Chances are, many Marvel fans don’t even know the name Ike Perlmutter. Ask people who runs Marvel Studios and the name you’ll hear will be Kevin Feige. Even Feige reports to someone, however. Since 2007, when Feige was made president of production at Marvel Studios, that someone has been Ike Perlmutter, who became CEO of Marvel Entertainment in 2005.
Things changed last week, however, as Feige managed to tweak the corporate structure at Marvel and Disney. In short, Feige now reports to Disney chief Alan Horn, while Perlmutter remains Marvel Entertainment CEO, working out of New York.
On the surface the change may seem small, but the new exec structure could have a couple of big long-range effects for Marvel movies and TV. Time will tell how big those changes will be; we’ll explore the possible ramifications of the Marvel Studios shakeup after the break. Read More »
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Sorry everyone, but it’s that time again. The last time we had a shocked, raised-eyebrow update on the average price of movie tickets was in 2013, when the average US price climbed to a record $8.38. (Which might not really seem that bad, depending on where you live; that’s just over half the price of an evening ticket at the multiplex closest to my house, to say nothing of seeing a 3D IMAX presentation.)
Now the average US movie ticket price has climbed again. The good news: it’s still under nine bucks. The bad: we’ll probably have to write this story again, and sooner rather than later. Read More »
Since it’s the weekend, you’re likely spending at least some of the time watching your favorite show or a new movie on Netflix. There’s no doubt that the streaming entertainment service has become a major player and influence in how we consume movies and television, and now we have word that it will become more popular than network television in the next year.
A new analysis from FBR Capital Markets, a Wall Street analyst firm, has surfaced showing that if Netflix were a Nielsen-rated TV network, their 24-hour audience numbers would be greater than that of all the major broadcast networks by 2016.
Find out more about the Netflix ratings after the jump! Read More »
Posted on Monday, June 15th, 2015 by Angie Han
Dope has a strong retro flavor, thanks to its protagonist’s obsession with ’90s hip-hop culture. But it’s actually a thoroughly modern film, right down to its use of Bitcoin as a major plot point. In fact, it might even be a bit ahead of the game. Dope is now the first movie to allow moviegoers to pay for theatrical admission with Bitcoin. Get all the details from the Dope Bitcoin announcement after the jump. Read More »
Spectre comes to theaters in November, and that new on-screen chapter in the James Bond story will lead to big developments off-screen. The pact between Sony and MGM that has led to Sony’s distribution of the set of Bond films that began with Casino Royale expires after Spectre. That means every studio in Hollywood is going to be at MGM and EON’s door.
Sony will compete for a new distribution package, but there’s already talk of Warner Bros. as a potential new Bond partner. Oddly, in comments made during CinemaCon, new Sony chief Tom Rothman doesn’t even seem all that perturbed by that idea. Read More »
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A week after controversy hit the Internet about a lack of diversity in developing the Transformers movie franchise, Paramount has hired two new writers. They are Christina Hodson and Lindsey Beer, the first two female writers in a group that includes Robert Kirkman (The Walking Dead), Art Marcum and Matt Holloway (Iron Man), Andrew Barrer and Gabriel Ferrari (Ant-Man), Zak Penn (Ready Player One) and Jeff Pinkner (Lost). It’s lead by Akiva Goldsman and their aim is to have a fifth film ready to go when Michael Bay finishes his current movie, then multiple Transformers films lined up to be made after.
Below, read more about Hodson and Beer as well as the Transformers writers room. Read More »
Rick Baker has spent decades creating stunning creature makeup and animatronic visual effects. He created work for Star Wars, did the landmark werewolf effects for An American Werewolf in London and the transformation in Thriller, and also worked on films such as The Rocketeer, Gremlins 2, Men in Black, Ed Wood, and the Planet of the Apes remake. He even did alien designs for Steven Spielberg’s aborted film Night Skies.
Now, at age 64, with CG effects and shrinking budgets and production timelines pushing aside opportunities for the work he likes to do, Rick Baker is preparing for his retirement. Read More »
2015 marks the 40th anniversary of Industrial Light and Magic, the most revered special effects company in the world. It was famously created by George Lucas in 1975 to help make his movie, Star Wars, and has since gone on to basically create almost every single big special effects movie or moment you can remember or imagine. (With a few exceptions.)
Below, you can see a jaw-dropping, one-minute montage of their 40 year history, up to and including Star Wars: The Force Awakens later this year. Check out the ILM 40th anniversary video below. Read More »
Ridley Scott’s original Blade Runner is a film that’s revered for its look. However, cinematographer Jordan Cronenweth rarely gets the credit. Instead, it usually goes to his director, production designer, set designer and others. With director Denis Villeneuve‘s sequel now in the works, fans were certainly wondering if the look of the new film could live up to that universal praise. That answer is now, undoubtedly, yes.
The cinematographer for Villeneuve’s last two films, Roger Deakins, will be shooting Blade Runner 2 when the cameras role next year. Deakins shot Prisoners and the upcoming Sicario for the director, as well as Fargo, The Shawshank Redemption, The Big Lebowski, Skyfall and many others. He’s famously been nominated for 12 Cinematography Oscars without winning one. Read more about Roger Deakins Blade Runner 2 below. Read More »