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Update From Peter Sciretta:

Hey guys,

What a day… All of this went down right before I boarded a plane, and I just got to my hotel and would like to offer an additional update. I would like to say first off that I deeply regret that our actions may have cast any sort of disparaging light on Focus Features, Away We Go or the filmmakers in anyway. We along with our advertising agency, Gorilla Nation, take full responsibility for the presentation of the Sam Mendes editorial and understand that it was misleading and inappropriate. The decision to create an added value sponsored editorial was Gorilla Nation’s idea and was not suggested, seen or approved by Focus Features or their Agency. And as Dave mentions below, we weren’t even paid for the post itself.We came up with the idea to do the timeline/retrospective, which our ad agency, Gorilla Nation, then submitted to Focus Features. Focus was unaware that the feature would be presented as an editorial analysis written by one of /Film’s staff writers. When Focus executives saw the piece,which was at the same time as our readers did, they had the same reaction as many of you in that they did not condone paid editorial. Our conversations have taken place exclusively with Gorilla Nation, and we have had no direct contact with Focus Features or their agency over this editorial. I want to make that clear.

That said, I want to reiterate what Dave said below: We have listened to the feedback from our readers and colleagues, and have decided that sponsored editorials is not something we want to be involved with. We have always been honest with you guys, even in our disclosure of the sponsored editorial, and I wouldn’t want to lose the trust that we have built with you over the past few years.

Peter

Original Update from David Chen:

Earlier this morning, we put up a post on /Film that featured a brief look at the works of Sam Mendes. At the beginning of the article, we included the following text: “This post is sponsored by Focus Features - See Sam Mendes’ new movie Away We Go in Theaters Now!” The wording of this preamble and what it implies has sparked criticism from both readers and colleagues, and has called into question the journalistic integrity of the site as a whole. Since Twitter and /Film comments aren’t the best venues for a reasoned and elaborate discussion about these matters, I’m going to try to explain the circumstances under which this article was created, and why we made the decision to publish it. In brief, we were not paid in exchange for running that article. Details about this will follow after the jump, for those who are interested.

Before I explain any of that though, I will say that we are concerned and aware of your responses to this article. We also understand that our actions do not occur in a vacuum, that they affect other movie bloggers as well. While the realities underlying the situation are too complex to explain in one sentence, please understand that we have heard your comments and from this point on, it will be the policy of /Film not to run sponsored editorials.

Here are the basic facts: Focus Features purchased an advertising campaign on our site for “Away We Go.” This campaign encompassed elements of our site that are clearly separated from editorial content as advertising. We were not paid to write an editorial about “Away We Go,” but we agreed to support the advertiser by crafting an editorial relating to the director or stars of the film, provided we could exercise complete editorial control of the piece. Some options on the table were Top 10 or a Top 5 list, but we came up with the idea of a retrospective on Sam Mendes, which they agreed to. Focus Features had no editorial control over the article, and as it’s clear in the article, I’m not exactly in love with every one of Mendes’ films (in the past, and in the article, we’ve been very critical of films like Revolutionary Road), though I do admire him. To re-iterate once more, we agreed to do the article only under the circumstances that 1) We were confident it would add value to the site, 2) we’d have complete editorial control over the article, and 3) we could disclose that it was an article that was supported by Focus Features.

We have never taken money to post news content or to review a film. We would never “adjust” our opinion in response to an advertiser (See, for a recent example, our review/evisceration of The Taking of Pelham of 123, whose ads appeared on our site, but which we were highly critical of). We regret if our actions have caused you, our readers, to doubt us, but we resolve to make sure that such misunderstandings will never occur in the future. Thank you, as always, for your understanding as we continue trying to make /Film the best that it can be. Your comments and constructive remarks are welcomed in the Comments section below.

