Joe Carnahan Red Camera

Joe Carnahan plans to embrace the new high definition revolution, and hopes to shoot his upcoming Pablo Escobar biopic Killing Pablo on the new Red camera system.

“I really want to do a great deal of KP on the Red or another digital format that gives me the same kind of freedom that that particular system grants. We took it out in Sacramento and shot all over the place with it and I was just amazed on how simple the set-up was. Now I don’t think the Red can handle low light like the Genesis. Not yet at least. I think around 1000asa was where we were most comfortable with it. BUT, in its handheld configuration, it’s probably 10-12lbs lighter than the Genesis and that’s huge. It’s ease of use is unsurpassed as far as I’m concerned.”

They are using the new Red system on the new Gerard Butler movie currently titled Game (butt his will change) and it was incredible. The way the digital workflow frees the production process is the future, no doubt.

source: SmokinJoe

  • Sergio
    Go ahead and call me a luddite, but I STILL prefer film over video (HD or whatever) any day of the week to film. Is it just me but I can see those aritfacting effects (that sort of smeary afterimage especially in low light or nighttime) in a film shot on video like Superbad, Miami Vice and Before The Devil Knows You're Dead. It was especially bad during that robbery sequence in The Lookout which was one big confusing, muddy, poorly shot mess I don't understand why opther people are bothered by that sloppy annyoing, poor quality look
  • Jon
    By the way, the RED camera system isn't really HD by any measure of standards. It captures images in 4K raw images. Most film-digital scans for post production never get above 2K. It's light years beyond the vipercam that Michael Mann used to shoot Miami Vice on. I'd check it out before you knock it. RED.com
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