One of the most exciting and uplifting films of the Sundance Film Festival just got its first trailer. It’s called The Skeleton Twins and stars Bill Hader and Kristen Wiig as estranged siblings, reunited after a tragedy, who must begin to work through their old issues. Craig Johnson directed the film, which is decidedly more dramatic than you’re used to seeing Wiig and Hader, but they rise to the occasion. Each creates a full, interesting, flawed character with plenty of humor just under the surface.
The Skeleton Twins opens September 19 and now you can watch the first trailer. Check it out below. Read More »
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Dear White People made a splash at Sundance as a well-liked, funny satire about race relations in modern America. The first Dear White People teaser trailer has just arrived, and you’ll see pretty quickly why Sundance audiences liked the movie. Writer/director Justin Simien makes his debut with the film, and he’s got a funny and frank voice, and is willing to poke at sensitive topics with humor and energy. And just to make sure the broadest possible audience gets behind this ad campaign, there’s a great gag in the trailer about the real meaning of Gremlins. Watch the teaser below.
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It’s a classic setup: the wife of a philandering husband is kidnapped, and the lowlifes responsible ask for a million-dollar ransom. Trouble is, the husband doesn’t want the wife to be returned, as he wants to start a new life with his younger and more sexually available mistress. Life of Crime is based on Elmore Leonard‘s novel The Switch, and features Tim Robbins, Jennifer Aniston, and Isla Fisher as that crime-crossed love triangle defined by kidnapping and lust.
And while you wouldn’t know it from the trailer, John Hawkes and Yasiin Bey (formerly Mos Def) play younger versions of the characters played by Robert De Niro and Samuel L. Jackson in Jackie Brown. Will Life of Crime stick more closely to the source novel than Tarantino did when he adapted the novel Rum Punch into Jackie Brown? Get your bearings by watching the Life of Crime trailer below. Read More »
Posted on Friday, April 11th, 2014 by Angie Han
One of the very last films Philip Seymour Hoffman completed before his passing this past February was A Most Wanted Man, Anton Corbijn‘s adaptation of John le Carré‘s novel. The film premiered at Sundance this year to mostly (if not wildly) positive reviews, and is now heading toward a theatrical release this summer.
Hoffman leads the contemporary thriller as Günther Bachmann, a German spy looking for a half-Chechen, half-Russian immigrant (Grigoriy Dobrygin) with possible terrorist ties. The film looks checking out for many reasons, not least of which is the chance to hear Hoffman, Rachel McAdams, and Willem Dafoe try out their best German accents. Watch the first A Most Wanted Man trailer after the jump.
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Here’s a new trailer for Joe, which teams director David Gordon Green with Nicolas Cage. Both men have started to be known more for their broad comic and genre work, but this movie shows that both can really deliver on the dramatic front when they have a mind to. Here Cage is paired with Tye Sheridan, the young actor who was so good in Mud, playing a young man with a tousled family, who develops a surrogate father/son relationship with Cage’s character Joe.
We’ve seen one French trailer for the film already, but this is the first domestic edit, and it’s a lot better. There’s less plot given away here, and a lot more suggestion of character. Check it out below. Read More »
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Posted on Tuesday, January 28th, 2014 by Angie Han
Having spent most of the past decade overacting in one cheapie thriller after another, Nicolas Cage sometimes draws more jeers than applause these days, even though his fanbase is probably bigger than ever. And on the all-too-rare occasion that he finds a project worthy of his talents, it becomes clear that he can still bring it when he wants to.
One such showcase is Joe, David Gordon Green‘s gritty drama about an ex-con (Cage) who strikes up an unlikely bond with a troubled teen (Tye Sheridan of Mud and Tree of Life). The film made the festival rounds last year, and is now gearing up for theatrical release. Watch the first trailer after the jump.
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Three more high-profile films just joined the ranks of 2014 Sundance Film Festival titles that will receive theatrical distribution. The latest deals involve Lionsgate and Roadside Attractions splitting the Bill Hader/Kirsten Wiig dramedy The Skeleton Twins; IFC purchasing Jim Mickle‘s genre-bending thriller Cold In July, starring Michael C. Hall; and the star-studded God’s Pocket, directed by John Slattery. Read more below. Read More »
Posted on Monday, December 9th, 2013 by Angie Han
There’s something magical about Evan Rachel Wood, or so the movies would have you believe. Charlie Countryman and A Case of You didn’t have much else in common, but both were about her impressive ability to spur even the most aimless young (well, young-ish) man to action in an attempt to win her over.
She works her mysterious magic yet again in the indie romcom Barefoot, as an extremely sheltered and naive young woman who crosses paths with the ne’er-do-well scion (Scott Speedman) of a wealthy Southern family. Watch the trailer after the jump.
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In her onscreen appearances this year, Elizabeth Olsen is sleeping with all the wrong people. Look no further than Oldboy for concrete proof, but if you want more, there’s the period drama In Secret, based on Émile Zola’s novel Thérèse Raquin.
Olsen plays Thérèse, trapped in an arranged marriage to her dunderheaded and frail cousin (Tom Felton), and who finds herself burning a candle — maybe a bonfire, really — for the dashing and worldy artist friend (Oscar Isaac) who enters her family orbit. The appeal here is, in part, based on the cast; Olsen is reliably great in most roles (she’s even good in Oldboy, though he work is not rewarded), and Oscar Isaac seems perfectly cast in the role of the potential paramour.
And there’s the tone, commanded by director Charlie Stratton (episodes of Everwood and Revenge), which builds mysteries and plot twists on a foundation of Victorian repression, with Olsen’s luminous face guiding us through the shadows. Check out a trailer below.
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