Byzantium may be the year’s ultimate horror movie, because it is about a girl who is sixteen years old forever, and I can’t think of many things more horrible than spending eternity in that transitional phase.
Saoirse Ronan plays a woman who appears to be young, but in fact is a vampire, and has been since she was sixteen… which was a couple hundred years ago. Her mother, played by Gemma Arterton, is also a vampire, and they must periodically flee to a new safe haven. The film finds them settling into a dilapidated coastal town, but secrets are revealed, and trouble brews.
Neil Jordan directs from a script by Moira Buffini, and Byzantium looks like it is cut straight from the cloth Jordan used for films such as Interview With the Vampire and The Company of Wolves. Jordan’s visuals, captured by Hunger and Shame cinematographer Sean Bobbitt, are lovely, and this first US trailer presents them well. Read More »
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David Lowery‘s film Ain’t Them Bodies Saints was one of the best films of this year’s Sundance Film Festival. IFC will bring it to theaters in August, and the film is screening in Cannes this weekend. Along with that screening we’ve got a new teaser poster for the film, painted by the director’s brother.
The poster, by Benjamin Lowery, shows the film’s central couple, Bob Muldoon (Casey Affleck) and Ruth Guthrie (Rooney Mara). They live together as outlaws, but Bob takes the blame for one of Ruth’s actions during a shootout with cops and goes to prison. Four years later, Bob escapes and makes his way back to Ruth and their daughter.
Ben Foster and Keith Carradine also star, but for right now we’ll keep the focus on Bob and Ruth, with Ruth rightly taking prominence on the poster. See the image after the break. Read More »
Berberian Sound Studio started doing the festival rounds last year, but IFC is going to release it in the US this summer. Toby Jones plays a movie sound designer working on an Italian horror film, and the film follows his increasingly problematic mental state. Comparisons have been made to Roman Polanski’s work, and it’s easy to see some Coppola (The Conversation) and De Palma (Blow-Out) in there, too, along with the spirit of precisely the sort of films that Jones’ character is working on.
IFC has just released a US trailer, and it’s quite a nice piece of work. It does a good job getting across the idea that the film is rather quiet and a little bit strange, but it also stands as a great assembly of footage in its own right. Take a look below. Read More »
This week, comedian turned podcaster Marc Maron will debut his brand new IFC show, Maron. The show gives an exaggerated spin to his meteoric rise to fame via the world of podcasting, much in the way Louie is kind of based on Louis CK’s life, but really isn’t a biography of the comedian.
Maron premieres on May 3, but the first episode is now streaming for your viewing pleasure. Check it out below. Read More »
There’s no denying that Stanley Kubrick’s The Shining is a film begging for discussion. A story that seems straightforward on the surface is littered with curious scenes and subliminal suggestions, and wraps up with a final shot that is curiously awesome. Even knowing that, though, you may have no idea how deep the discussions about The Shining can possibly go.
Rodney Ascher‘s brilliant documentary, Room 237, does a fantastic job delving into some of the most fascinating, crazy, and perhaps even true interpretations of the 1980 film. It entertains theories about the relationship of The Shining to Native Americans, the moon landing, super imposition, and oedipal readings. Since premiering at Sundance in 2012, the film has been riding a wave of good buzz and controversy on its way to release on VOD today.
We spoke to the Ascher about that controversy. In addition, our conversation with the director touched on the method of piecing together a the film entirely composted of archival footage, backlash from the Kubrick or Stephen King camps, whether he could do a sequel and much more. Read More »
Films like Guy Ritchie’s Lock Stock and Two Smoking Barrels, Snatch and Matthew Vaughn’s Layer Cake represent a very particular kind of British crime drama. They’re modern, they’re slick, they have memorable characters, and feature tons of twists and turns in the plot. Eran Creevy‘s Welcome to the Punch looks very much like that.
Produced by Ridley Scott, the film stars James McAvoy as a detective on the trail of a crime boss, played by Mark Strong. It was released in the UK last week and opens in the US theaters and on VOD next week. A trailer came out a few months back, but that since disappeared in favor of this latest one that shows a distinct visual style and plenty of action. Check it out after the jump, along with a few quotes from UK reviews. Read More »
Have you ever flipped your TV to a movie and been delighted it was one of those presentations with facts that pop up on the screen? If so, you might want to know about a new site just launched that provides that sort of presentation all the time.
The site is called Yeah! and is run by AMC Networks, which own AMC, IFC, Sundance Channel, WE tv and IFC Films. Basically, the site allows you to stream movies like Scream, Reservoir Dogs, 300, The Terminator, Clerks, A Nightmare on Elm Street, Pulp Fiction, and This is Spinal Tap. Along with each film are 400-500 pieces of new, original context and facts that appear on the screen during the film. Check out a video and read more below. Read More »
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One of the better movie posters ever made is the Saul Bass design for Stanley Kubrick‘s The Shining. The eye-catching yellow sheet with a horrified, pixelated face was one of the strangest things I’d seen in my young life when I first encountered it in a theater before The Shining opened. It remains a landmark of simple, effective design.
So it makes sense that the doc Room 237, from first-timer Rodney Ascher, would get a poster that ehoes the Bass design. Room 237 features five theories that explore what Kubrick really meant to say in his Stephen King adaptation. The first US teaser for the film referenced a teaser for Kubrick’s movie, and now the poster design follows suit. Check it out below, side by side with the Bass original. Read More »