A director swap, a 18 month delay, what exactly when went down behind the scenes of Pixar’s The Good Dinosaur. In an alternate world, we’d have already seen the movie by now, as it was originally scheduled for release Summer 2014. However, story problems forced the film to get delayed a year and a half, change directors, and change a lot of what was happening in the movie.
In a revealing story in the Los Angeles Times, new director Peter Sohn explains why the film was delayed and what he’s done to change it for the better. Read about the Good Dinosaur delay, changes, and see a new image, below. Read More »
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As fans patiently wait for something, anything official about Josh Trank’s Fantastic Four, we start to focus on other things. Like the new origin of Doctor Doom. Or the fact Marvel Comics cancelled all Fantastic Four comics and has been generally touchy with the characters for the last few years.
The prevailing thought was that Marvel Comics canceled the FF comics on purpose to spite the people who were making the film. That they didn’t want to help promote the film at all for 20th Century Fox, which will be releasing the new movie and handles the rights. Extreme conspiracy theorists wondered if canceling the comics would hurt the film, Fox would give up the rights, and the Fantastic Four could magically jump into Disney’s Marvel Cinematic Universe.
Turns out, as you might have expected, that’s 100% not the case. The Chairman and CEO of Fox, Jim Gianopulos, said as much in a recent interview and you can read his quotes about the Fantastic Four cancellation conspiracy below.
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From the first screenings of Christopher Nolan‘s Interstellar, you could hear the controversy coming. Audiences in different cities complained about the sound in the film. Nolan’s mix, or something in the presentation, resulted in several lines of dialogue – seemingly important lines – being blown out by sound effects and music. Was this an artistic choice by Nolan? Or was it the fault of individual theaters?
/Film reported on the sound issues, and as the story spread over days, no one would comment. Not Nolan’s camp, not Paramount Pictures and not IMAX. The only update was from one theater in upstate New York, which blamed Nolan for the sound. Now, finally, Nolan has responded to the controversy. Does he accept blame? Does he even think there’s a problem? Read Nolan’s quotes about the Interstellar sound problems below. Read More »
Over $330 million in domestic box office. Another $440 million internationally. A green lit sequel. You’d think everything about Guardians of the Galaxy was perfect in the mind of co-writer and director James Gunn. For the most part, that’s true.
Audiences truly embraced this crazy, flawed cast of characters as well as the delicate tonal balance he created for the film. Still, now that the movie is out and part of popular culture, there are two small little regrets he has about the film. One involves a cut line of dialogue, the other involves an Easter Egg in the Collector’s collection. Below, read more about Gunn’s Guardians of the Galaxy problems. Read More »
Over a week after our story about the sound problems in some theaters for Christopher Nolan‘s Interstellar, neither Nolan’s camp or anyone from a major theater chain has offered any kind of explanation. It remains a mystery everywhere…except for one theater in upstate New York. They say it’s Christopher Nolan’s fault.
A patron of the Cinemark Tinseltown USA and IMAX in Rochester, NY tweeted an image of a sign posted outside theater. The sign says their sound system is fine and it was Christopher Nolan’s mix that’s the problem. Once news of the sign made it into the public, it was quickly taken down, but you can see it below. Read More »
Christopher Nolan controls every single aspect of his movies from preproduction through publicity. He wants every single thing about his film to be handled just right, from something as important as the IMAX film capture all the way through to who writes about the movie before release. Recently, multiple reports said he personally went to numerous theaters that would be screening his latest film, Interstellar, to double- and triple-check the sound and picture quality. That’s a comforting fact, to know that he’s out there making sure things look and sound great.
Much less comforting is the buzz coming out of those screenings. From the first press screenings through opening night, fans have been complaining about issues with the film’s sound mix. Reports say multiple scenes have the music and sound effects so loud that dialogue is drowned out. This doesn’t seem to be an isolated incident. It’s a complaint that’s been registered all over the US, Europe, and Canada.
Below, we’ll present some of those reactions, some of the stories, and some of the explanations hoping to get to the bottom of these possible Interstellar sound issues. Read More »
As much as Christopher Nolan‘s Dark Knight Trilogy helped set the tone for the modern superhero movie, Marvel Studios created the structure for the modern superhero franchise. Specifically the idea of a huge, shared story told over multiple films. It’s not a new idea, obviously, but the particular way Marvel did it on the big screen was. The fact the MCU is still going after six years, and will continue to soldier on, is super-impressive and a testament to Marvel’s success.
One of the biggest tools Marvel uses for this is the post-credits sequence. A scene tangentially related to the movie you just watched, placed in the credits to tease what’s coming next. It’s become a staple of their brand and is mimicked pretty regularly. (Marvel didn’t come up with that, either, but the studio redefined the use of the post-credits stinger.)
One place it hasn’t been mimicked is the new slate of DC Comics movies. Granted, we’ve only seen one so far, but why is that? Well, Warner Bros. asked Nolan, a producer on Man of Steel, about adding one. He said “A real movie wouldn’t do that.” But did he mean that as a blanket statement? Maybe not. Read more about Christopher nolan and credits scenes below.
UPDATE: Nolan has now responded to these comments. Read More »
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If your local theater has a film projector, it’s likely you can see Christopher Nolan‘s Interstellar beginning on Wednesday, two days before the rest of the country. It was the famously old school director’s way to paying respects to the past, and also letting people know his preferred format: film. The problem is, over the past few years, almost every theater in the country has begun to transition to digital projection. Digital is cheaper to distribute, easier to handle, and is not subject to the same sort of handling damage that can mar film prints.
The final numbers have been released and the number of theaters opening Interstellar on film versus on digital (with the digital rollout taking place on Friday) is pretty staggering. The numbers for Interstellar film theaters are below. Read More »