As with nearly everything relating to the new Lars von Trier movie, Nymphomaniac, there’s always a degree of genuine storytelling, and a certain amount of savvy promotional spin. You don’t make a two-part film that is sexually explicit to the point of being hardcore without angling for a degree of prurient attention based solely on the fact that the film might show some famous peoples’ junk. (See the very not safe for work trailer for a tease on that front.)
The big conversation of late has been in what form most of us will see Nymphomaniac. While Trier’s own cut is said to clock in at well over five hours, when the project hits screens in Denmark this Christmas it will be neatly trimmed into a two-part, four-hour affair. The naughty stuff will all be on display, with local distributors given the option to optically blur elements, or not, as they see fit.
Now we’ve got a bit more info about when we’ll see Trier’s cut, and just what will be in that extra feature’s worth of footage. Read More »
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Posted on Friday, November 15th, 2013 by Angie Han
Jason Friedberg and Aaron Seltzer have averaged roughly one release a year for the past several years, starting with 2006′s Date Movie, but in 2013 we get to see not one but two of their outrageously broad spoofs. Hooray?
Hot on the heels of this month’s The Hunger Games parody The Starving Games comes Best Night Ever, which takes on hard-partying flicks like Bridesmaids, The Hangover, and Spring Breakers. At the center of the story are four young women (played by Desiree Hall, Samantha Colburn, Eddie Ritchard, Crista Flanagan) who head to Vegas only to see things spiral completely out of control. Check out the NSFW red-band trailer after the jump.
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Takeshi Kitano follows his 2011 film Outrage with a sequel Yakuza film, Beyond Outrage (originally called Outrage Beyond), and a new red-band trailer for the US release has come online.
This is red-band because Takeshi’s films tend toward extreme bursts of violence perpetrated by stoic men, with Takeshi himself typically the most prone to the worst action. In this case there’s a lot of gunplay, and a drill, and a pretty mean use of an automatic baseball pitching machine. The story concerns multiple crime families who are set against one another, with Takeshi as an instigator (or pawn?) in the middle. Seems a bit like Dashiell Hammett’s Red Harvest, with yakuza. Read More »
All you have to say is “Lars von Trier sex movie” to get someone interested in Nymphomaniac. The controversial director has told many visceral and beautiful stories over his career, often with a great sexual frankness, that the idea of him making full movie about sexuality just screams “potential.”
Speaking of screaming, fourteen character posters for the film have just been released that are sure to make even more people excited about the film. They show the film’s stars — actors as Shia LaBeouf, Jamie Bell, Uma Thurman, Willem Dafoe, Stellan Skarsgård, Christian Slater, and Charlotte Gainsbourg – in their most intimate moments. I believe on The League they call it “Vinegar Strokes,” the moment right before, and during orgasm. Check out these provocative posters below. Read More »
Posted on Tuesday, July 30th, 2013 by Angie Han
Last week saw Thomas Lennon and Robert Ben Garant’s Hell Baby hitting VOD. Next month, Ken Marino will be unleashing a demonic spawn of his own in Bad Milo. And yes, I do mean Ken Marino, not Gillian Jacobs, who plays his wife.
Directed by Jacob Vaughan, the horror comedy takes the phrase “a pain in the ass” and makes it literal — and deadly. Marino plays Duncan, whose stress triggers severe gastrointestinal distress. But this isn’t just your run-of-the-mill ulcer or IBS. Instead, he discovers that he has a tiny demon living in his butt, who pops out to attack people who’ve pissed off Duncan. Watch the red-band (NSFW) trailer after the jump.
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David Gordon Green goes back to super-low budget stories with Prince Avalanche, which features Paul Rudd and Emile Hirsch as two guys painting lines on a highway in Texas. The film got a great response at Sundance (regrettably, I missed it there and at SXSW) and will hit theaters in August courtesy of Magnolia. We’ve seen one teaser, but this full trailer explores a bit more of the combative friendship between the two guys at the center of the film. Read More »
Joe Swanberg‘s new film Drinking Buddies is his most traditionally polished effort, but it still has the raw emotional intensity of his best ultra low budget work. The film features a great quartet: Anna Kendrick, Jake Johnson, Ron Livingston, and Olivia Wilde. The four actors play two committed couples, but lines between them are starting to blur as dissatisfaction with each is complicated by the friendship between Wilde and Johnson’s characters.
This first trailer seems like it gives away a lot, but this is really just a quick sketch of the plot. It hints at some of the most awkward moments between characters without getting into precisely what complications await as everyone tries to figure out what they really want. This is a movie that is frank about the difficulties of maintaining a relationship after the first blush of attraction fades, and while it isn’t always easy, there’s great stuff within, and Wilde’s performance should be appreciated as one of the best she’s given. Read More »
It’s almost a crime that most people only know the music of Big Star through the theme song for That ’70s Show. Many viewers probably never realized the song is a re-recording of ‘In the Street‘ from Big Star’s first album ‘#1 Record.’ (The show initially used a cover of the song by Todd Griffin, but for seven of the eight seasons opened with a cover by Cheap Trick.)
That first album by Big Star is, in a word, glorious. Songwriters Alex Chilton and Chris Bell, who as teens saw the Beatles perform in Memphis, wrote the album in a back and forth fashion that honed the twelve tracks into brilliant pop gems. The record was never distributed well, and so despite widespread acclaim, it became one of those artifacts that music enthusiasts revere and the public at large missed. The band (without Bell) made two more albums, both of which are also excellent, but they never really made it.
Some of those enthusiasts are now in the position to make films, and so we have the doc Big Star: Nothing Can Hurt Me. The film charts the formation of the band, and its fate as a near-obscurity, with a redeptive final chapter that has taken almost 20 years to play out as more and more people finally hear the record that everyone should have had in 1972. Read More »
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