the film has difficulty balancing the fantastical nature of the musical style with the raw, emotional drama that comes between musical numbers, making the film a little uneven.
Read some the early La La Land reviews have to say after the jump. Read More »
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Mel Gibson hasn’t directed a feature film since 2006’s Apocalypto. The somewhat dated digital photography aside, that thrilling and brutal chase movie is arguably his best picture as a director (the film’s biggest fan, Robert Duval, likely agrees), but it’s far from his most successful, once you compare it to Braveheart and The Passion of the Christ‘s box-office numbers. Gibson has had great success as a filmmaker. His most recent performances, however, have failed to connect with audiences. As an actor, he’s not the draw he used to be, but will that stop moviegoers from seeing one of his directorial efforts? We’ll find out this November.
Below, check out the poster for his latest film, Hacksaw Ridge.
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Jason Statham is nothing if not consistent. Although he’s taken detours into blockbuster territory with Furious 7, showcased some strong comedy chops in Spy, and made the (love ’em or hate ’em) wholly singular Crank movies, Statham’s bread and butter has always been the modestly budgeted action movie. The continuously expanding Jason Statham library isn’t full of too many great movies, but it is full of movies that make simple promises and then deliver exactly what you need them to deliver. He is the king of low expectations. You put on one of his movies hoping to watch a tough guy with a cockney accent obliterate a bunch of bad guys and he always delivers. And that’s not faint praise, either. There aren’t many actors who can pull that off.
Mechanic: Resurrection looks like another typical entry in the ever-expanding Statham canon. It looks refreshingly small when compared to most modern action movies, incredibly straightforward, and built entirely around the pleasure of watching this man kick every single ass that crosses his path.
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