  • rclesham
    fair play.
  • Lachrymist
    i wasn't too concerned about the original post, however I did notice and my frist reaction was WTF. So I do appreciate the explanation.
  • tenno
    Thank you for acknowledging the ethical issue involved and are nipping this practice in the bud.
  • Peter
    Yes thank you for not being sell outs
  • John
    Well explained - good to see a rational response for a change, puts /film above other movie blogs whose writers act like juvenile, putrid fanboys when their backs are up against the wall.
  • So basically you agreed to advertise, however inadvertently, a Focus Features film in exchange for a Focus Features ad campaign. No two ways about it. It's not about whether you "adjusted' an opinion or not. You sold coverage. Your integrity is shot. The words "we agreed to support the advertiser by crafting an editorial" are damning and damaging, my friends. I feel for you in this but I fear you've made your own bed.
  • Dr. Terry Masterson
    Hey Kristopher,

    Perhaps you should share your strong opinions on selling coverage and shot credibility with your pal John Campea. Maybe the next time you guest on his podcast? Or do you 'adjust' your opinions on this subject when appearing on his show?

    LAME.
  • Chris Taran
    Terry, regardless of who made the comment your replying to, how does it make it any less correct?
  • I don't even know what you're talking about, Terry. John's site isn't tethered to studio advertising. He has, in fact, an entirely separate corporation dealing with his sales. His site is owned by a third party. He's essentially an employee.

    Maybe know what the hell you're talking about before you shove your foot in your mouth.
  • Dr. Terry Masterson
    Kristopher,

    You're right. John would never take favors from a studio in return for the support of a film on his site. Oh wait... there was that time when he boycotted Transformers because of a cease and desist letter from Paramount, made a major stink about it and milked it for diggs and then totally went back on his word in return for a comfy set visit. There was that one time.

    Is that really any better than a studio sponsored ad that discloses its intentions? I don't think so.

    And if you think John gets behind a movie like Pathology without some extra incentive....just sayin'.

    I'm not commenting on whether or not this stuff is right or wrong. More power to those people who find success in doing what they want to do. I'm just saying you can't throw stones at one site and regularly guest on the podcast of another without people calling bullshit.
  • Do you even know the details of that? It was an incredibly callous and unwarranted move on Paramount's part and John is free to say what he wants when it comes to that. If you want to make a stink about his presumed hypocrisy, that's fine, but he didn't offer coverage in exchange for compensation. There is no correlation here. You're stretching, sir.

    I know why John gets behind a movie like Pathology, Terry. It's because he's friends with the directors. He's getting no "incentive." I know Rod Lurie. I do my part to point to his work when I think it needs an audience. I liked Michael Shannon's work in Revolutionary Road last year and found him an affable acquaintance throughout the year, so I did my part to sound the bell. I did not accept stipends in exchange for said coverage, however. Huge, massive, unmistakable difference.

    So, in a nutshell, you have no "bullshit" to call. And clearly, you're not as informed as you think you are.
  • Hey Terry. You need to check your chronology about the Paramount thing (which is well publicized). Paramount VP contacted to to apologize for the incident and assured me it was an accident and explained to me the steps they were taking to ensure it never happened again. I publicly accepted their apology and explanation and let the issue go. It was AFTER this that Paramount invited me to the Trasformers set visit. This is all online and public knowledge if you bothered to look into it for a minute. Or you can contact Paramount to confirm if you wish.

    With regards to Pathology, I openly let everyone know, on every post I wrote about it, that I was biased because the producers of the film are friends of mine. I got nothing physically or monetarily for my coverage of it.

    With regards to /Film's selling editorials... I don't "agree" with it... but at the same time I think the fact that David put a disclaimer openly letting everyone know what the post was has to really be considered here. Credibility is primarily about honesty, and if the author is being honest and being transparent about the nature of the post, I still don't think it's a good idea, but I think there's not a lot to complain about either.

    It was clearly never David's intention to "trick" his readers into thinking the post was something that it wasn't. So while I don't think sponsored editorials are a good idea... David clearly was never trying to be underhanded or dishonest in anyway with his readers and to me that's the most important thing. I think we should probably all just let this go.
  • Nick
    "You've made your own bed" is only a euphemism for "I don't want to forgive you".

    Get over it. They gave a prompt, clear and apologetic explanation owning up to everything as well as realizing the detrimental affect the post had on their reputation.

