We all spent a lot of time watching television. How much do you think you’ve spent over your lifetime? If you totaled all that time days watching TV shows — how many years, days, hours would you have spent staring at the glowing television screen? Lets find out…
*note: the headline uses the word “wasted”, but I personally don’t regret any of the time I’ve spent on television (except for maybe some of the shows I gave up on)
Posted on Friday, February 21st, 2014 by Angie Han
The list of confirmed Star Wars Episode VII actors still hovers around zero, but the list of rumored stars seems to grow longer every week. The latest subject of speculation and gossip is Jack Reynor, who’s probably best known for a role that hasn’t even hit theaters yet — he’s the star of upcoming Transformers: Age of Extinction. More on this story after the jump.
Update:The Irish Independent prints a statement from Reynor’s reps saying “There is no truth in that — Jack is not taking on a role in the latest Star Wars film… He has not been approached about a role and there has been no discussion… The rumours started online, but there is no foundation to them.”
A new website has popped online with a useful, but lofty, goal: catalog as many filming locations for as many movies as possible so fans have the information at their fingertips. It sounds impossible, and most likely is, but the Where Was It Filmed Database is making a run at it anyway.
It’s a user generated site, such as the IMDB or Wikipedia, so in addition to just browsing around, users can head over to www.wwifdb.com and add in filming locations either from their favorite movies, movies shot near your hometown or whatever you can contribute. That info then gets put in the general database and hopefully, over time, most of the movies people might search will have a helpful map of filming locations.
Things are kind of sparse over there right now, but the set up is really nice, it’s very user friendly and contributors are adding more and more locations every day. Head over there to check it out.
I received an e-mail today from a /film reader telling me to check out the website Mouth-Taped-Shut.com. When you click the link you’ll be greeted by a Tumblr blog, which appears to be some fansite for David Fincher and/or The Girl With The Dragon Tattoo. I almost closed my web browser window before realizing that some of the content on the tumblr included images and video taken on the set of the film. Not the kind of set videos and photos that we’re used to posting — these appear to have been taken on closed sets (see the video embedded above), in the editing room, and in the production office by an insider. It seems as if the tumblr has been online for a couple weeks now (since August 20th 2011).
This doesn’t appear to be something set up directly by Sony Pictures (although, you never know), but more likely someone inside Fincher’s production company. David Fincher has always been vocal in his hate for traditional film marketing like featurettes. Could he be directly involved in this? Check it out for yourself.
I’m a huge fan of director Cameron Crowe, and Almost Famous is one of my favorite films of all time. Before I started /Film, one of the websites I use to check on a regular basis was a Cameron Crowe fansite called The Uncool (which, yes, is a brilliant reference from Almost Famous). The guy who owned the blog, Greg Mariotti, you might know from another film blog called PixarTalk (he’s appeared on the /filmcast as well), sold the site years ago to Crowe himself.
Cameron brought Greg on to help with his official site, which was a cool looking flash-designed dysfunctional mess, and the blog folded. Updates became few and far between. Recently Mariotti relaunched The Uncool as a stand-alone official blog, which is allowing him to post all sorts of cool Cameron Crowe-related material. I’ve been looking for an excuse to write about the blog for the past month, and now I have one.
Today Greg posted an article titled “5 Things I Learned About We Bought a Zoo”, which includes photos and observations from visiting the California-based se of his new film, a big screen adaptation of We Bought a Zoo which stars Matt Damon, Scarlett Johansson, Thomas Haden Church, John Michael Higgins, Angus MacFadyen, Patrick Fugit, and more. I’ve never been to the set of a Cameron Crowe film, so I’ll have to live vicariously through Greg’s reports… but maybe someday? Head over to TheUncool to learn about the changes that Cameron has taken from Benjamin Mee‘s book, technical details (yes, the movie is being shot on film), details on Cameron’s new partnership with Director of Photography Rodrigo Prieto and more. I’m sure he has more, which will likely be posted in future updates.
Posted on Wednesday, February 16th, 2011 by David Chen
Beautiful. Sublime. Stunning. These are not usually words I usually associate with video game trailers (though there are exceptions), but they could all be used to describe the newest trailer for Dead Island. Techland is the developer behind the game, but it’s had a pretty rough history; it was originally supposed to be released way back in 2008 on PC and on Xbox 360. Nonetheless, you can bet people will get interested again right quick after watching this new trailer.
Kotaku has called it “the most heartbreaking zombie video game trailer you’ll ever see,” and AICN argues that it “could be better than any feature film trailer you see this year.” What do you guys think? Hit the jump to check out the trailer and leave your thoughts in the comments below. Read More »
Posted on Saturday, January 15th, 2011 by David Chen
Despite my reservations about his eventual performance, I was pretty thrilled when I heard that actor and Taiwanese mega-sensation pop music star Jay Chou had been cast as Kato in Michel Gondry’s The Green Hornet. Turns out, I was wrong all along; according to IMDB, it was actually Harold & Kumar star John Cho that starred in the film. Huh? Screenshot after the jump. Read More »
Comedian and actor Patton Oswalt has written an editorial for WiReD Magazine titled “Wake Up, Geek Culture. Time to Die”. In the article, Oswalt explains how our everything available anytime internet culture is making the concept of geek culture obsolete. Here is a short excerpt from the article:
The problem with the Internet, however, is that it lets anyone become otaku about anything instantly. In the ’80s, you couldn’t get up to speed on an entire genre in a weekend. You had to wait, month to month, for the issues of Watchmen to come out. We couldn’t BitTorrent the latest John Woo film or digitally download an entire decade’s worth of grunge or hip hop. Hell, there were a few weeks during the spring of 1991 when we couldn’t tell whether Nirvana or Tad would be the next band to break big. Imagine the terror! … When everyone has easy access to their favorite diversions and every diversion comes with a rabbit hole’s worth of extra features and deleted scenes and hidden hacks to tumble down and never emerge from, then we’re all just adding to an ever-swelling, soon-to-erupt volcano of trivia, re-contextualized and forever rebooted. We’re on the brink of Etewaf: Everything That Ever Was—Available Forever.
I know it sounds great, but there’s a danger: Everything we have today that’s cool comes from someone wanting more of something they loved in the past. …. Now, with everyone more or less otaku and everything immediately awesome (or, if not, just as immediately rebooted or recut as a hilarious YouTube or Funny or Die spoof), the old inner longing for more or better that made our present pop culture so amazing is dwindling. … Here’s the danger: That creates weak otakus. Etewaf doesn’t produce a new generation of artists—just an army of sated consumers. Why create anything new when there’s a mountain of freshly excavated pop culture to recut, repurpose, and manipulate on your iMovie? The Shining can be remade into a comedy trailer. Both movie versions of the Joker can be sent to battle each another. The Dude is in The Matrix. The coming decades—the 21st-century’s ’20s, ’30s, and ’40s—have the potential to be one long, unbroken, recut spoof in which everything in Avatar farts while Keyboard Cat plays eerily in the background.
Read the entire editorial on Wired. What do you think of Oswalt’s theory? Is oversaturation leading us to the of geek culture?