high_rise_header

The first promotional poster for Vincenzo Natali’s adaptation of High Rise has been found online, along with a synopsis for the film. You can see them at the site of Capri Film, or at Quiet Earth where I first found them. Capri updating their site at this time suggests they prepared the material for the film market at Cannes.

The original novel High Rise was written by J G Ballard, the recently departed visionary of speculative and satirical fiction. In his career stacked high with nightmarish visions of humanity, this one ranked among the most frightening. You can see the poster above (nothing higher resolution is available) while the spoiler-free synopsis will follow the break.

According to the following, Natali has pinned down the location of the story to the midst of a great ocean. In the novel, this was not stated, though a filmmaker does not have the luxury of so easily disregarding what might be seen through the windows. A blessing and a curse.

In the midst of a vast ocean stands the Elysium Tower – a glistening vertical city – a sanctuary for challenging times.

Powered by sun and earth, designed by the greatest architectural visionary of the new millennium, Elysium is a self contained world. A world of commerce, cuisine and entertainment, featuring restaurants, swimming pools, libraries, cinemas, even a research hospital. It is not just the tallest and most technologically advanced work of modern architecture, but one that embodies the world’s highest aspirations.

Dr. Robert Laing, a new arrival, settles in and adjusts to this hermetic life. But before long he becomes aware of something unsettling in the building. In an escalating atmosphere of unrest the residents break into tribal factions. Laing watches in horror as the myth of a utopian society is shattered.

Natali made his debut with the audacious, delicious, indelible Cube and has since built up what is perhaps the most underrated body of work in modern cinema, definitely in the sci-fi and fantasy genre. His fourth feature film, the body horror Splice, is set for release later this year. That film stars Adrien Brody and Sarah Polley and I absolutely loved its screenplay. Can’t wait.

Ballard also wrote the novels The Atrocity Exhibition, Cocaine Nights, The Drowned World, The Burning World and The Crystal World, among many others. Previously, his Empire of the Sun was adapted into a feature film by Spielberg and his Crash was brought to the big screen by David Cronenberg. Currently, the Machinist team of Christian Bale, screenwriter Scott Kosar and director Brad Anderson are planning to reunite for an adaptation of Ballard’s Concrete Island.

I’d be very interested to find out more about Natali’s adaptation of High Rise. Apparently, Rudy Wurlitzer is also due a screenwriting credit, though it is possible his material will be from past drafts. Other writers to have taken a crack over the last 30 years or so include Paul Mayerbserg, who planned it as another collaboration with his The Man Who Fell to Earth director Nic Roeg.

  • Raw_Rodrigo
    In other words, Bioshock: The Movie.
  • Very much not. Though Bioshock may have folded a bit of High Rise into itself.
  • Annoyed as this was the one book I wanted to turn into a movie.
  • jason B
    no, not bioshock at all.
  • mamer
    I just loved the fact that C. Bale was the amazing child actor in Empire of the Sun (he was, what, 10?), and is commig back for anothe Ballard adaptation.
  • This certainly has potential. Natali is underrated for sure.
  • jimmy
    you are kidding, right? underrated based on three (rumor has it four) fairly flawed movies? how many chances does one filmmaker get before someone else gets a turn?
  • Jordan
    man i loved loved loved cube. this should be great.
  • CyT
    Sounds very intriguing. Please keep us up-to-date on this guy and project.. interested to see how it turns out.
  • cantona_x
    I'm just wondering where has Natali been, big fan of CUBE, love the CYPHER, can't say much about NOTHING, and even his debut short Elevated is fantastic!

    Also, very glad to see him making the making of for Gilliam's TIDELAND
  • Zeal
    Anyone else think that the skyscraper looks very much like the world's soon-to-be tallest skyscraper? Burj Dubai.

    http://en.wikipedia.org/wiki/Burj_Dubai
  • is it just me or that poster remind anyone else of Rapture? (the above water section I mean, the lighthouse/art deco monument)
  • freemachine
    "He said erecting...he-he, he, he-he-he..."
  • Why not just call the movie "Would you Kindly?"
  • Just one correction: the book clearly states that the high rise sits just outside of London and not on a ocean. Not that that matters - I think taking it to an ocean location will make the story more viable, since you don't have Ballard's great prose to deflect attention from the outside and create the insularity needed to make it work. Like you said, filmmakers don't have the luxury to not look out of the window.

    One bit does worry me, though: "Laing watches in horror as the myth of a utopian society is shattered."

    That is hardly in theme with the book, but once again I suspect some liberties had to be taken to transfer the story to the audience (it also means the opening of the book might not have been used). My main concern, ultimately, are the last two chapters: these are not audience-friendly. Personally I think High Rise is a bit too edgy to get any true recognition as a film.

    Finally, damn right Bioshock took a couple of big ideas from High Rise (even if it didn't know it). This was always Ballard's knack - predicting the obvious far before anyone else thought about it.
  • faraimpresii
    Getting hard or having an erection or erectie is sometimes a big problem on a man. Some 30% of men over 40 years old suffer from this problem and although sometimes the thing might be physical most often it's because of a lack of confidence (or psychological to say the least). Pills aren't always the solution and to get over your erection problems you need both counseling and propper medication imho.
blog comments powered by Disqus