    They've pledged never to do this ever again and promised their continual practice of journalistic integrity and reliance.

    This is all that can be done. Give them a break.
  • I didn't realize we were in church.
  • GothamKnight
    Take a chill pill a$$ hole ... yo momma made yo bed when u pissed inside ur tramp! how is integrity shot when u sell coverage? its perfectly ok to sell whats urs - unlike u who sold ur tramp for a qucikie!
  • If this is the level of the outlet's readership, maybe ethics aren't the biggest concern......
  • nathrat
    *yawn*, go troll somewhere else.
  • ericdpalmer
    Please define how /Film's integrity is shot, did you even read the "advertisement" in question?

    1. Directly under the header photo of Mendes it clearly states that the article is sponsored by Focus Features, clearly they weren't trying to hide anything.
    2. The CONTENT of the article is not focused on promoting Away We Go at all but on a variety of works by Sam Mendes and IMO is intended to provide the reader who hasn't seen his films an idea of his directing and storytelling style.
    3. Dave clearly states more than once in the article his personal takes on Mendes' films and lets the reader know that while he hasn't seen Away We Go, it was favorably received by other members of the /Filmcast crew (Quigley) which is again a statement of fact and not "shilling" for the film (you should listen to the 'cast some time... it's a quality program)
    4. That's some clever editing with the quote you chose... seen in it's entirety that paragraph paints a very different picture of the situation:
    "We agreed to support the advertiser by crafting an editorial relating to the director or stars of the film, provided we could exercise complete editorial control of the piece. Some options on the table were Top 10 or a Top 5 list, but we came up with the idea of a retrospective on Sam Mendes, which they agreed to."
    Seems to me they took the proper steps to A) protect their integrity B) Create an article that was worthy of posting on /Film and not another worthless "top X" list.

    If you are to have ANY qualm with the original article, I would focus on this excerpt: "With the recent release of Mendes’ new film Away We Go, we thought it’d be cool to take a look back at Mendes filmography."

    Despite the clear language at the top of the article, this statement makes the original intent more suspect - yet technically still in line with the fact that it was /Film's idea to use that format for the article (shades of gray).

    At least they are willing to discuss the situation in an open manner... while all you've managed to do is lead an uprising to drive dissenters to your shitty site. Piss off.
  • Username
    That'd be fine if this was the first time you guys have done this. Back in the old design you'd started to integrate ads with posts, making Ads for Gran Torino look like news items.

    I understand you guys are running a for-profit site, but there are better ways not to piss off your readership.

    When I commented on the Gran Torino bullshit in December my comment for some reason magically got deleted. There's a policy of censorship and hucksterism on this site that's disconcerning.

    You're a young site, you rose fast, and you can topple just as quickly if you keep this crap up.
  • TheGreenMalice
    I hadn't planned on commenting on this, until I read this post. I experienced almost exactly the same circumstances. In fact multiple replies were made to vanish, quite possibly on that exact same posting.

    I love the site, and what these guys do, but that was the moment that I stopped checking in as often.
  • HolyShitMatt
    I've also had replies not register but through intelligence I deduced that it was likely ID, and not the mods. Crazy thought.
    Even if that's not the case Peter doesn't seem like the censoring type. I've seen some crazy ass comments on here.
  • TheGreenMalice
    The replies did register. In fact a message popped up and said "This Comment is Currently in Moderation". There was enough coincidence at that time to make me question whether something funny was going on. Every post was positive towards the film, there was a giant video ad for the film in the center of the post, and comments were going into moderation. Whether anything screwy was going on, there was enough evidence to point that way.

