Alexandra Korne
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Markus Bensch
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Russell was awesome as the Stunt Driver and yeah forget a remake of EFNY just shoot the next one with Kurt set after EFLA. !!! Brolin can bite me!

Don’t get me wrong, I thought Kill-Bill was awesome and he’s got talent but its clear why Grindhouse bombed.

Winestiens totally punished both directors for the bomb by not putting them out on the same dvd. That’s inside punishment big-time. And they didn’t care about the fans , “what fans” was there pov.

Kill Bill was an amalgam of the 3 things Quentin grew-up on. Kung-fu cinema, spaghetti westerns, and blaxploitation. Quentin has stated this plenty of times. Along with the films he was inspired by. KB is original in the fact that he menaged to merge all 3 and make a coherent and great film out of it. Along with a soundtrack that invokes all 3 of these genres. Ennio Morricone with the likes of Isaac Hayes and RZA? Thats fucking excellent.

Tarantino respects HK and Japanese cinema immensely. And it was evident when he had Sonny Chiba and Gordon Liu in them. Even going as far as using the “original” cameras used for those classics in sequences involving Pai Mei.

Really? I’m the first to point out it’s just a slightly modified Dirty Dozen?

I thought the inbetween trailers were classics. (Don’t open the door and Thanksgiving LMAO).
Planet Terror was just another Zombie Comedy with a leg-gun gag.
(showing more Willis in the trailer might have helped).

And Death Proof was allmost unwatchable. Listening to 3 skanks talk like Tarantino was nausiating.
I found myself enjoying the first car crash if for nothing just to shut that bitch up. (You know the bitch I’m talking about, leg hanging out the window).

Besides “Machette” my favorite part of the films was the last 2 seconds of death proof when the girls all high five.

As for Grindhouse, The Weinsteins didn’t market or produce any media that showed how the design of those two films worked. You can ask anyone who saw those films and what they thought of the trailers prior to the films launch.

In the end, the Weinsteins fucked up plaing and simple and didn’t market it right. I knew some people who left right after the first film thinking that was it. Even with the fake trailers.

that is all.

this little piece of news has taken so fucking long to be real.
now on to the next phase of waiting for it:
actually waiting for it.

What’s with this 2 films are better than one trend from Tarrantino? Sure didn’t work for Grind House.

Why don’t you just buy it? I am from germany and I imported the uncut japanese cut directly from japan. Was not a big deal.

Still no word on the fully uncut Kill Bill? …anyone?

:’(

Can’t wait.
2 films? Glorious.

So what. He talks huge, but the dude delivers huge everytime, even when it’s slightly off like Grindhouse. I don’t really understand the negativity aimed at QT. It’s cool to get an inside look at the projects rolling around in someone’s hyper mind. I’ve always liked QT’s openess about his creative process — it’s like an involuntary cocktease, sure — but it’s uncensored, unfiltered and it’s preferred over the polite PR-addled swerving so many directors do nowadays. He has a vision that doesn’t fizzle as he ages. Is that a fault?

The guy likes to talk, but the ball is rolling on his huge WW2 movie(s) - which he wrote and wrote and wrote. You can’t expect the guy to pour movies like a pregnant swine, and it’s odd how so many people will defend lesser directors over one of the living greats. QT has proven himself. He gets a lifelong pass. All of the “yeah, but he steals everything” arguments are so tired. Compare Kill Bill — its sheer originality, and the balls it takes to give a female such a tasty, epic, emotional role even now (sad) — to all of the shit that gets remade and remade or ripped from other sources. Have some faith, and prepare to see some Nazis bite the dust like never before. Some people act like this is Michael Jordan coming back to play for the Wizards. It’s not…at all. What the hell.