Posted on Wednesday, March 4th, 2015 by Angie Han
After five to ten years of five to ten Best Picture nominees, the Oscars are eyeing a return to old ways. The Academy reportedly wants to shrink the Best Picture pool back down to five nominees.
The rule limiting nominees to five had been in place since the mid-1940s, but was changed in 2009 to include 10 nominees, and then again in 2011 to include 5-10 nominees. Now it might change again. More on the possible Oscars Best Picture nominees rule change after the jump. Read More »
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Posted on Wednesday, March 4th, 2015 by Angie Han
Before we close the book on another year in film, Brandcameo has one more set of awards to hand out. But these aren’t for achievements in acting or directing or sound mixing. These are for all the product placements that cropped up in the movies last year, from Reese Witherspoon‘s REI boots in Wild to, well, the entirety of The Lego Movie.
The winner for most brands in a single film shouldn’t be hard to guess (I’ll give you a hint: it’s in the headline) but smaller films like Nightcrawler and The Theory of Everything apparently still found ways to squeeze in a few notable brand mentions. Find out who won the sometimes dubious honors in the 2015 Brandcameo Product Placement Awards after the jump. Read More »
Hollywood is regularly considered the center of the movie universe. American films are made there, and those films not only play within America’s borders, they get shipped all over the world. But as technology gets better and movie tickets more expensive, those tables have been turning. These days, an American film will regularly make more money overseas than it will in the U.S. Of course, that’s one country versus hundreds, but that’s certainly a newer trend.
Until this month though, even if some movies made more money overseas, our monthly box office has always been the highest. The second largest market, China, has done well but never overtaken us. That changed in February 2015 when the U.S. box office grossed $640 million while the Chinese box office took in $650 million. Read More »
Thirty years have passed since audiences were introduced to Red Sonja on the big screen. Envisioned as a female equivalent to Conan, the film starred Brigitte Nielsen as the title character and even featured Arnold Schwarzenegger in a slightly confusing Conan, but non-Conan, role. The sword and sandal fantasy epic was not a big hit and in fact even took home a Razzie award for the actress. Yet fans who found the film when they were younger hold it in high regard and a new Red Sonja movie has been in talks for sometime.
Robert Rodriguez was originally attached with Rose McGowen in the lead. Megan Fox was floated and then Simon West seemingly boarded the film with Amber Heard as the warrior. Now, that has all been wiped clean. No one is attached to Red Sonja except screenwriter Christopher Cosmos. Read More »
Six years ago, news of a Tomb Raider movie reboot first hit the web. It was being developed by GK Films as an origin story drawing inspiration from Rise of the Planet of the Apes. MGM then came on board and there a script was even commissioned. But we haven’t heard anything since 2013.
Now there’s the first significant update in two years. Warner Bros. has come on board to distribute the film, which will be written by Evan Daugherty, the writer of Snow White and the Huntsman, Teenage Mutant Ninja Turtles, Divergent and the upcoming G.I. Joe 3. Read more about the Tomb Raider movie reboot below. Read More »
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Gore Verbinski may be best known for big, bombastic blockbusters, but every once in a while he surprises us with something smaller. Rango is a great example. His hit remake The Ring is another. And though the director hasn’t stepped behind the camera since the disaster of The Lone Ranger, the idea for his next movie comprises a bit of both impulses. It’s an original idea with blockbuster potential.
Verbinski is now attached to an untitled film that’s being called “the Driverless Car Race pic.” Written by Steve Conrad (The Secret Life of Walter Mitty), it’s a cross-country race movie about cars that drive themselves, with a focus on how the passengers inside deal with that technology and loss of control. Sony Pictures will finance and distribute. Read more about the plot below. Read More »
The grand total of cash exchanged between Sony Pictures and Marvel/Disney over the use of Spider-Man is $0.00.
That’s right. According to a report by Variety, neither studio will share profits over any of the films that include the webslinger. Nor is producer Kevin Feige getting anything extra to produce a 2017 Spider-Man film. Everyone will keep the gross of their films, and that’s it. The deal is strictly based on the belief that including Spider-Man in Marvel movies, and making Sony’s movie part of the Marvel Cinematic Universe, will increase the bottom line for everyone.
Among the other Spider-Man updates are the fact the new actor playing the role will, in fact, be younger and that the planned spin-offs such as Sinister Six, Venom and the female centric film are still in development. Read more about the Spider-Man Sony Marvel deal below. Read More »
35mm film continues to fight for its life. Last year, a few high profiled filmmakers vowed to continue to use film stock on their films. Now the last remaining manufacturer of film, Kodak, has just signed deals with Disney, Fox, Paramount, Sony, NBC Universal and Warner Bros. – basically every big studio in Hollywood – to “purchase undisclosed amounts of film over ‘a few’ years that would be enough to extend Kodak’s film manufacturing business.” So will 35mm film survive? Read more about the answer below. Read More »
Amy Pascal is stepping down as co-chairman of Sony Pictures Entertainment and as chairman of Sony’s Motion Picture Group. Her profile was battered last year when the hack of Sony servers revealed email conversations between Pascal and producers and execs. And while the official line is that Pascal’s transition has been in the works for a while (which might not surprise those who have paid attention to Sony’s troubles over the past couple years) the broad supposition is that this change is directly related to the hacks. Pascal will stay on at Sony in a producing capacity, launching her own production shingle on the Sony lot.
New studio leadership can directly affect the sort of movies that are produced by the company so we’ll be curious to see how this affects some of Sony’s biggest assets, such as Spider-Man. And in this case, Pascal will be a producer on Ghostbusters and future Spider-Man films, though how that affects the projects remains to be seen. Read More »