gusvansant_breteastonellis

How’s this for a pairing: Gus Van Sant and Bret Easton Ellis are teaming to write a screenplay based on Vanity Fair’s 2008 article The Golden Suicides. Ellis had previously been announced as the screenwriter for the Lionsgate project, but the addition of Van Sant makes the thing even more interesting. The article looks into the dual suicides of ‘golden couple’ Theresa Duncan and Jeremy Blake, who each committed suicide in 2007, and may have done so after developing delusions of persecution and conspiracy.

Variety reports that Gus Van Sant is currently involved only as a writer, with he and Ellis working from the original article by Nancy Jo Sales. (Sales was briefly married to the ‘radical Episcopalian priest’ who was a confidant of the suicidal couple.) I’m reading the article for the first time now, and it’s some crazy stuff: a powerful creative couple (he was an artist, she a game designer and filmmaker) began to exhibit eccentric and downright bizarre behavior, requested ‘loyalty oathes’ of friends, complained of Scientologist persecution and eventually killed themselves within a week of each other. Duncan took pills; Blake walked into the Atlantic Ocean and never came out again.

The tone of the article makes me think immediately of Gus Van Sant’s To Die For. I can see why he’d be an excellent choice to chronicle this couple and their unexpected downturn and demise. In fact, the Frankenstein combination of these two writers sounds really intriguing; Ellis has the glamour and excess of Duncan and Blake’s life, while Van Sant has the poignant underbelly and ethereal side of their experience.

Read the original article here. And may I respectfully suggest the use of ‘The Ocean Doesn’t Want Me’ as part of the eventual film’s soundscape? The Tom Waits song was the first thing I thought of when reading about Blake’s sad half of this suicide.

  • Van Sant is a director that has always intrigued me for the wrong reasons. He makes good films that seem great because the acting in them is so good. I know it takes skill to extract good acting but I have never felt the films themselves have a real depth to them. That said I feel he could pull off a really great film someday I just don't think he has done it yet.
  • How could you say Elephant doesn't have any depth?
  • Kargo
    Or Good Will Hunting and Finding Forester for that matter...Van Sant is a phenomenal director.
  • To be fair I had forgotten to take Elephant into account. Elephant is probably his best film in my opinion.

    While movies such as Finding Forrester and Good Will Hunting are good films (I did say his films were good in the original post) my personal opinion of them is that they don't truly delve as deep into the human condition as they could have. I find that Van Sant films have more potential than what turns up on screen. When I walk out of one of his films I just long for something more profound as I feel he gets very close to it. Hw has got close a couple of times so I still feel he could hit the nail on the head sooner or later.
  • Kargo
    I love his indie movies...i admire a director who can make oscar caliber movies like Milk and Good Will Hunting when he does movies like feels like he should and not run after money or acclaim.

    If you liked Elephant i hope you've seen Paranoid Park,in my oppinion it's just as quirky and good.
  • e_dog
    Sure to be next year's "Wild Hogs"
  • Well... we know how it ends.
  • Is this the same Jeremy Blake that did the art that's interspersed throughout Punch Drunk Love?
  • rogerroger
    indeed
  • Reality Check
    For the information of all readers: Nancy Jo Sales, the woman who wrote the article upon which this film is to be based, has absolutely no journalistic whatsoever and should be blacklisted for her conduct in gathering the information in this article. While there are accurate pieces, the majority is a breed of accuracy known to the scientists who claim that there is empirical evidence to support the claim that smoking is a benign activity. There are facts, and then there are facts that greedy, attention hungry individuals twist into mutilated scraps of information until they are barely recognizable...all in the name of entertainment. Real people's lives were torn apart by the death's of Jeremy and Theresa, something I encourage you all to remember because people such as Nancy Jo Sales and those making this film have clearly forgotten or were never human enough to understand.
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