At some point, movie theaters found themselves in the unfortunate position of playing catch up. Where theaters were once the epicenter for entertainment, rising ticket prices and the exponential improvement of home theater technology have all but pushed them to the endangered species list.
Innovation was needed. IMAX was a good start. A screen so big no home can duplicate it. 3D is a mixed bag. It’s more expensive and, frankly, better in the home setting. Sound systems such as Dolby Atmos are great, but most of what makes it special is very nuisanced.
So what’s next? Well, it might be Barco Escape, a technology influenced by the super Cinerama craze of the 1960s, where an additional screen is placed on either side of your normal screen, giving a massive panoramic experience. The first film to be presented in Barco Escape is this week’s release, The Maze Runner. Five theaters across the country are offering the film in Barco Escape and myself and Peter Sciretta just had to try it out for ourselves.
Below, read more about Barco Escape and watch a video blog of our thoughts, criticisms and praise for what the company is calling “a little taste of the future.” Read More »
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Most thrillers keep the suspense on-screen, but the Bourne franchise now has edge-of-your-seat action behind-the-scenes too. News that Matt Damon and Paul Greengrass would return to Universal to make the fourth Jason Bourne film has been the biggest surprise of the week so far. But that’s just the beginning.
Greengrass didn’t have the most pleasant split from the franchise after The Bourne Ultimatum, despite it being the most successful film of the franchise. Damon said he’d only play Bourne again if Greengrass returned, and that didn’t seem like a very likely option. Now they may both be back for Bourne 5, putting the planned 2016 sequel to Jeremy Renner‘s The Bourne Legacy in question.
But hold up — things aren’t quite so set on either front just yet, suggests producer Frank Marshall. There’s no deal for Greengrass yet, and in the meantime development on the Renner sequel is still moving forward. “We’re on two tracks,” he says. Read More »
When I think of late Eighties/Early nineties comedies, Problem Child is one of those movies that oddly sticks with me. There was just something about seeing a kid who was my age up there on the big screen, raising absolute havoc. The film’ story is about a couple (John Ritter and Amy Yasbeck) who can’t conceive and decide to adopt. They’re then saddled with Junior, the titular character who loves to terrorize everything and everyone around him. It has elements of gross out and wish-fulfillment comedy, and was kind of good for the time. Released in the summer of 1990, Problem Child made over $50 million and even got a theatrical sequel the following year.
Well, NBC seems to think the idea of the awful kid will work on television and they’ve hired Old School and Hangover writer Scot Armstrong to develop a Problem Child TV show as a single-camera sitcom. Read More »
The I Saw the Devil remake is on. Almost a year after we heard two producers boarded the project, a new report says they’ve found their creative team. The team behind You’re Next and The Guest, director Adam Wingard and writer Simon Barrett, are on board to write and direct the American remake of the 2010 Kim Jee-woon revenge thriller. Read More »
In the Eighties and Nineties, the Orion Pictures logo was like an old friend. It was in front of some of your favorite movies and was kind of a stamp of approval that you were about to see something cool. Blockbusters like The Terminator, RoboCop and Bill and Ted’s Excellent Adventure were Orion. Oscar-winners like The Silence of the Lambs, Amadeus, Platoon and Dances With Wolves were Orion. The list goes on and on.
Unfortunately, the company declared bankruptcy in 1991. It was then resurrected in 1996 and integrated into MGM, with the last Orion film being released in 1999. Since then, the logo hasn’t been on a film until this month. This month, the first new Orion Pictures movie in 15 years will be released. Read More »
Normally, movies that don’t make $100 million worldwide don’t get sequels. And they definitely don’t get TV shows. But Mark Wahlberg isn’t your typical actor/producer. He’s now teamed up with Paramount TV to bring his 2007 film, Shooter, to TNT as a regular series.
The film, which itself was based on the novel Point of Impact by Stephen Hunter, follows a decorated but retired military sniper who takes one last job. However, he’s framed for murder on the job and goes on the run. Read more about the Shooter TV show below. Read More »
Chuck Palahniuk is one of those authors who is fortunate enough to sell the rights to seemingly every book he’s ever written. In some cases, like with Fight Club, that works out. In other cases, the resulting film may be less successful (say, maybe, Choke) and most of the time, the films simply never come together. So when a new book of his is optioned, it’s easy not to immediately get excited.
Still, if that option is by a very motivated and talented person, that’s definitely a positive factor. That’s what happening now. James Franco, the popular actor and burgeoning director, has reportedly purchased the rights to Palahniuk’s 2008 novel, Rant. Rant is a fictionalized oral history of a crazed serial killer in the future. Read more about the Rant movie below. Read More »
Back in 1993, Nintendo officially released their first, and last, live-action movie. Super Mario Bros. was a critical and financial disaster and since then, almost everyone agrees the experience of that film (which you can read about in full, incredible detail right here) has soured the company on licensing their other iconic characters – besides Pokemon – to Hollywood.
Now, however, Nintendo is working on some kind of secret “research project.” The first result of it is a Pikmin movie, produced by gaming legend Shigeru Miyamoto. Titled Pikmin Short Movies, it’s an animated anthology, comprised of three different short films, and will debut next month at the Tokyo International Film Festival.
Unless you’re a Pikmin fan, that alone isn’t particularly exciting. I’m more curious of the subtext. The creator of Super Mario Bros. and The Legend of Zelda is producing movies now? What could that mean for the future of Nintendo movies? Read More »
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