Posted on Tuesday, July 30th, 2013 by Angie Han
Last week saw Thomas Lennon and Robert Ben Garant’s Hell Baby hitting VOD. Next month, Ken Marino will be unleashing a demonic spawn of his own in Bad Milo. And yes, I do mean Ken Marino, not Gillian Jacobs, who plays his wife.
Directed by Jacob Vaughan, the horror comedy takes the phrase “a pain in the ass” and makes it literal — and deadly. Marino plays Duncan, whose stress triggers severe gastrointestinal distress. But this isn’t just your run-of-the-mill ulcer or IBS. Instead, he discovers that he has a tiny demon living in his butt, who pops out to attack people who’ve pissed off Duncan. Watch the red-band (NSFW) trailer after the jump.
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David Gordon Green goes back to super-low budget stories with Prince Avalanche, which features Paul Rudd and Emile Hirsch as two guys painting lines on a highway in Texas. The film got a great response at Sundance (regrettably, I missed it there and at SXSW) and will hit theaters in August courtesy of Magnolia. We’ve seen one teaser, but this full trailer explores a bit more of the combative friendship between the two guys at the center of the film. Read More »
Joe Swanberg‘s new film Drinking Buddies is his most traditionally polished effort, but it still has the raw emotional intensity of his best ultra low budget work. The film features a great quartet: Anna Kendrick, Jake Johnson, Ron Livingston, and Olivia Wilde. The four actors play two committed couples, but lines between them are starting to blur as dissatisfaction with each is complicated by the friendship between Wilde and Johnson’s characters.
This first trailer seems like it gives away a lot, but this is really just a quick sketch of the plot. It hints at some of the most awkward moments between characters without getting into precisely what complications await as everyone tries to figure out what they really want. This is a movie that is frank about the difficulties of maintaining a relationship after the first blush of attraction fades, and while it isn’t always easy, there’s great stuff within, and Wilde’s performance should be appreciated as one of the best she’s given. Read More »
It’s almost a crime that most people only know the music of Big Star through the theme song for That ’70s Show. Many viewers probably never realized the song is a re-recording of ‘In the Street‘ from Big Star’s first album ‘#1 Record.’ (The show initially used a cover of the song by Todd Griffin, but for seven of the eight seasons opened with a cover by Cheap Trick.)
That first album by Big Star is, in a word, glorious. Songwriters Alex Chilton and Chris Bell, who as teens saw the Beatles perform in Memphis, wrote the album in a back and forth fashion that honed the twelve tracks into brilliant pop gems. The record was never distributed well, and so despite widespread acclaim, it became one of those artifacts that music enthusiasts revere and the public at large missed. The band (without Bell) made two more albums, both of which are also excellent, but they never really made it.
Some of those enthusiasts are now in the position to make films, and so we have the doc Big Star: Nothing Can Hurt Me. The film charts the formation of the band, and its fate as a near-obscurity, with a redeptive final chapter that has taken almost 20 years to play out as more and more people finally hear the record that everyone should have had in 1972. Read More »
I liked the original V/H/S because it was a small, weird collection of shorts. The sequel, V/H/S/2, is bigger and much more bold than the first, with bigger scope and some ideas that are far more weird. It doesn’t have quite the same sense of intimate disquiet, but it has some much more monstrous action. The chapter co-directed by The Raid director Gareth Evans is worth the price of admission alone.
We saw a red-band trailer not long ago, and now there’s an all-ages look at the film. This one is good for those who don’t want to see too much of the film’s gore before sitting down to the actual movie. The beats in this trailer are pretty similar, but because it can’t go all-out with the nasty stuff, there’s a restraint with respect to spoilers. If you just want to get a basic idea about the film, this one is the way to go. Read More »
The indie Europa Report features Sharlto Copley (District 9, Elysium) and Michael Nyqvist (The Girl With the Dragon Tattoo, Mission: Impossible – Ghost Protocol) as members of a crew in space. The film has been fairly under the radar until now, with only a couple images, a poster, and some teaser footage to give us an idea of what to expect.
Now a trailer introduces the crew that is making a voyage to Jupiter’s moon Europa, and starts to give away glimpses of just how things go wrong as the crew is millions of miles from Earth. The found-footage aesthetic appears to be used to good effect, and there’s a final shot in this trailer that is just chilling — just as much so as anything in the trailer for Gravity. Europa Report has also been said to be very quiet and low-key, and I wouldn’t be surprised to find that this trailer makes the film look like a more conventional bit of found-footage horror in order to get audiences into the theaters. Read More »
Lars von Trier may have been banned (or “banned”) from Cannes two years ago for statements made while promoting Melancholia, but that hasn’t stopped him from having a presence at the fest this year. His new film(s), the two-part Nymphomaniac, weren’t finished in time for the fest, but the release of a new image (above) and a press release are keeping Trier in the global cinema conversation as Cannes kicks off this year.
Click the pic above for a larger version and you’ll be able to see actors such as Shia LaBeouf, Jamie Bell, Udo Kier, Uma Thurman, Sophie Kennedy Clark, Willem Dafoe, Mia Goth, Stellan Skarsgård, Christian Slater, and star Charlotte Gainsbourg, as well as the director. And hit the jump for a press release from Trier’s producer, announcing a Christmas Day opening in Denmark. Magnolia has the film in the US, and hasn’t announced a release date yet. Read More »
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The horror anthology V/H/S did well enough that a sequel went into production pretty fast, and you can already see the red-band trailer for V/H/S/2 from Magnet. Now another Magnet-released anthology, The ABCs of Death, is also going to be followed by a sequel.
The hook for The ABCs of Death was that the film featured 25 directors (and a 26th crowd-sourced entry) making short films based around a single letter. The sequel will take the same approach, and as with the first film the hook isn’t the concept, but the people bringing it to life. The new crew includes animator Bill Plympton, Day of the Beast and The Last Circus director Álex de la Iglesia, and Room 237 director Rodney Ascher. More participants in the gruesome sequel are listed below. Read More »