Posted on Wednesday, September 10th, 2014 by Angie Han
Lots of filmmakers get frustrated by negative reviews, but few have been as vocally vitriolic about them as Kevin Smith. Following the critical drubbing of 2010′s Cop Out, Smith declared that the entire system was “upside down” and declared he wouldn’t screen his films for critics anymore. And he meant it — he stuck to that plan with his next film, Red State.
But as his latest film Tusk makes the rounds, it looks like he’s finally softened his stance against film critics. Rather than blast the haters, he professes to being “delighted” that anyone likes it at all. Hit the jump to read why he’s had a change of heart.
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Quentin Tarantino has programed small film events before, but the New Beverly Cinema in Los Angeles is about to become the filmmaker’s full-time, ongoing movie program. Unfortunately, the transition isn’t a seamless one, and is also not without some controversy. Read More »
The 1993 Super Mario Bros movie is infamous for many reasons. Mostly, we know it because the film is based on a hugely popular video game property, and the resulting movie is so, so bad. It’s also significant because the film was such a miserable experience for everyone involved — most of all the people at Nintendo — that we’ve since been denied films based on some of Nintendo’s other fantastic properties.
So, what exactly went wrong? I found out recently by reading the book Console Wars by Blake J. Harris. The book, which tells the story of the war between Sega and Nintendo in the 1990s, has a chapter dedicated to the film and it’s absolutely fascinating. Names like Dustin Hoffman and Tom Hanks are mentioned. Dozens of screenwriters are discussed. Terrible on-set feuds led to abysmal behavior. It’s all there.
After reading the chapter I thought you, the /Film reader, would find it just as fascinating as I did. So I contacted the publisher HarperCollins and got permission to reprint the chapter on the Super Mario Bros movie just for you. Read it below.
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Posted on Thursday, August 28th, 2014 by Angie Han
Normally, Ridley Scott tapping Christian Bale and Joel Edgerton for the leads of his next movie would be cause for excitement. But in the case of Exodus: Gods and Kings, Scott’s choices have raised some eyebrows. You see, Exodus is a film set in ancient Egypt, about ancient Egyptians, specifically Moses and Ramses.
More than a few people have pointed out the oddness of casting Caucasian people to play Africans — especially since the few black actors he did cast appear to be playing lower-class and criminal elements. Now Scott has finally responded to the Exodus casting controversy. Read his explanation after the jump.
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We don’t know plans for the Captain America 3 ending, and frankly wouldn’t say if we did. The film is still two years away and hasn’t started production yet. With The Winter Soldier coming to Blu-ray, however, the Russo Brothers just happen to be talking about the film. Some of the biggest questions they’re fielding surround the fate of Chris Evans‘ character. The last film gave him two formidable characters to whom he might pass the Captain America shield: Sebastian Stan‘s Bucky and Anthony Mackie‘s Falcon. With Evans’ Marvel contract running out soon, that pass seems like a viable option.
It becomes even more of a viable option when you look at Marvel’s first threequel, Iron Man 3, which wrapped up Tony Stark’s story in a nice bow with a fourth film nowhere to be seen. Could Chris Evans’ Captain America story be ending on May 6, 2016 with a new hero continuing the story? Yes and no, say the directors. Read More »
In today’s Hollywood, the movie poster is an afterthought. Dozens of marketing and advertising executives justify their jobs by demanding everyone’s input be represented and, as a result, anything interesting or provocative is lost. We all remember this, right? And this?
The homogenous nature of modern movie posters is, of course, a generalization. There are some movie posters with artistic merit but the percentage has dropped significantly over the decades. What is definitely true, though, is the iconic posters of the past have all but gone away and, in one case, that’s quite literal.
According to Roger Kastel, the artist who made the unforgettable poster to Steven Spielberg‘s Jaws, his original 20 x 30 inch painting went missing around the time of the film’s release. Read more about the Jaws poster art below.
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You would need an encyclopedia to know how many different versions of the original Star Wars Trilogy are out there. From obvious changes made to create the Special Editions, or the addition of “Episode IV” to the first film, to more subtle ones like color correction or audio tweaks, there are dozens of different versions of each film. All fans want, though, are the original negatives, with no “special” additions, but corrections to make them look and sound as good as modern technology will allow.
Unfortunately, that’s probably never going to happen because of rights issues and George Lucas’ wishes. So a group of fans made the Star Wars Despecialized Edition, a painstaking project that’s still in progress. The Despecialized Edition removes all the additions and tweaks slathered onto the films over the years, while simultaneously upgrading the sound and picture to modern standards. The results are pretty incredible and a new featurette shows the jaw-dropping changes and work put into the project. Read More »
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There aren’t many things everyone agrees on when it comes to J.J. Abrams‘ Star Wars Episode VII. One of those, however, is that Han Solo is the star of the film. Exactly how Harrison Ford‘s iconic scoundrel plays into the story is much more murky, though. Is he a mentor figure to some of the newer characters? Does he lead the adventure on his own? Will he make it to the next film? We’ve heard rumors about all of that and today we’ve got a few more. One has to deal with different looks the character will have in the film, and the second is so crazy, it might just be true. Below, read the latest Han Solo Star Wars 7 rumors. Read More »