Harold and Kumar

As of Monday night, I projected that Harold & Kumar Escape from Guantanamo (Warner Bros) would win this final pre-Iron Man (Paramount) weekend, and I’m standing by that, although I don’t expect any new film or holdover to top $15M.

Industry tracking suggests that the Harold & Kumar “legend” has grown exponentially since their first adventure in 2004 that delivered a modest $18.25M. I’m told that this stoner comedy has a Total Aware above 70% and more than 60% of Males Under 25 have Definite Interest. One reason this call is tough is that the picture sports an R rating, but with a over 30% of Males Under 25 calling it their First Choice, I’m going out on a limb and forecasting a win.

Kal Penn and John Cho have become the latter day Cheech & Chong thanks to DVD, cable and midnight movies. In the first H&K adventure, a convoluted trip to White Castle, they gave us gems like this:

Harold: I want 30 sliders, 5 french fries and 4 large Cherry Cokes.
Kumar: I want the same except make mine Diet Cokes.

Young males are predictable. When they say that they’re interested, they tend to show up on opening weekend. I say Harold & Kumar Escape from Guantanamo will deliver $14.5M on opening weekend, and that should translate to about $30M domestic by the time it finishes its domestic run.

The Tina Fey/Amy Poehler comedy Baby Mama (Universal) has a more friendly PG-13 rating, and it could certainly win the weekend based on Total Awareness exceeding 70%. Its strongest demo in tracking, however, is Females Under 25, not nearly as reliable, especially when young males tend to make the decision on “date night.”

There are 2 other factors working against Baby Mama. First, Harold & Kumar is the 2nd choice of Females Under 25 with a score in the double digits. Also, Universal’s holdover Forgetting Sarah Marshall will hold strong, based on word-of-mouth, and it will, to some degree, cannibalize the audience for their new release. I am predicting that Universal will grab the #2 and #3 positions in the Top 5 with Baby Mama on top at $12M. Ultimately, the Fey/Poehler vehicle will finish its domestic run with $26M.

The other wide release is the barely-screened-for-critics Deception, which is being dumped by Fox, despite a cast that includes Ewan McGregor, Hugh Jackman and Michelle Williams. This picture is DOA and will be lucky to reach $4M on opening weekend. Ultimately, it will be tough for this bomb to reach even $10M domestic.

Last bit of tracking info for this week. On Tuesday, I wrote that for next week’s Iron Man, “$60M+ is all but guaranteed.” According to the latest tracking and conversations with several studio sources today (Thursday), I’m revising Iron Man to $100M in the period starting Thursday (5/1) at 8pm and ending Sunday night (5/4). In fact, Paramount’s company line seems to be that “anything that starts with a 7 would be great.”

If Iron Man’s own studio is talking about $70M, it’s safe to call for something bigger, and $100M seems like a good bet. Also, given the advantage that Spider-Man 3 received for being the first blockbuster of the summer, I think the Robert Downey Jr. Marvel superhero epic could finish its domestic run with $275M.

FINAL PREDICTIONS FOR APRIL 25-27
1. Harold & Kumar Escape From Guantanamo (Warner Bros) - $14.5M
2. Baby Mama (Universal) - $12M
3. Forgetting Sarah Marshall (Universal) - $11.2M
4. Forbidden Kingdom (Lionsgate) - $10.7M
5. Prom Night (Sony) - $4.4M
6. Deception (Fox) - $3.5M
7. Nim’s Island (Fox) - $3.4M
8. 88 Minutes (Sony) - $3M
9. 21 (Sony) - $2.75M
10. Horton Hears a Who (Fox) - $2.1M

Read more at Fantasy Moguls.

  • JFK
    I wish this site would do less box office tracking and focus more on obscure releases and smaller films being distributed or bought.

    It seems like things have gotten very commercial here at /. Like its only an important movie if its coming out via a major studio... when we all know that has no bearing on the quality of a flick. What's going on outside the U.S.? I'd like to see some news that concerns overseas releases and "foreign" pictures, you know, they're not all in black and white anymore.
  • they have color overseas now. are you sure
  • JFK
    Yes and I've heard that there are subtitles that convert their language into words we can process but that now don't kill us as they did in the 19eighties and nineties.
  • Ali
    I love the box office tracking - keep it up.

    More foreign/obscure stuff would be a bonus, but I primarily visit this site to check out US news and stuff that is likely to have an impact on my line of work, despite my interests in the smaller stuff.
  • jim janes
    i don't think it will make as much as you say

    i'm thinking mid-60s
  • Captain Awesome
    Just got back from seeing H&K. Laughed my ass off all the way through. Much better than the first film.
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