It was fun while it lasted. But after several months in the top spot, Guardians of the Galaxy is no longer the top grossing movie of 2014. The Hunger Games: Mockingjay Part 1 overtook the Marvel film Wednesday when it passed the $333.17 million Guardians grossed domestically. Adding more fuel to the fire, Mockingjay Part 1 did this without a bump for 3D ticket prices.
Oddly enough, a similar scenario happened in 2013 when Iron Man 3 was the top grossing film of the year into early 2014 when a November release finally surpassed it. That film was The Hunger Games: Catching Fire so it seems like Marvel and Katinss definitely have a beef. At least later this year, when The Hunger Games Mockingjay Part 2 is released, it’ll have to beat more than just Avengers: Age of Ultron. It’ll have Star Wars: The Force Awakens to contend with too. [Box Office Mojo]
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Posted on Monday, January 19th, 2015 by Angie Han
The MPAA stamped Fifty Shades of Grey with the expected R rating earlier this month, citing, among other things, “unusual behavior.” But that’s proving more of a turn-on than a turn-off for moviegoers.
Fandango reports Fifty Shades of Grey has just become the fastest-selling R-rated advance ticket in the company’s 15-year history. What are the other R-rated hits it beat to get there? Find out after the jump. Read More »
Going into the weekend, Clint Eastwood‘s American Sniper was expected to handily dominate at the box office. Experts were predicting huge numbers for the film, maybe even north of $70 million. But when the smoke cleared Monday and final estimates came in, the film will have grossed a staggering, record-setting $105.3 million from Friday to Monday ($90.2 over the three day). The previous January champion, Ride Along, grossed only $48.6 million over its first four days. Sniper had doubled it and then some.
In Los Angeles, a city where the film had already been opened for three weeks, there were lines around the block. With a number that big, that was probably the case in almost every other city too. So how did American Sniper do so incredibly well? Read more about the American Sniper opening weekend below. Read More »
The Interview was a pretty solid success on VOD, with Sony calling the film its best-ever digital performer, but what will that mean for studio VOD films, especially the concept of day and date releases, going forward? Probably nothing, say analysts, so long as theater chains continue to be resistant to day and date schedules that put films in theaters and on VOD at the same time. Read More »
Update: Sony will release The Interview in the UK and Ireland on February 6. We don’t have info on or even an indication of further international dates at this time.
While it’s a far cry from the $100m that some had expected The Interview to make in a theatrical release, Seth Rogen and Evan Goldberg‘s comedy has pulled in over $30m on VOD after being available online since December 24. Sony is spinning the numbers well, calling The Interview the studio’s “#1 online film of all time.” Read More »
As the 2014 year has officially come to an end, I thought it would be nice to take a look at the highest grossing movies of 2014. How many of the top 10 grossing films had a superhero character? The answer is six. How many films in the top 30 grossing are not based on an existing property (adaptation, remake, reboot…etc) or a sequel? Only four! Hit the jump and you can find the top 50 grossing films of the year.
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There’s little doubt the incredible tale of releasing The Interview is one for the ages. Years down the road, film historians will look back at the stunning chain of events that lead the comedy from being a massive wide release, to being totally cancelled, to being the first major studio film ever released day and date on demand. And that story is still being told. The Seth Rogen/Evan Goldberg comedy opened on Christmas Day in over 300 theaters in the US, but hit XBox, YouTube and Google Play the day before. It’s also now on iTunes and may soon go on Netflix. The whole thing has become an experiment about the traditional, theatrical distribution model versus on demand.
Which brings us to the question at hand: The numbers for the opening weekend of The Interview, both in theaters and on demand. In a pretty interesting turn of events, the film grossed five times as much on demand than theaters. Would that’ve been different had it played in major theater chains? And what do the numbers really mean? We’ll discuss The Interview On Demand gross below. Read More »
Actors have been “overpaid” for a long time. For the past few decades the biggest stars were getting 10, 20, 30 million dollars for a movie that maybe wasn’t even that good. Recently, things have begun to go away from that huge upfront sum. No, stars are taking less money upfront for more options on the back end. That encourages a better product, but also creates much bigger pay days. Sandra Bullock made around $75 million for Gravity. Robert Downey Jr. around $100 million for The Avengers. But somehow, you’re okay with that because the movies are good and they took a gamble at the beginning.
Most of these stars did not take a gamble and, in most cases, you can’t blame them. Forbes has complied their list of the ten most overpaid actors of 2014. They look at the “last three films each actor starred in before June 2014,” add the grosses, then divide by the total salary. What’s left is a return on investment number. The amount of money each actor grosses for every $1 paid. None of them lose money, but some make less than others. Read the most overpaid actors 2014 list. Read More »
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