I’m going to go out on a limb here and say artist Alex Pardee, like many of us, is an Edgar Wright fan. Pardee did a “literally mind-blowing” poster for Wright triple feature back in 2011 featuring images from Shaun of the Dead, Hot Fuzz and Scott Pilgrim vs. The World.Now, Focus Features commissioned him to do a follow-up.
The poster is for Wright’s upcoming release The World’s End, and it’s a striking, violent, but incredibly on-point visualization of the film. Check it out below.
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Was Joss Whedon’s adaptation of the Shakespeare play Much Ado About Nothing a little more lightweight than you like from the Bard?
If so, the massive Sam Mendes-produced project The Hollow Crown might be what you’re looking for. The BBC series adapts four Shakespeare plays, ”Richard II,” “Henry IV Part 1″ and “Part 2,” and “Henry V,” with Tom Hiddleston, Patrick Stewart, Jeremy Irons and Ben Whishaw in primary roles. When I say “massive,” I mean it, too: this sucker runs over 500 minutes.
The word “epic” is abused with respect to stories of late, but I think it applies here with no doubt. Check out a trailer below. Read More »
There’s no better way to see Edgar Wright‘s latest film, The World’s End, than with an appetizer of Shaun of the Dead and Hot Fuzz. The three films, collectively referred to as The Cornetto Trilogy, are linked by their sharp sense of humor, genre leanings, lead actors, and a British ice cream treat. The final act, The World’s End, opens on August 23 and many fans probably figured they’d just watch the first two on Blu-ray before heading to the theater. Now you won’t have to do that.
Regal Cinemas has just revealed a huge list of theaters nationwide that’ll be screening all three films on the big screen on August 22, culminating in the 10 p.m. screening of The World’s End. Plus, if you don’t have a Regal near you, Wright assures fans in the United States this is only the beginning.
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After the London premiere of The World’s End, director Edgar Wright and stars Simon Pegg and Nick Frost traveled to New Zealand and Australia on the way to San Diego Comic-Con. While in New Zealand, they sat down with everyone’s favorite kiwi, Lord of the Rings and Hobbit director Peter Jackson, to talk about The World’s End and filmmaking in general. Check it out below. Read More »
Twenty-four hours in the air, 12,000 miles traveled and six years of anticipation is a lot to live up to. This was the bar set as I traveled from Los Angeles to London to attend the world premiere of Edgar Wright’s new film, The World’s End.
In reality though, this story starts way before that. It starts in 2004 when American audiences were first exposed to the work of Edgar Wright. That was the year Shaun of the Dead was released in the US. It made me and many others into huge fans of the writer/director, along with his frequent collaborators Simon Pegg and Nick Frost. Shaun made us go back and revisit their series Spaced and since then we eagerly anticipate any new work by the team.
The World’s End is the thematic conclusion to that story, and the third film in a loose trilogy. Popularly called The Three Flavors Cornetto Trilogy, it’s a series of films that began with Shaun of the Dead and was off-handedly continued in 2007’s Hot Fuzz. Each film is linked by their sharp sense of humor, genre leanings, lead actors, and a British ice cream treat. The World’s End gets the band back together to tell the story of five friends who return to their hometown to drink twelve beers at twelve pubs in one determined pub crawl. Then all Hell breaks loose. For all those reasons and more, it was my most anticipated film of 2013. Plus, being as it’s a quest film, 24 hours of flight across the globe to see it a few days early felt about right.
Not only did we get to attend the premiere, we sat and chatted with the three heads of the Cornetto braintrust and even shared a pint with Wright at the actual World’s End, a bar in the Camden section of London. It was a whirlwind 72-hour trip of drinking, movies and fun, all for a film that will screen in the US at Comic Con in mere days, and open everywhere August 23. It was worth it. Read More »
Posted on Monday, July 8th, 2013 by Angie Han
We Americans cheered when Edgar Wright‘s The World’s End got bumped up from October to August, but our cousins across the pond are even luckier — they’ll get to see the film in just a few more days, on July 19. Thanks to that earlier UK date, the first reviews have already hit the web.
That the film is drawing raves won’t surprise any fans of Wright’s work. What’s more interesting is that this new film sounds a bit different from previous installments of the Cornetto Trilogy, in that the laughs and action come with a bittersweet tinge. Get the early buzz (well, early for us) after the jump.
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All week, some of our fellow movie blogs have been taking you on a tour of Newton Haven’s Golden Mile bar crawl. Twelve pubs, twelve pints, all within one mile, making for a true challenge of drunken prowess. Whether or not Simon Pegg, Nick Frost and the gang in Edgar Wright‘s film The World’s End will actually complete the crawl is something we’ll have to wait until August 23 to discover.
Odds are, though, they make it to the /Film stop on your virtual pub crawl: The Good Companions. Below, check out the exclusive banner and read a bit more about the full pub crawl, including how to see the movie for free at San Diego Comic-Con. Read More »
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We’ve seen a healthy collection of footage for Edgar Wright‘s new film The World’s End, to the degree that many of you might not want to see anything else before the film opens. That said, this featurette is worth a look, thanks to the inclusion of a lot of lovely behind the scenes footage. The intent of this one is to celebrate the work of Wright as a director. He’s pretty great, say the interview clips here, but you probably already knew that.
There’s also some music in this one that is interesting — a taste of the film’s score, perhaps, complete with a strange layering of sounds sound a lot like cell phone interference. (Edit: Yep, that is some of the score.) It’s an eerie sound that works well with this footage, and a fun mutation of the sci-fi synth scores from the ’70s and ’80s.
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