James Franco is everywhere. This week he’ll be travelling to Oz with Sam Raimi, and next week he’s heading to Spring Break with Harmony Korine. A few years ago, he was at 30 Rock shooting a documentary about Saturday Night Live. The film, Saturday Night, offered viewers unprecedented access behind the long-running sketch comedy show and garnered rave reviews when it hit the festival circuit in 2010. Since then the movie seemingly disappeared, leaving documentary and comedy fans clamouring for some kind of update.
Franco has finally given us that update, and the news is encouraging. Though the film was wrapped up in some rights issues, it has a new distributor and they’re currently figuring out how to release it. “It will come out,” said Franco. Read More »
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Posted on Thursday, February 28th, 2013 by Angie Han
Joe Wright certainly has a thing for literary adaptations, as evidenced by his films Pride & Prejudice, Atonement, and Anna Karenina. Now he’s looking to direct yet another book-inspired movie, but this one moves him back to the present day and into a whole other genre. Wright has just been attached to direct Focus Features’ The Ocean at the End of the Lane, based on an upcoming novel by Neil Gaiman
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Briefly: The new film from indie king Jim Jarmusch is a vampire love story (of sorts) and the first image suggests he has taken a page from Tony Scott’s early ’80s effort The Hunger. This movie, called Only Lovers Left Alive, stars Tilda Swinton, Tom Hiddleston, Mia Wasikowska, John Hurt and Anton Yelchin. This first pic, above, shows Swinton and Hiddleston, and the way they’re styled instantly conjured up thoughts of Scott’s film. I don’t expect the two will have much in common in the long run, but the first look is definitely suggestive.
In the film, Hiddleston plays Adam, “an underground musician who’s deeply depressed by the direction of human activities. He reunites with his centuries-long lover, Eve (Swinton), though their idyll is soon interrupted by Eve’s wild and uncontrollable younger sister Ava (Wasikowska).” [Indiewire]
Oscar campaigning used to be so easy. Take out a few trade adds, approach a number of key voters, do a few rounds of dinners and drinks, done. Now there are far more outlets to get out info about a movie. The internet allows distributors to make all manner of materials available to promote their films for award consideration: scripts, scores, interviews, and on a limited basis even the entire film, via digital screener.
Wes Anderson‘s Moonrise Kingdom isn’t available online for everyone to watch for free, but there’s something pretty good as a consolation prize. The interactive script walks readers through the film through a copy of the script text augmented with stills, blueprints, design items, and behind the scenes photos. It’s a neat way to view the film, especially for those who haven’t exhaustively devoured all the “making of” materials posted over the last year. Read More »
Posted on Tuesday, January 8th, 2013 by Angie Han
Book lovers often worry that their favorite tomes won’t translate perfectly to the big screen, but fans of E.L. James‘ Fifty Shades of Grey have more reason to be anxious than most. The erotic bestseller has attracted a lot of attention for its explicit portrayal of S&M sex — not generally an activity that translates well to blockbuster movies. But screenwriter Kelly Marcel says Fifty Shades lovers needn’t fret.
According to her, Focus Features’ Fifty Shades film will be so steamy, it’ll be rated NC-17. It’s a surprising move by the studio if true, but that might be a big “if.” More details after the jump.
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Posted on Friday, December 21st, 2012 by Angie Han
The predicted end of the world may have some folks in a panic, but for Hollywood filmmakers working on apocalypse-themed movies, it’s proving to be a marketing boon. Yesterday, we got the first trailer for Seth Rogen and Evan Goldberg’s This is the End. Today, we have the first official look at Edgar Wright‘s The World’s End. Check it out after the jump.
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Posted on Thursday, December 20th, 2012 by Angie Han
For high school seniors, college admissions board members can seem almost godlike in their power over the futures. From the time the kids send in their application to the time they hear back, the fate of the world seems to rest in the schools’ hands.* But as the new trailer for Admission shows, the process isn’t always a pleasant one for the folks on the other end, either.
In the new film by Paul Weitz, Tina Fey plays a Princeton admissions officer who takes a recruiting trip to an unusual school run by her former college classmate Paul Rudd. It turns into a potentially life-changing event when she crosses paths with a boy (Nat Wolff) who may or may not be the son she gave up long ago. Watch the video after the jump.
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Posted on Friday, November 16th, 2012 by Angie Han
Tina Fey built her career on the fast-paced comedy of Saturday Night Live and 30 Rock, but with the latter almost at an end it’s time for her to move on to the next phase. If the trailer for Paul Weitz‘s Admission for any indication, that may just end up being movie stardom. Perhaps even as something of a dramatic actor.
Although Admission is billed as a dramatic comedy, it represents a more serious turn than anything we’ve seen from Fey before. Fey plays Portia, a Princeton admissions officer who’s forced to confront a painful secret during what initially appears to be a routine recruiting trip. Paul Rudd also stars, as a former classmate of Portia’s who harbors a crush on her, and Nat Wolff plays a teenager who may have ties to her past. Watch the trailer after the jump.
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