Posted on Thursday, November 17th, 2016 by Angie Han
The tragic saga of Relativity’s The Crow reboot continues, this time with an unexpected twist: it’s not actually Relativity’s The Crow reboot anymore. The project has left its longtime nest at the studio, landing now with Davis Films, Highland Film Group, and Electric Shadow.
Edward R. Pressman, who produced the 1994 movie starring Brandon Lee, remains on board to produce the new film. However, it’s unclear what this means for director Corin Hardy and star Jason Momoa, who are the latest in a long, long line of director/star combos who’ve tried to get The Crow off the ground. Read More »
Posted on Tuesday, November 15th, 2016 by Angie Han
Tarsem Singh‘s Immortals isn’t talked about much these days, but it was a decent hit in its time. With a worldwide box office total of $226 million, the 2011 fantasy actioner is still Relativity’s highest-grossing release to date. And now it’s headed where all successful films go these days — into sequel territory. Relativity Studios is teaming with Storyoscopic Films for Immortals 2, along with a bunch of other follow-ups including November Man 2, Act of Valor 2, and Earth to Echo 2. Read More »
Posted on Friday, September 16th, 2016 by Jacob Hall
High Noon is a movie so famous and influential that it’s pretty much impossible to tarnish its legacy. So while I could open this article about the new remake in the works over at Relativity Media by going “Ugh, how could they remake a bonafide classic like that?!”, I will instead open it with “You want to try your hand at remaking one of the most beloved and iconic westerns of all time? Okay. Fine. Go for it.”
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Posted on Wednesday, September 7th, 2016 by Angie Han
Relativity’s The Crow reboot has had so many stops and starts over the years, it’s gotten hard to keep track. It’s gone through several potential directors and as many potential stars, it’s weathered legal troubles and financial woes, and all along it’s suffered the deep skepticism of fans. So I totally understand if you don’t quite believe this next sentence. According to a new report, The Crow will begin shooting in January with director Corin Hardy and star Jason Momoa. Read More »
The Disappointments Room was one of the movies impacted by Relativity’s bankruptcy. D.J. Caruso‘s horror film hasn’t been delayed as long as Before I Wake (watch that trailer here), but it started shooting back in 2014, and it was originally scheduled to come out earlier this year. Relativity will release the movie, which stars Kate Beckinsale, in limited release next month, on the same date they had last scheduled Before I Wake.
Below, watch The Disappointments Room trailer.
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I don’t know about you people, but I’m ready for the Halle Berry career renaissance. I think that we, as a symbolic nation of movie fans, are ready to completely forget about the likes of Catwoman and Die Another Day and Gothika and Things We Lost in the Fire and embrace a second wind. She’s a fine actress, a more-than-capable screen presence, and when it comes to more recent Berry performances, more people should talk about her brave and bonkers work in the brave and bonkers Cloud Atlas.
In any case, she appears to be carving out a new niche as the star of lower-budgeted thrillers. 2013’s The Call was a modest hit and Kidnap looks to be cut out of similar cloth.
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Posted on Wednesday, August 10th, 2016 by Angie Han
The story behind Relativity’s The Crow remake is practically as full of struggle and hardship as the plot itself. For a while it was a revolving door of talent, unable to hold on to a director or star long enough to actually start shooting. Then, just when it looked ready to take flight with director Corin Hardy, it was crippled by Relativity’s financial woes.
But now the film could finally get off the ground, with still on board and a new leading man at the forefront. Jason Momoa, the former Khal Drogo and the current Aquaman, is reportedly closing in on a deal to play the undead vigilante at the center of the Crow remake. Previous actors considered for the role include Jack Huston and Luke Evans. Read More »
There are a few instances where it’s okay to tell your kids to give up on their dreams. For example, if a child dreams of being a dinosaur, you should probably have a gentle conversation about realistic expectations. Before I Wake proposes another more literal take on this parental dilemma: what if your kid’s nightmares began manifesting in reality and started trying to jump scare you to death?
The Before I Wake trailer gets right down to business. There’s a creepy kid (played by Room‘s Jacob Tremblay), an even creepier dead kid, Thomas Jane and Kate Bosworth looking increasingly concerned about their predicament, and a whole bunch of gross things suddenly popping up on screen.
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The past week must’ve been rough for director Alex Proyas. His career has had its ups and downs, including his scrapped adaptation of Paradise Lost, but these last few days, in particular, haven’t been great. Critics ripped Gods of Egypt apart and audiences didn’t show up for the pricey adventure movie.
Following the disastrous opening, Proyas then wrote a Facebook post criticizing reviewers of his latest, making both fair and unfair points. As the director mentioned, even two of his most beloved movies, Dark City and The Crow, weren’t huge hits with critics during their theatrical releases. The latter even became a big enough hit that it has been gearing up for a remake for years — which Proyas would rather not see happen.
Check out the Gods of Egypt director’s thoughts on the remake below.
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Jane Got a Gun, which recently revealed a new trailer, was perhaps the most promising Relativity Media project to be affected by the studio’s bankruptcy. Another project of Relativity’s that took a hit? Masterminds, a crime comedy directed by Jared Hess (Napoleon Dynamite) and executive produced by Jody Hill and Danny McBride (Eastbound and Down). It was originally scheduled for August of this year, but we won’t see Hess’ film until next fall.
Get the new release dates for Masterminds and other Relativity films after the jump.
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