Briefly: The biggest breakout of the 2015 Sundance Film Festival, Me and Earl and the Dying Girl, has just been given a release date. Fox Searchlight will release the Alfonso Gomez-Rejon-directed film on a limited basis July 1.
Starring Thomas Mann, Olivia Cooke, Jon Bernthal, Connie Britton and Nick Offerman, Me and Earl won the two top narrative prizes, Grand Jury and Audience, in January. (Whiplash did the same thing the year before.)
You can read our full review here.
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Birdman, directed byAlejandro González Iñárritu from a script by Alexander Dinelaris, is pretty cynical about Hollywood product. But if things had gone the way the film was originally scripted, it would have ended with an even more pointed jab at the studio franchise machine.
In the film, Michael Keaton plays an actor whose most popular role, Birdman, haunts him as he attempts to mount a stage play. The parallels between Birdman and Batman are impossible to miss. But the original script ended with a scene that took the film’s structure forward to another actor/character pair: Johnny Depp and his Pirates of the Caribbean alter-ego Jack Sparrow. Read More »
Though it doesn’t say it at the beginning, True Story is indeed a true story. It’s the story of Mike Finkel, a New York Times reporter who is oddly drawn into the world of Christian Longo, an Oregon man accused of killing his wife and three children. Playing against their usual types, Jonah Hill plays Finkel and James Franco plays Longo in first time feature director Rupert Gould’s crime mystery that is mostly good, but falls short of its full potential. Read more of our True Story review below. Read More »
Noah Baumbach’s movies have never been easy to describe. Each one blends so many different tones, sensibilities and genres that simply describing his movies as one thing doesn’t work. Calling The Squid and the Whale a family drama doesn’t seem right. Frances Ha isn’t just a coming of age story and Greenberg isn’t just a movie about self-discovery.
That lack of easy categorization is probably the only thing Baumbach’s latest film, Mistress America, shares with the director’s other films. Well, that and his co-writer and star Greta Gerwig. Mistress America is by far Baumbach’s funniest film, anchored by a completely new sort of performance from Gerwig, and blessed with a script so smart and sharp, many of the film’s jokes don’t land for a few seconds because A) you’ve never heard anyone say anything like that and B) it’s just so damn intelligent.
Mistress America had its world premiere at the 2015 Sundance Film Festival and you can read the rest of our Mistress America review below. Read More »
The Thomas Hardy novel Far From the Madding Crowd has been adapted into a lush film by Thomas Vinterberg, who gained international notice as part of Lars von Trier’s Dogme 95 crowd and most recently made The Hunt. Carey Mulligan stars as the very independent woman Bathsheba Everdene, while Matthias Schoenaerts, Tom Sturridge, and Michael Sheen play the three very different men who come into her life as suitors. The first Far From the Madding Crowd trailer eschews dialogue in favor of a montage backed with a gorgeous song; the strength of this footage might be enough to entice any lit obsessives, Mulligan fans, and period film devotees. Read More »
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As it stands, Jason Reitman‘s career can be divided into two phases: Fox Searchlight and Paramount. His first two movies, Thank You For Smoking and Juno, were released by Fox Searchlight and the four since have all been at Paramount. For an upcoming project, the director of Up in the Air will transition back to the studio were it all started.
Reitman is now attached to a film called I Would Only Rob Banks for My Family, based on a magazine article about a seemingly normal Texas family who robs banks together. It’ll be adapted by High Fidelity author Nick Hornby and produced by Jason Reitman’s father, Ivan Reitman. Read more about the new Jason Reitman movie below. Read More »
Posted on Monday, November 17th, 2014 by David Chen
Alejandro González Iñárritu’s Birdman is one of the most technically dazzling and thematically ambitious films of the year. With an all-star cast and some spectacular digital effects to make the film seem like it was done in one long continuous shot, Birdman is stuffed to the gills with ideas and importance. This movie doesn’t just want to make you feel something, it wants to say something about humanity and stardom and the inner lives of celebrities and the “cultural genocide” that superhero films have wrought upon us.
But what was up with that ending? Let’s explore. Massive spoilers for Birdman follow.
Read More »
Posted on Thursday, November 6th, 2014 by Angie Han
We’ve already seen a bunch of trailers for Alejandro González Iñárritu‘s Birdman, but as the film continues its expansion across the country the team over at Fox Searchlight are trying something a little different.
The latest Birdman promo isn’t really a Birdman promo per se, but a (fake) trailer for Birdman Returns, the 1992 superhero sequel starring Michael Keaton‘s Riggan Thomson. Watch the Birdman Returns trailer after the jump. Read More »
Alejandro González Iñárritu‘s Birdman would be a good movie if it looked traditional. It’s a great movie because the filmmaker tried something very ambitious. From the first image of the film, the whole thing is constructed to look likes it’s a long, continuous long take. An uninterrupted, two hour look at the story of Riggan (Michael Keaton) a once famous superhero actor who stages a play hoping to regain his self-respect, the respect of his family and the public.
Considering the film takes place over a few days, across multiple locations and – arguably – multiple plains of consciousness, there was no way for Iñárritu to actually shoot the movie in one take. So how did they do it? A new video has come online that shows some – but not all – of the secrets of the Birdman single shot. Read More »