    Based on the post above its obvious that some of these things were going on in one form or another. I come to the site to hear the guys opinions, and other posters opinions, not the studios opinions.
  • HolyShitMatt
    I appreciate you pointing that out. If I was in your position I might have had the same response.
  • red sun
    yeah, i had some posts mysteriously vanish as well. these posts had an anti-advertising bent to them. made me wonder. but i have to say the censoring has seemed to get better as of late. this is a fun site to come to. the reason it's fun to read is that it seems like real dudes with real opinions and not some bs like ew or premiere. i hope that doesn't change. seriously, sponored editorials is such an orwellian and lame way to say advertising.
  • afrovince
    im going to see if my transformers 2 post was posted or not. it was about replies to the film, and how i thought studios were "tackling" this forum with positive or (mostly) negative views. it wasn't up an hour after, or 12 hours after, but after reading this i'm going to check and will let you know.

    As far as the full-disclosure that /film gave, man, good for them. And they chose to do a "retrospective" of the filmmaker, with honest opinions, instead just fluffing the film. I respect them.

    The integrity of my posts as anti-studio stuff... well, we'll see.

    p.s. I'm taking a screen shot when this post says it gets posted.
  • afrovince
    my transformers 2 post was posted.

    /Film still has not let me down yet.


    and for the haters.... GUYS AND GIRLS-----THEY TOLD YOU IT WAS A RETROSPECTIVE ON THE FILMMAKER AND WAS APPROVED BY THE DISTRIBUTION COMPANY.

    If anyone has any problems about integrity, go read JOEL SIEGEL'S reviews of films.

    and then check his bank account. :P
  • Lumberjack
    I agree. I mean c'mon they're bloggers they make a living through advertising. Even if it was a paid retrospective on the director so what? I never get the feeling that the opinions on here aren't genuine.
  • Prisoner627
    I admit that I read the Mendes article with a hint of pessimism. Thanks for addressing the issue, appreciate the explanation.
  • tyler
    not a big deal, still love the site. i also would have a hard time finding a movie site that isn't influenced in some way or another by the movie industry. all of these 'we'll fly you out to see us filming Terminator 4 or Watchmen' happenings, those are just as guilty, or more guilty in some cases since they won't admit they've been bought, then running a retrospective of a film maker's work. i thought it was tastefully done, i appreciated the preface to the original post, and i appreciate this post. but i personally dont find it a big deal at all.

    at least you clarified it from the start, instead of hiding under the guise of 'set visit' or 'dvd box set review that the studio sent us free'.

    plus i like the way your site is structured over most, easy to get updated on news, and your reviews are generally less biased and more 'just the facts' based. kudos and keep it up.
  • Bob
    comments being deleted is what bothered people the most i think
  • Thanks for clearing this up Dave - it's a weird time for all journalist and the film industry in general, we are all trying new things and some are hits and some are damn misses. I truly appreciate this post and to bring back in discussion the role of editorials, the future of online advertising, and the squashing of bickering bloggers.
  • I have no problem with it, especially with the disclosure at the front. If anything, it gives *more* credibility to the posts without that disclosure because you know there isn't even a hint of direct advertising behind it. And I enjoyed the Mendes retrospective, too, especially with the criticism making it clear you weren't pressured into giving purely glowing reviews.

    There's absolutely nothing wrong with advertising, properly disclosed. We all have to make a living. :)
  • don't sweat about it, /film is still the most interesting and up-to-date film blog for me — I didn't even notice
  • guest
    Very professional explanation compare to the rude childish twitter conversations! Thank you.
  • Sam
    Deleting comments just for disagreeing or making points is complete and utter nonsense. Fair enough if they're personally insulting but otherwise it defeats the point of having comments!

    I'm surprised you haven't posted the 10 best moments in Totally Rad Show history or Dan Trachtenberg's life through haircuts - the cross promotion on this site and the podcast has gotten to the point where I actually grind my teeth. You should pay for my dental bill you're doing it that often.
  • Phil
    Very true. I've had my comments deleted far too many times - usually when I'm criticizing a VOTD post from CollegeHumor that ripped off one of my films.

    Also, you did 'sell coverage' in this case. You posted this piece in the same section as the rest of your news. If you want to 'have it both ways' you're gonna have to build a subsite dedicated to these advertising partner pieces.
  • Edward
    I've had a lot of my comments deleted for what only I can describe as a "differing opinion." There have been quite a few times where I've made a respectful comment disagreeing with a point or points in an article only to come back later to see my comment deleted. It's an incredible notion to think there is someone childish enough with that about of time to sit around removing valid comments. That's the exact reason why I only visit this site for the facts and no longer opinion.
  • patrickoriley
    I've been censored many a time on this site. I kind of think I would enjoy it better without comments. But then, with no news, and no comments, what's left?
  • We don't delete comments for "differing opinion". We delete comments that add no value to the discussion (is a comment like "no this film sucks" or "your wrong") or comments that are personal attacks on the author or other commenters (rebut the opinion all you want with intelligent debate but not insults) or comments that detract from the conversation at hand (if you're off topic, prepare to be deleted). Look at any post on this site, and find me one post where there isnt a comment with a differing opinion... thats ridiculous.
  • mcgruff
    this is part of why slashfilm is my favorite film site- you guys take criticism and dont ignore the concerns of readers, and always quickly address any issues that come up. keep it up.
  • "...we came up with the idea of a retrospective on Sam Mendes, which they agreed to." If Focus Features had to "agree" to anything on the editorial side, it's still a conflict of interest and a compromise of integrity. That's not an out, it's an indictment. Unfortunately this is the result of following the lead of newspapers which, in fear for their lives, have made similar allowances. It's not OK...it's a symptom. But I'm heartened to see the lesson has been learned and Slash Film should take pride in their readers for so quickly and thoroughly calling bullshit. They've done their duty well and you've listened. A good showing for the vitality of the blog community.
  • ericdpalmer
    "If Focus Features had to "agree" to anything on the editorial side, it's still a conflict of interest and a compromise of integrity. That's not an out, it's an indictment."

    Clearly, not many people on here deal with business transactions very often... Typically when a company is looking to make an investment based on: "x, y & z" they will want to know prior to signing the check if those terms have changed and to what extent. /Film getting final approval on the format of the article has nothing to do with compromising their integrity, simply finalizing the details of the transaction - grow up.
  • Nate Mohr
    Did Rian Johnson pay you to hype his film too?
  • Nope.
  • Mellowie
    I liked the article. And would like to see more of those style even if its not presented by a studio.
  • tony
    ah, called out on the internets. well, you guys have to make a buck right? Who needs integrity, it's not tangible! At least you write a follow up post that explains that you're sellouts. That's admirable. Most blogs would just put "this is an advertisement" and spit in the face of all their readers. Luckily, after you spit, you wipe it off with an ?apology? Then you check back, and the post is still there! that takes balls, i commend you on that
  • Dave
    Dude come on. They are giving you a bunch of movie news and entertainment, free of charge and want to earn some money to pay the rent and you're attacking them for that?

    How is it spitting in the readers faces when they clearly mark the post as paid for? Jeez.....
  • ericdpalmer
    not to mention hosting fees for all the trolls... that shit's expensive!
  • The fact that you even have to write this is a bit ridiculous. Magazines, newspapers, and TV news and editorial works have all done this before and will all be doing it in the future. As long as you aren't writing anything that undermines your editorial integrity (forcing opinion and taste) there is nothing wrong with keeping the lights on and paying the bills. Anyone that finds this to be such a big problem and IS part of the industry perplexes me. If they want to be that critical then they should make sure they pay to see every movie they ever watch, never go to free press screenings, don't accept a drink or paid for set visit from any studio or PR agency, do not accept exclusive trailers, posters, stills, interviews, soundbites, scoops or anything else that comes as a result of dealing with movie studios, pr agenceies, ad companies, etc. They are all being paid for by someone other than the editorial company, and thus could be looked at in similar lights. Just because you have sold something on your site doesn't mean that you have sold your soul or all of your content. Almost every last page of xml/html on the interet is created by someone who wants it to be part of an equitable business. I'm guessing the angriest are those who are upset that no one wants to buy anything on their site, and the readers who are most upset just don't understand what it takes to be able to pay people in order to have writers, editors, artists, programmers, etc. to keep these sites running.
  • Ryan
    Well put and agreed.

    I appreciate the explanation and I will continue to be a /Film reader and listener.
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